review: "hadestown" is rachel chavkin's magnum opus
After her production of Dave Malloy’s “Natasha, Pierre, and the Great Comet of 1812,” Rachel Chavkin had a lot to live up to. In that production, she rebuilt the Imperial Theatre and staged an immersive, genre-defying, period-blurring electronic pop opera adaptation of Tolstoy. This time, with the help of writer-composer Anais