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Q-Spots Series: Beethoven's Für Elise - Practising the Piano
This is the third in my series on Q-Spots, and I’m going to feature one short excerpt from Beethoven’s Bagatelle No. 25 in A minor, WoO 59 – otherwise known as Für Elise. Q-Spots (short for Quarantine Spots) is a practice tool whereby we identify and mark in the score those sections in a given piece where we stumble, fumble or approximate the notes. As we play we know things are not quite right, but a little voice in the back of our mind says “it’ll be OK tomorrow” or “once I run through the piece a few more times I’ll eventually get it”. A much more effective and economical approach is to identify and then quarantine such sections (they might be as short as a bar or two) and apply a step-by-step approach to our practice before reintegrating the Q-Spot backs into the piece. This means not starting at the beginning each time we practise, and going back to the step-by-step process each day for several days until our inner Quality Control Inspector is happy to sign off the work. In my Online Academy article on Für Elise I have come up with two Q-Spots that cause players to baulk. The Q-Spot I want to look at today is the C major episode (bars 29 – 35), the site of many a derailment. I have included the bar before the problem begins because it is important to be able to lead into the difficult spot from slightly before (besides which the LH fingering in bar 29, if you go with it, could use a little reinforcement from the extra practice this bar is going to get). Start with the left hand! Whenever there is a difficulty present …