A WORKING WOMAN, a novel by Elvira Navarro, reviewed by Melanie Erspamer • Cleaver Magazine
“She wanted […] the location of her madness to be now the location of her art.” This is how the narrator of The Working Woman analyzes her roommate, but the same can be said of the narrator herself, and perhaps as well of the only figure in this postmodernist novel who actually “speaks:” the author, Elvira Navarro. The text becomes the conjunction of madness and art, which share one abstract and yet delineated “location,” madness needing expression through art, or art uniquely poised to express madness.