• even flowers bloom in the darkest of times •
cleopatratheonlyqueen
This is art
leadmetobliss
Yo🔥
sophisticantsophia
I literally have no follicles left for my edges to survive
I’ve seen a few of these as headshots before but not the full length versions and they’re *incredible*
Irina Zender @ Hussein Chalayan S/S 2009, Paris
stunningpicture
No amount of hot showers will get rid of the glitter on me now. Hopefully you guys think it was worth it!
so-boujie
your beard is the night that poets write about
Hope springs eternal. But I tend towards depression.
season39 [The Grave of a Beast] MBFWT 2014-15 autumn&winter collection
#aliceauaa #アリスアウアア #fashion #art #object #leather #mbfwt #runway #japan #tokyo #fashionshow #collection #aw #photo #black #noir #dark #mask
Flour Power by Alexander Yakovlev
A series of images shot by Russian photographer Alexander Yakovlev using the movements of ballerinas as they interact with flour Source: blendimages
Source: asylum-art-2
s1umb3r-party-massacre-deactiva
“Not your parent’s opera…”
“21 Seconds” is an excellent record. But it’s more than that – it may be the last real shock of a Number One. It does two things, unusual in themselves, outstanding together. It’s the sound of a subculture in full cry – getting to Number One with one of its crucial tracks, not with some dribbled-out consolation record or opportunist rip-off. And it’s a Number One that, to use a rubbed-smooth phrase, ‘sounds like the future’. It seems to open doors, demonstrate new routes British pop could take. If British pop wanted to take them. But that was the question: did it?
Ewing’s Popular reaches one of the most interesting #1s. I often think of it in terms of the last real shock too.
Also has got me thinking.
Members of the Wardens’ Women’s Auxiliary making for the scene of an incident, Australia, circa 1943. (via)
Source: humanoidhistory