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From Jane Eyre to Mary Poppins – de-coding the Brontes on film
I wrote this blogpost for a panel discussion we held with a screening of Jane Eyre (1943) at the Picturehouse Cinema at the National Media Museum in Bradford last Saturday. Novelist Mick Jackson, Bronte Parsonage Museum arts officer Lauren Livesey and Dr Amber Regis, lecturer in 19th century Literature at Sheffield University gave a fascinating insight into the world of the book and the broader Bronte cultural impact and legacy. We talked about class, masculinity, favourite versions (Toby Stephens' just pipped Michael Fassbender's) fan & slash fiction (threesomes with Bertha), why Japanese fans prefer Wuthering Heights while the Chinese go for Jane Eyre and how Bronte heroes have mutated on film over the decades from sinister predators in an old silent Wuthering Heights to Romantic heroes. Damn you, Laurence Olivier. Fifty Shades of Grey is all your fault. "Look, weren't the Victorians cruel?" My mother's running commentary on the early years of Jane Eyre is indelibly tied to my memory of first watching the 1943 film on TV