Slashers We Love: "Black Christmas" and "A Nightmare on Elm Street 4: The Dream Master" | Slasher Studios
Two more mini reviews from fellow fans of the slasher genre as they each talk about their slasher favorites. Thank you Cory and Wesley for your awesome selections! Only a few hours left to enter the contest so make sure to write your reviews soon! All you have to do is go to the Slasher Studios Facebook Page and select a picture from your favorite slasher movie and do a small write up and we will feature you and your review on our site. One special review will win a free autographed copy of Teddy! Wesley James Skelly- “Black Christmas” Black Christmas (1974) may not actually hold the crown for starting the slasher genre but it pioneered so many of the elements we love in the genre, such as the killers POV (yes as did Peeping Tom). What’s more it used them more effectively then a number of copycats that would follow. Utilizing the warm atmosphere of Christmas time but turning it into one of dread. Mixing shocks, tension, character moments and black humor to make a more rounded film overall. It also perfectly sets most of the story in a generally creepy on its own merits sorority house while offering audiences insights into the mind of a truly frightening serial killer the film manages to create a sense of dread as the story progresses. It eloquently paints it killer bit by bit blending back story with the multi-layered personality at the end of the phone. The audience hanging on every eerie word spoken, unlike most phone horror’s the film’s calls stand head and shoulders above all others. The cast do a fine job of behaving believably in the situations, including final girl Jess going back upstairs for her friends despite the news she has been given by the less then tactful police officer Nash. The girls are drawn as humans with thoughts feeling and emotions and not types, Margot Kidder standing out whist drowning her sorrows at the bottom of a bottle while providing some subtle comic relief. The perfectly staged ending that plays on the audiences suspicious of who this killer may be and the wry promise of a reveal to ‘whodunit’ leads to a pitch perfect epilogue that manages to leave you as chilled as the snowy surrounds of the sorority house and is a truly perfect end to in my opinion the quintessential slasher film. Cory Allen-“A Nightmare on Elm Street 4: The Dream Master” Another favorite slasher film of mine is A Nightmare on Elm Street 4: The Dream Master. As a child walking down the horror aisle in my local video store so many VHS covers caught my attention but none like Nightmare 4. Freddy was at his greatest in this sequel. I love everything about this film. From Freddy’s sweater to his one-liners to the soundtrack and then the creative kills. This is my favorite Nightmare on Elm Street and I seriously doubt that opinion will ever change :P plus if John Hughes made a horror film this would be the outcome. Also the cast is pretty great as well!
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