A Short Sad Story: Essay --- Sydney Lea | Numéro Cinq
The story works by obsession, image and transformation. The stranger is a mythic other, lost, befuddled Everyman insisting on trying to get into a room that is no longer his. At the end, in his dream, "the writer" metaphorically transforms into the stranger and finds his daughter, that image of love and bliss, and feels at peace. Something very beautiful in this sequence, reminiscent of Chekhov.
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