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TOMB SONG, a novel by Julián Herbert, reviewed by Katharine Coldiron • Cleaver Magazine
What an odd book Tomb Song is. It contains prose both beautiful and profane, extensive self-awareness and a troubling level of self-ignorance. Its author and its narrator blur together into an entity that is never quite one or the other, and it doesn’t distinguish between fiction and nonfiction with especial meticulousness. That is, the narrator and the author have the same name, the same wife and child, the same job, and the same literary accomplishments. It remains undefined whether, in what passages, and to what extent Herbert has fictionalized his life to write this book, which a reviewer in a Chilean newspaper called “an elegy to his mother.”