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The Pitfalls of Mechanical Practice - Practising the Piano
I get quite a lot of inspiration for topics to write about on my blog from my students. During a lesson something might crop up that seems important, or certainly worth writing about. On two separate occasions this week people had been attempting to solve what they perceived as technical difficulties by practising passagework in a variety of different rhythms. Rhythm practice seems to be yet another of those divisive topics in the piano world. Some pianists swear by it and others dismiss it. My own teachers fell into both camps – two of them insisted on it, and two others told me it was not going to help and that I shouldn’t do it. As my readers will have figured out by now, I tend to prefer a middle path. When done mindfully, in the right doses and for the right reasons, my own experience shows me that rhythm practice can certainly be beneficial as a part of the practice routine. However, it is not a cure-all and can have negative consequences if overdone (tension being a significant potential downside). Someone brought the Schubert E flat Impromptu, and had been using the rhythmical variants I suggest in my own study edition. He said he was still struggling with the first bar, despite practising the rhythms daily. When I looked at what was going on the solution was extremely simple. The problem had to do with the pivot over the thumb F to the 3rd finger Eb, and the elbow was in the wrong position to negotiate this. To find the best position, we first played the thumb and the 3rd finger together and started the piece from this position (the elbow slightly raised and …