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apostasioideae

@writing-garnelen

garnelen | she/her | eng/ru | 19 y.o. | pretends to be a writer | here you can find some wips and a lot of fantasy!! | my second blog about ✨life✨ is @garnelenn |
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valamerys

some notes on POV

I wanted to type up a little rundown of quick n dirty writing tips based on things I see a lot in fic/ amateur original manuscripts, and, uh, it turned out that they all revolved around POV. Nailing point of view in fiction writing is both crucial and one of the least intuitive building blocks of writing to learn: an understanding of POV has been the only useful thing i took from my college creative writing classes, and god knows how long I’d have stumbled along without it otherwise.

So! I am saving you, baby writer, the trouble of slogging through a miserable writing class with a professor who’s bitter as FUCK that genre fiction sells better than his “sad white man drinking” lit fic novels. Here are some assorted writing tips/ common mistakes and how to fix them, as relating to POV:

(this turned into a WALL OF TEXT so i will be using gifs to break it up)

> “I watched the ship tilt” “he saw the sky darken” “she noticed flowers growing on the rusted gate.” no. If the character who felt/saw/noticed etc is your POV character, whether in first or third, then this is called filtering and it takes the reader out of the story by subtly reminding them of the separation between the POV character and themselves. in most styles of writing, this is bad, not to mention it unnecessarily complicates your prose. try again: “the ship tilted.” “the sky darkened.” “flowers grew on the rusted gate.” Readers will instinctively understand that the POV character is witnessing the story happen, they don’t need to be told it.

I’m not telling you to never refer to your character “watching” something, of course: “I watched the birds dart around for hours,” isn’t filtering because watching is a notable activity, here, rather than an unnecessary obfuscation of the “real” thing happening. But understand how phrasing can jar readers momentarily apart from the character viewpoint, and use it with intention.

> Close Third Person POV still requires you to be mindful of your POV character. this is a rookie mistake i see allllllll the time. “Josh cried stupid tears at the beautiful display by the dancers,” is a sentence in Josh’s POV. “Stupid” tells us how he feels about the tears, “beautiful” tells us how he feels about the display. ok. all good so far. BUT.

“Josh cried stupid tears at the beautiful display by the dancers. It was everything he’d wanted from this production, from the lighting to the costumes to the exquisite choreography. Martha had to suppress a fond smile at his reaction; he was always so sweetly emotional after the curtain fell.”

Do you see what’s wrong with this paragraph? The first two sentences are Josh’s POV, and then the third one suddenly becomes Martha’s. A lot of amateur writers don’t even realize they’re doing this, which in its most egregious form is called “head-hopping,” but it’s disorienting and distracting for the reader, and makes it harder to connect with a single character. In multi-person close 3rd POV story, the POV should remain the same for an entire chapter (or at least, for an entire scene/ segment,) and change only between them. If you’re new to POV wrangling, watch your adjectives/ interiority (we’ll get to that in a second) and think “which character am I using as a lens right now, and am I being consistent" every once in a while until you get the hang of it.

> Related: let’s talk about interiority. Interiority is a more sophisticated way of thinking of a character’s “internal narration,” IE bits of prose whose job is not to advance the plot, set tone, or describe anything, (although it CAN do any of those things as well, and good prose will multitask) but to give us a specific sense of the character’s internal life, including backstory, likes, dislikes, fears, wants, and personality. In the above example paragraph, the middle sentence “It was everything he’d wanted from this production, from the lighting to the costumes to the exquisite choreography” Is interiority for Josh. It tells us that not only did he love the show, he’s very familiar with this art form and thus had expectations going in; likewise, listing the technical components is a way of emphasizing his enthusiasm while pointing out that it’s informed, implying that Josh himself is intellectually breaking down the performance even in appreciation.

“That’s a lot for a throwaway sentence you made up for an example.” Well, yeah, a little interiority goes a long way. Interiority is what creates the closeness we have to POV characters, the reason we understand them better than the non-POV characters they interact with. It’s particularly key in the first couple chapters of an original work, when we need to be sold on the character and understand the context they operate in.

If readers are having trouble connecting to or understanding the motivations of your character, you might need more interiority; if your story’s plot is agonizingly slow-moving (and you don’t want it to be) or your character is coming off as melodramatic, you might need less. It’s not something you should necessarily worry about; your amount of interiority in a WIP is probably fine, but being able to recognize it for what it is will help you be more mindful when you edit.

(Fanfic as a medium revels in interiority: that’s how you get 10k fics where nothing happens but two characters lying in bed talking and having Feelings. Or coffeeshop AUs that have literally no plot to speak of but are 100k+ long.)

> try not to describe the facial expression of a POV character, even in third person. rather like filtering, it turns us into a spectator of the character when they’re supposed to be our vessel, and since it’s *their* POV, there should be other ways available to communicate their emotion/ reactions. There are ways of circumventing this, (the example sentence where “Martha had to suppress a fond smile” is an example) where their expression is tied up in a physical action, or something done very deliberately by the character and therefore becomes something they would note to themselves, but generally, get rid of “[pov character’s] eye’s widened” and “[pov character] smiled.”

so that’s what i got! go forth and write with beautifully deliberate use of POV.

Some really useful advice here.

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heywriters

Do you have any tips on how to not forget that characters exist when writing scenes? (especially nonverbal characters)

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Good question, glad you asked. I still struggle with this and I think most seasoned writers do. Especially on stage/film, it’s awkward to have extra characters standing around doing nothing.

  • Make your readers aware who is present. Give everyone a line or an activity explaining their purpose in being there without sounding like a roll call.
  • During the scene, occasionally have the nonverbal characters interact with the speaking characters or engage in side conversations with each other. 
  • Let them react to the conversation, environmental elements, or personal issues (laughing, zipping up their coat, checking their phone). 
  • Occasionally a look or gesture can reflect the motives of a side character. You can focus on it, or leave it vague and seemingly innocuous.  
  • Keep a balance between attention on the main speakers and reminding the reader who’s present. You don’t want to interrupt an important conversation by constantly checking on what the side characters are up to or focusing on meaningless interactions. 

Next time you’re in a group, pay attention to what the non-speakers are doing. The same goes for watching a group in a film or onstage, observe what the director has the background characters doing, and decide for yourself if it adds to the scene without being distracting.

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Oh my god, I've just seen this story on instagram about this guy that filled his bathtub with waterbead...except he didn't think about how he was going to empty it.

So he unplugged the bathtub which was apparently the worst idea he could possibly have because this happened

So he panicked and started asking people on the internet what he should do. Which was also a bad idea.

First suggestion: flush the toilet

This caused a smelly overflow that flooded the whole bathroom.

Second suggestion: vaccum the beads

His vaccum caught fire.

At this point it had actually spread to the neighborhood and people came to ask question but he denied knowing anything about it. He then discovered that it's invaded the whole sewer system.

And yet, he continued to take suggestion from the internet.

Third suggestion: put salt in

It actually worked. Well, until.

Poop apprently started flooding his house.

And then the streets.

It all happened yesterday so we're still waiting on an update on the situation but I hadn't laugh like this in a while.

You should go and watch the whole story (it's in 4 parts)

It's in french, but you get it even if you don't speak it and his screams of panic are hilarious

Word of warning: don't fill your bathtub with waterbeads. Just don't.

Anonymous asked:

What sort of questions should I be asking my beta readers?

QUESTIONS TO ASK YOUR BETA READERS:

When I send out my chapter to be read over by my beta readers, I always include a set of questions typed out at the bottom, grouped into different categories such as: plot, pacing, character, setting, etc. 

You might want to tailor the questions depending on the genre or which chapter it is. For example, if it’s the first chapter you’ll want to ask them about how well your story managed to hook them, or if they managed to easily get an idea of the world you’ve introduced them to. If it’s the climax you might want to ask if the action scenes are fluid, and if the plot twist/s were predictable or surprising. 

Here’s some example questions that you could use:

Opening Chapter:

  • What is your first impression of the main character? Do you find them likable? Annoying? Boring?
  • After reading it for the first time, what is your first impression? Was it cohesive and compelling? Boring and confusing?
  • Did the first sentence/paragraph/page efficiently grab your attention and hook you in?
  • If you were to read this chapter in a bookstore/library would you be convinced to buy it? Or would you need to read further before deciding? Why or why not?
  • Did you get oriented fairly quickly at the beginning as to whose story it is, what’s going on, and where and when it’s taking place? If not, what were you confused about at the beginning?
  • Does the first chapter establish the main character efficiently? Do they feel believable?

Characters:

  • Could you clearly imagine what the characters looked like? If not, who?
  • Who was your favourite character and why? Has your favourite character changed? (if this hasn’t changed feel free to skip this question) 
  • Are there any characters that you do not like? Why do you not like them? (Boring, annoying, problematic, etc.) 
  • Was there ever a moment when you found yourself annoyed or frustrated by a character? 
  • Could you relate to the main character? Did you empathise with their motivation or find yourself indifferent? 
  • Were the characters goals/motivations clear and understandable? 
  • Did you get confused about who’s who? Are there too many characters to keep track of? Are any of the names or characters too similar?
  • Do the characters feel three-dimensional or like cardboard cutouts? 
  • How familiar have you become with the main characters? Without cheating could you name the four main characters? Can you remember their appearance? Can you remember their goal or motivation? 

Dialogue:

  • Did the dialogue seem natural to you?
  • Was there ever a moment where you didn’t know who was talking?

Setting/world-building:

  • Were you able to visualize where and when the story is taking place?
  • Is the setting realistic and believable? 
  • How well do you remember the setting? Without cheating, can you name four important settings?

Genre:

  • Did anything about the story seem cliche or tired to you? How so? 
  • Did anything you read (character, setting, etc.) remind you of any others works? (Books, movies, etc.) 

Plot/pacing/scenes:

  • Do you feel there were any unnecessary scenes/moments that deserved to be deleted or cut back?
  • Do the scenes flow naturally and comprehensively at an appropriate pace? Did you ever feel like they were jumping around the place? 
  • Was there ever a moment where you attention started to lag, or the chapter begun to drag? Particular paragraph numbers would be very helpful. 
  • Did you ever come across a sentence that took you out of the moment, or you had to reread to understand fully? 
  • Was the writing style fluid and easy to read? Stilted? Purple prose-y? Awkward?
  • Did you notice any discrepancies or inconsistencies in facts, places, character details, plot, etc.?

Additional questions:

  • What three things did you like? What three things did you not like? 
  • Can you try predicting any upcoming plot twists or outcomes? 
  • Was there ever a moment when your suspension of disbelief was tested? 
  • Is there anything you’d personally change about the story? 
  • Was the twist expected or surprising? Do you feel that the foreshadowing was almost nonexistent, or heavy handed? 

Feel free to tailor these to your needs or ignore some of them if you don’t think they’re useful. Basically, your questions are about finding out the information about how others perceive your own writing and how you can improve your story.

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Answering in textual asks is both helpful and distracting because I can feel that my writing skills are much better now (not in english, though :’)) but I simply don’t have time to write my WIPs!! I spend all my time on doing homework or writing answers to stay in ask! And I like my asks too much to quit them! It’s so annoying т-т Someday I’ll post here something about my WIPs... someday...
Yep, I wanted to complain, that’s all x)
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tariqah

Interspecies lesbianism

It’s cute guys

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rosalui

nothing but respect for MY lesbian big cat couple

Butch/Butch couple

This is actually hella interesting, bc in simple terms, tigers are extroverts and lions are introverts. There’s more to it, but that’s the gist.

Whenever zoo’s tried to put lions and tigers in the same enclosures, the tiger would eventually try to groom the lioness and play constantly. The lioness would lose patience and snaps at them

So basically what I’m saying is that you have a regal and refined gf who stands at the edge of a balcony during parties, sipping champagne

Then you have the other girl who drank all of the little flutes on the servers platter, and is now drunkenly pointing at her gf and telling everyone that that’s her gf and doesn’t she look beautiful I love her so much

So I had to draw them in human form???

You drew them in the corresponding ethnicities for their Geographic locations!!! Bless you, you have no idea how sick and tired I am of white human lion king characters.

This post is deemed culturally, historically, or aesthetically significant as certified by the National Shitpost Registry.

This is some of that top-shelf, straight-up, good shit. Bless these big cat lesbians.

This post needs more notes

Writing Advice Posts: A Handy Reference Guide

(Updated 8/6/19) Hey all, I’ve got quite a few writing advice posts & answered Asks on my blog at this point, so I’m making this reference guide to make it easier to find what you’re looking for. Hope it helps!

Free Resource Library Downloads

All of these PDFs are available to download in my Free Resource Library.

  • Creating Character Arcs Workbook
  • Point of View Cheatsheet
  • Dialogue Checklist
  • Setting Checklist
  • Questions to Ask Before Hiring an Editor Printable Checklist
  • Proper Manuscript Format Printable Checklist
  • Short Story & Novel Submission Templates

General

The Writing Process, Writer’s Block, & Inspiration

Character Development

Story, Plot, & Pacing

Description, Setting, & Worldbuilding

Point of View

Dialogue

Publishing & Sharing Your Work

Editing

…if you find any broken links please let me know and I will fix them! xo

*I recently changed the name of my blog. All of these links should work, but if you come across a “Bucket Siler has moved!” page when clicking on a link inside an old post, there’s an easy way to find what you’re looking for: In the url, delete “bucketsiler,” write “theliteraryarchitect,” then hit return. Also, let me know about it & I will fix it :)

//////////////

The Literary Architect is a writing advice blog run by me, Bucket Siler. For more writing help, check out my Free Resource Library or get The Complete Guide to Self-Editing for Fiction Writers. xoxo

Biology

Constructed Language (Conlang)

Culture Guides

Economy

Everyday Life

Government

my favorite worldbuilding resource!