ACROSS THE DIVIDE AND BACK: How Writing Poetry Is Changing My Nonfiction, a craft essay by Vivian Wagner • Cleaver Magazine
Writing poetry has also reminded me once again to pay attention to the rhythm of language. Rhythm is central in poetry, but I often overlook it when writing nonfiction. When we read anything, there’s a hidden music to it. We hear the words, as well as the relationship between the words, the stressed and unstressed syllables, the complex intertwining of word and phrase and sentence. Listening to rhythm is understood and expected in poetry, but I’m now more conscious that it’s just as important in nonfiction. I’ve been thinking much more about rhythm and flow. I’ve started reading my nonfiction aloud, as I do with my poetry. Since I’m a musician, I’ve always at least unconsciously understood the relationship between writing and melodic line and rhythm. Writing poetry, however, has reminded me of that relationship, made me sit up and take notice. And in recent months, my nonfiction, such as my short essay “Cut,” has become more rhythmic and musical.
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