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@wolves-in-the-world / wolves-in-the-world.tumblr.com

semi-active Leverage blog (largely ignoring the reboot), main: falderaletcetera || FAQ || Ao3 || wolves or falderal, they/them, adult
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[ID: Sketch in greyscale of Hardison walking while carrying an unconscious Eliot, who is shirtless and bears multiple injuries, including bruises around his wrists, and on his face, ribs and knuckles, and blood on his face and chest. End ID]

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I am slowly returning after a long time of being away due to illness during which no arting was possible 😭 This was a commission from ages ago, but the account is now deactivated so I don’t know if the person who requested it will see it. But I hope they do, and even if not, I hope it brings some people (obviously not Hardison or Eliot because whump is afoot) joy! 😊

I think it’s going to take a while to get my art brain back to proper functionality, but hopefully will do soon 😅

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I think I'm going slightly mad trying to analyse red widow as good media. I could write up a whole thoughtful post about how moreau and schiller are similar characters seen with very different framings because red widow glosses over the gritty reality of the world the protagonist is born into and gets dragged into after her husband's death, and it would have some merit, OR I could just accept that red widow is just very bad and best watched with one's brain entirely disengaged until a nicholae scene pings as interesting.

(which some of them really are. genuinely, nicholae and moreau make the same "there are assets and liabilities" and "please be an asset" points. nicholae gives a lovely little villain speech about money and trust being the only things that matter in business. his casual murder of a poor sod that I and the protagonist had actually come to like, shrugging it off with "there are many [name]s" like that's some consolation, was delicious. the torture joke he made while someone was trapped in an elevator with him, reminding them that they probably shouldn't be wasting his time, made me clap with joy - and the way the actor can differentiate between genuine warmth and the kind of smile that is 100% a predator's warning with, as far as I can tell, only his eyes, is just so good.)

(I just need to avoid falling into the trap of treating the whole thing, or even just nicholae's character as a whole, as something that stands up to good analysis. no matter how much the creators' love for the story shows in some of it. and no matter how much a talented actor clearly thrived in the role.)

(folks I'm going through the five stages of grief about this fuckin show.)

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listen. the damien moreau vibes are very fun, nicholae schiller is very cute, but I want to talk about how much he cares about his father.

how laszlo schiller will turn the television back on to keep watching sports while nicholae's taking an important call and nicholae just gives him a look about it that speaks of exasperation and nothing more. how nicholae takes advice from his father, with a grain of salt, yes, but internalises it all the same, which I didn't really see until darkfinch pointed it out. how we don't see any true cruelty or resentment in this relationship at all, which compared with the absolutely toxic petrov patriarch situation is kind of stunning all by itself.