ELLE: Trauma and Perversion: What Does Triumph Have To Do With It? - Characters on the Couch
Trauma. We know it. We experience it. We’re left with its aftermath – when Director Paul Verhoeven’s “noir thriller,” Elle, careens to its conclusion. Leaving the theater, my mind was spinning. As Verhoeven says, the film has: “an enormous amount of ambiguity, gaps that are in the narrative on purpose for the audience to fill in.” He didn’t want to fill them in: “in a Freudian way.” As far as I’m concerned, the film is much too disturbing to be left without an understanding of exactly what transpired on the screen. That’s what I’m here to do. Elle begins with a brutal...
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