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All the world's a stage for suffering women, or How I'm seeing double - Manuel Betancourt
A couple of weeks ago I treated myself to what has to be the weirdest double feature I could have concocted: Lars von Trier’s Dogville and Joe Wright’s Anna Karenina. Wright’s social-politics-as-balletic-performances take on Tolstoy’s novel is obviously in a different realm from von Trier’s claustrophobic and caustic exploration of American values. Wright’s film struck ...