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who fackin cares man

@zero3finity

This is Thelockpickinglaywer and what I have for you today is something very interesting. As you can tell by the agonizing screams of the damned, I have recently left the mortal coil and, upon arriving at my destination, was informed that I did not qualify for residence. I was taken by an angel of the Lord to the mouth of Hell, and when the angel left, he closed this rather large red door and sealed it with a divine key. Although I’ve never seen this particular model of lock before, I’ve spent some time investigating the cylinder with this small shard of bone. By sticking it in the back of the keyway and slowly pulling it out, I can tell that this is a five-pin tumbler lock, that can easily be single-pin picked using this shed demon scale as a tensioner tool. Let’s try that right now. Alright, nothing on one. Nothing on two. Three is binding firmly, click out of that. Nothing on four. Five is binding, little click there, back to one. Once again, nothing. Two is binding, and we’ve dropped into a false set. Little click out of three. Nothing on four. Little click on one, counter-rotation on two, and we got this open. Okay folks, I think the main takeaway here is that no matter how much faith you place in a mechanism designed to ensure your safety, be it spiritual or physical, there is always a state in which it can fail. In any case, thank you for watching. Memento mori, and I’ll see you next time.

PHARAOH’S CURSE 𓀀 𓀁 𓀂 𓀃 𓀄 𓀅 𓀆 𓀇 𓀈 𓀉 𓀊 𓀋 𓀌 𓀍 𓀎 𓀏 𓀐 𓀑 𓀒 𓀓 𓀔 𓀕 𓀖 𓀗 𓀘 𓀙 𓀚 𓀛 𓀜 𓀝 𓀞 𓀟 𓀠 𓀡 𓀢 𓀣 𓀤 𓀥 𓀦 𓀧 𓀨 𓀩 𓀪 𓀫 𓀬 𓀭 𓀮 𓀯 𓀰 𓀱 𓀲 𓀳 𓀴 𓀵 𓀶 𓀷 𓀸 𓀹 𓀺 𓀻 𓀼 𓀽 𓀾 𓀿 𓁀 𓁁 𓁂 𓁃 𓁄 𓁅 𓁆 𓁇 𓁈 𓁉 𓁊 𓁋 𓁌 𓁍 𓁎 𓁏 𓁐 𓁑 𓀄 𓀅 𓀆 𓀇 𓀈 𓀉 𓀊

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Amy Winehouse vs Paparazzi 2011.

RIP

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amy had the mean dropkick

sigma female

tbh i don't really get why we divide the oceans into different oceans because they're all connected it's the same ocean

no metaphor here just pure confusion...is there a line where one ocean stops and another begins? or is it like a smooth gradient of percentages of one ocean shading into another ocean?

Yes, there is a line. There are confluences you can see and touch and they are NOT subtle in the slightest.

That's the Atlantic and the Caribbean on a particularly pronounced day.

This is the Indian and the Pacific. It's not always this obvious everywhere but the dividing lines are very much there.

Oceans have their own properties as far as temperature and salinity and unless something like a storm or a current forces them to mix they won't. Mostly this applies to vertical mixing and it gives you things like thermoclines and haloclines but water is wierd and won't mix horizontally either.

The ocean basins tend to have their own currents that go in a circle and define that ocean, and those patterns mix the water within that ocean. Like a washing machine.

The Caribbean has a little loop of its own that not on this map, but that current keeps that ocean pretty internally consistent. It's got clear warm water because of the shallow bowl of limestone sand it sits in. Where it meets the Atlantic with wildly different conditions the water is traveling in opposite directions, and it acts kind of like an oncoming lane of highway traffic. Species that have adapted to a narrow band of temperatures and salinities (most fish) can't cross, while species with a stronger homeostasis hang out there on purpose, (marine mammals, turtles, sharks). Plankton, that cannot control their horizontal movement in the water column, are held in their home territories by these barriers.

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The history of the Disney company is so fucking fascinating and complicated that I could spend the rest of my life studying it.

I hate the company. I love the media. I want it to burn. I was profoundly shaped as a person by some of the art its workers have produced. It's evil. It's beautiful. It's an eldritch horrorterror personified as a charismatic mouse. It's a nightmarish example of capitalist hell. It destroys as much as it creates. It's a flaming trainwreck. I can't look away.

It's the goddamn Elephant's Foot of media studies.

It’s honestly fits perfectly with who Walt ultimately was. A brilliantly intelligent manipulator terrified of the inevitability of loss yet incapable of costing himself as he lashed out at his friends and workers over basic workers rights, driven to obsession over a theoretical town where he was basically a pleasant Uncle dictator who could determine the lives of his citizens right down to what appliances they use.

#tragic kingdom by no doubt plays in the distance (via @currymuttonpizza)

Here are some high poly renders of the characters I made for Neon White. Super happy that I had an opportunity to work on this game and make not only the demon enemies, but also the human characters and cats! Thanks for looking! check out more at my website:  hillsteadart.artstation.com