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1917 - Review - Set The Tape
Faux one-take films are not a new invention. Alfred Hitchcock utilised the approach in the excellent 1948 thriller Rope, while the Academy Award for the best picture of 2014 went to Alejandro G. Iñárritu’s Birdman. It’s often questionable as to what the technique actually brings to a production: certainly with the latter it served only …