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Some best common practice DCP color space workflows part 2 - Knut Erik Evensen - KESE
Recommended links : Cinematic Color Motion-Picture Color Management Real-Time Rendering – 2011 Color and Imaging Conference, Part II: Courses A Arri Alexa – Working with HD – Color Grading How to make 3D LUTs in Nuke Updated: Summary: In commercial cinemas you may see your movie projected in different environments with too much or too … Continue reading "Some best common practice DCP color space workflows part 2"