SWAGGER: Musical Influence in Camden Joy’s Fiction (aka Tom Adelman) --- Trinie Dalton | Numéro Cinq
I’ve made much of the differences between writing critically and writing fiction here, in an effort to delineate what genres are capable of and how Adelman combines them to expand their possibilities, but ultimately I think working in any genre or medium is about discovery of authorial opinion; all creative processes clarify and organize experience. My favorite aspect of Camden Joy novels is—just as Goethe found poetry in specificity—that they reiterate the compatibility of genres through highlighting distinctions between them.