Barbara Kruger / Untitled (questions), 1991
Yayoi Kusama (Japanese, 1929), INFINITY-NETS (OOAXT), 2008. Acrylic on canvas, 130.3 x 130.3 cm.
Yayoi Kusama, Solitude of the Earth, 1994,, table, two chairs and cabinet
Yayoi Kusama, A Flower (No. 14), 1953. Ink, gouache, and pastel on woven paper, 14 7/8 × 10 ¼ inches (37.8 × 26 cm)
Faith Ringgold, Born in a Cotton Field: The American Collection #3, 1997. Acrylic on canvas with painted and pieced fabric. 73 ½ × 79 ½ in (186.7 × 201.9 cm) Private collection
Ruth Asawa creating her interactive wire works.
Image: Nat Farbman/Time & Life Pictures © GettyImages
Yayoi Kusama, Kusama in Flower Garden, 1996, Acrylic on canvas, 61 x 73 cm
Ruth Asawa in her studio, ca. 1956
Photo: Paul Hassel
Ruth Asawa, Untitled (S.410, Hanging Seven-Lobed, Three-Part Continuous Form (Stripes)), c. 1955, galvanized steel and brass wire, 81 x 8 x 7 ½ in. (205.7 x 20.3 x 17.8 cm.)
Yayoi Kusama (Japanese, 1929), Night Bird, 1981. Gouache, glitter, pastel and paper collage on paper, 26⅛ x 20¼ in.
Groovin’ High, 1996, silkscreen by Faith Ringgold (American, born 1930).
Photography by John Polak.
Faith Ringgold (American, born 1930). Best known for imaginative textile artworks called story quilts, Ringgold draws on her lived experience and on collective histories to create captivating narrative images. Since the 1990s, Ringgold has used silkscreen prints, such as those on view in this exhibition to share her work more widely. In her prints, Ringgold revisits her childhood in Harlem and amplifies the stories of people she admires.
Yayoi Kusama (Japanese, 1929), A Dream I Dreamed Yesterday, 2006. Silkscreen on canvas, 162 x 130.3 cm.




