The Dawning of a New Cinematic Age of Surveillance Part 3 - Artifacts and Curios from The Conversation, The Parallax View, 3 Days of the Condor and The Anderson Tapes: Wanderings, Explorations and Signposts 49/52 - A Year In The Country
In Part 1 and Part 2 of this post I wrote about a number of 1970s American films which are variously imbued with a sense of paranoia, unease and surveillance and which reflected the domestic turbulence of the background in which they were made. Part 1 focused on The Anderson Tapes (1971), Part 2 on Three Days of the Condor (1975) and I also mentioned The Parallax View (1974) and The Conversation (1974) as being two of the other notable examples of such films. There have been a huge variety of physical artifacts created which are connected to these films: posters, other promotional literature, different editions and formats of home releases of the these films etc, both period and contemporary items, some of which I collect in this post. At the top of this post is the 16mm trailer for Three Days of the Condor. Such trailers I have something of a softspot for, partly for their compact physicality and also because as they were only produced in small quantities and intended for use within the industry, they tend to be particularly rare and so have a sense of being quite precious cinema artifacts. I'm particularly taken by this poster for The Parallax View which seems to be channelling the further reaches of psych-like 1970s science fiction novel covers and could well be for example a poster for a contemporary cinematic conjuring and reimagining of the era along the lines of the manner in which Panos Cosmatos Beyond the Black Rainbow created a "Reagan era fever dream" of the 1980s.
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