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HCMF 2017: TAPE, The Riot Ensemble, Ensemble PHACE + Laura Bowler - 5:4
Having heard Thomas Lehn’s live rendition of BogusÅ‚aw Schaeffer’s 1964 Symphony last thing on Thursday night, it couldn’t have been more perfect to have started Friday in the company of four more Polish electronic works, dating from around a decade later. Eugeniusz Rudnik‘s Ready Made (1977) took a collage approach to found sounds, and was primarily interesting in the naively effective way Rudnik used the juxtaposition of these sounds to articulate a sense of internal energy, most obviously in a transition from a … →