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How Madame Tussaud built her house of wax
PARIS SEETHED WITH tension in the summer of 1789 as crisis engulfed France. Gripped with revolutionary fervor, the people were clamoring for a greater say in their government. In July outrage grew after King Louis XVI fired his ­reform-minded finance minister, Jacques Necker. A huge crowd of revolutionaries took to the streets of the capital, waving black flags and mimicking a funeral cortège. They bore wax effigies of both Necker and the pro-democracy prince, the Duke of Orléans. Taken from the collection of a well-known waxwork artist, these likenesses may have been sculpted by his apprentice, Marie Grosholtz, who would become