BLOOD HYPHEN, poems by Kenny Williams, reviewed by J.G. McClure • Cleaver Magazine
Frost said that, like an ice cube on a hot stove, a poem must ride on its own melting. It’s an apt description of the poems in Kenny Williams’ Blood Hyphen, winner of the 2015 FIELD Poetry Prize. Take the book’s opening poem, “About the Author,” which begins: The genius of Diogenes: all his books are lost. But really that’s the genius of the books and not the man. If I can speak for the man, his diet of worms and onions makes me feel like a pig when I go to the store and it’s midnight and the store is closing. Riding on its own melting, the poem proceeds by continuously undermining itself. The genius of Diogenes isn’t really the genius of Diogenes but rather the genius of his books—all of which are lost. So to be ingenious, a piece of writing should not exist—a darkly funny argument that undermines the very act of writing the poem in the first place. The speaker then proposes to “speak for the man” Diogenes—but does no such thing, instead talking about his own experience in the grocery store.