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Gillo Pontecorvo and his masterpiece “The Battle of Algiers” » RAIOT
Gillo Pontecorvo (1919–2006), whose masterpiece “The Battle of Algiers” (1966) remains the most perfect example of a ‘reconstructed realism’, the purest cinematic equivalent of Marx’s famous metaphor of the ‘life of the subject-matter’ being ‘ideally reflected as in a mirror’. What Pontecorvo set out to do was, in his words, ‘represent the irreversibility of a revolutionary process when a colonized people acquire consciousness of its identity as a nation’. And he did this so well that the film was boycotted by the French delegation at the Venice Film Festival in 1966 and banned for over three years in both France and England (till 1971)."