DISINHERITANCE, poems by John Sibley Williams, reviewed by Claire Oleson • Cleaver Magazine
Language is almost intuitively understood as a tool for possession—a form of communication which allow us to hold and deliver ideas between minds. However, John Sibley Williams’s latest poetry collection, Disinheritance, demonstrates how language itself is anything but concrete or possessable. By employing themes of abstraction, fictionalization, and absence, Disinheritance depicts a reality that is only accessible through distortion. Williams’ poems hone in on the moments where language breaks off, proves insufficient, or only serves to describe a situation rather than explain it. In this way, Disinheritance investigates how poetry can both be made out of language and escape it. Like a snake eating itself, Williams’ lines often turn back on themselves, admitting that their bodies are made out of English while also refusing to be limited by the borders of their syllables.
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