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@yaydepression

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Something I found very interesting about the Barbie movie was the Ken’s mimicking of patriarchy. I’ve seen some comments putting it as a stance of men’s inherent desire to oppress women but would argue it much more reflects the socialization process many young boys experience that encourages them take on misogynistic views. The kens do not resent the Barbie’s. They’ve grown up in a society the Barbie’s run and the adore and love them. I think you could say that reflects the early stages of life for many boys where often the main role models they know are women, their mothers (as they often have a more involved role than fathers) and eventually their teachers, which women still make up the vast majority of early childhood educators.

The Kens also notably lack a sense of brotherhood at the start of the movie. And it isn’t until they’re in the real world our main Ken experiences positive male attention and approval (which is only due to him also being a man). It is that desire for approval from his male peers that initially drives him to believe in patriarchy.

There is of course also the underlying struggle of his unrequited feelings for Barbie, but none of the kens truly resent the Barbies. They don’t actually want them as oppressed servants. Yes they want their attention, but even during kendom we see them happiest on their cheesy guitar playing group date. They begin oppressing Barbie’s not because it’s what they actually want but rather it’s them mimicking the behaviour of men.

And that is why I think it makes such a great ode to the socialization of young boys to be misogynistic. Boys do not have an innate hatred for women, nor is it something they naturally grow into of their own fruition. But rather it’s a patterned of learned behaviours they in most cases initially mimic for the approval of other men or to gain attention, but overtime becomes a very real ideology then adopt and believe in and likely pass on.

greta gerwig really said. when this girl gets a little sad and confused by the weird and complicated and uncomfortable parts of being human and growing up, she meets god and sits at her kitchen table, drinks her tea, holds her hands. and she asks god if she’s allowed to be happy. and god tells her she doesn’t need her permission. she tells her she’s going to be okay.

adventure time lore is insane. it starts off just being a goofy kids show that has magic for no reason, but then you learn that all magic users are manic and/or depressed (what betty calls sadness and madness). because it turns out magic is actually a cosmic force beyond mortal comprehension, that itself was learned from cosmic entities that predated the existence of time itself inside a sea of monsters. and "magic" really is just understanding more about the nature of the universe than most people. that, in a way, reality isnt "real" and understanding that allows you to mold it. and thats magic. but that drives you to insanity and/or apathy. and there are beings who hold significant cosmic importance who are more prone to magic. and the reason magic became prevalent on earth is because of a nuclear war a thousand years ago, which released the entity that represents the destruction of all life onto the world. and after a nuclear apocalypse this gave way to a new earth, where magic could thrive. but a lot of the beings we see arent even magical, theyre just mutants from what happened 1000 years ago. and humanity as we know it has been all but wiped out. but everything stays the same because cycles of war and violence continue. and it doesnt matter if its nukes or magic. everything stays the same, but still changes.

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sydney's food tour in episode 3 elicits a feral almost indescribable joy for me. it's the way you get to watch her take in her surroundings. seeking. lost in thought.

you get to see the connections she makes with the world around her, how she gets from point a to b, how windows of all things inspire her final pasta shape.

you see her visualize, and think, and think some more (because it's syd and she's so fucking capable but so fucking anxious) until the dish she's working on progresses into something messy and unrecognizable.

she resets, she has to, and then an instant everything is clear. her dish eases into being. a complete thought.

and when she finally brings it into existence?

it's nothing like what she imagined. and, yeah, that makes me so fucking happy because she's not perfect but she's capable. it's not a matter of she can do it, she will. she might resign for a moment but eventually she'll make the pieces fit.

it means so much to see someone who looks like me—who struggles like me ultimately come out on the other side.

one of my favorite bits in doctor who is when someone is like your time machine doesn’t work very well does it and the doctor is like Excuse You, This Is A Type 40 TARDIS That Can Go Anywhere In Time And Space. that’s like if i drove to a place where they don’t have cars but know about them and took someone for a drive and they saw cooling that only works on one setting and heat that barely works and a broken cd player despite the functioning tape deck and shaky brakes and they went mate your cars a bit shit isn’t it and you were like fuck you, this is a 2002 toyota camry, it can drive on roads

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i cannot stop thinking about the scene where peter b turns around like he just realized miguel is genuinely insane it is so funny

like ohhhhh. okay. yeah he’s gonna maim that 15 year old.

and when I write a paper on how rf kuang does the best job in fantasy at portraying radicalization in her protagonists and making radicalism seem sympathetic and then when I compare rin and robin's radicalization journey to that of militant groups in the muslim world and the colonial forces that drive islamic fundamentalism in the middle east and in the west... what then?

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Something that honestly blows my mind about canon bkdk is the shift of Katsuki's mentality about Izuku's eyes. Izuku is starkly remembered/characterized with them, by Bakugou, all the way back in the infamous river scene in Ch 9.

As well as with the sludge villain (not directly, but implied.)

These two occurances expand upon Ch 8 where he first expresses anger at his expression.

And then when the fight reaches its climax, he can't help but mention it again.

We get to see another taste of just how much this bothers him, as he implies that he would purposefully be cruel to Izuku when they were children because Izuku wouldn't stop looking at him and go away.

To skip forward a bit, I've always found it very strange that Katsuki decides to waste a hand to shove Izuku's face away at the end of the Deku vs Kacchan 2 fight. It's honestly not the best way to pin someone, it's kind of inefficient.

But god, in the context of their relationship at that point, I really do think the thought of being that close to Izuku and having him stare at him probably unnerved tf out of him.

It's the biggest aspect of Izuku that he actively dislikes at this point in the narrative, the part of him that Bakugou had thought (until their fight) meant "I'm better than you" rather than "I admire you".

Then Katsuki gets his introspection arc while Shie Hassaikai happens, we get to see some glimpses into his own mental state, Izuku and Katsuki being able to hold very minor conversations, Katsuki waiting up late until Deku comes back (until Kaminari calls him out on it). We know that they're more actively trying to coexist and things don't seem like they've shifted too drastically. Izuku is now comfortable (and happy) at being able to compliment Katsuki. And then we get to see Katsuki's response to all this in the Class A vs B scene.

I'll be honest, I originally was an anime-only, and when I first found out that the anime had fudged/modified these lines to only be "Just watch, Deku", I didn't think it was a big deal.

But in the context of how Katsuki himself has previously dealt with and contextualized Izuku's feelings and actions, this is extremely important.

He's always seen Izuku as having his eyes pinned to his back which consistently angered and freaked him out in equal measure. He's never WANTED Izuku's attention and has, for the majority of their childhood, seen it as a negative. But now we have a genuine case of Katsuki wanting Izuku to not just look at him but to KEEP his eyes on him, to keep watching him, to not look away.

We also get to see just what exactly he wants Izuku to see, and its Bakugo accepting Izuku's part of being a hero, to Win by Saving. And then we get another iconic panel that further implies that Bakugou's change is due to Izuku (which was, again, removed from the anime).

And then finally we get the end of the fight where we get more of Bakugou being a disaster unable to take a compliment and reflexively yelling at Izuku (which also wasn't clear in the anime…).

It's honestly kind of funny bc this idiot literally cannot still directly handle Izuku, but wants Izuku to look at him.

And then we get to see Izuku parallel Katsuki's thoughts, wanting Katsuki to watch him as well (although Izuku doesn't realize it).