Painting, fast and slow - The Painters Keys
More than a few of us report that our first inspiration to pick up a brush was Les Automatistes of Quebec or Kandinsky and Der Blaue Reiter. Fast, intuitive strokes invite access to a spontaneous and visceral creative experience — an appealing prompt. Others first fell under the spell of the carefully planned masterworks of Neoclassicism, the incremental chiseling of a hunk of marble or the specific strategy required by conceptual art that leaves the end fabrication to a team of minions. This slower system, set in stages with rules and requiring concentration, focus, observation and accuracy, may have felt the most natural.
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