Buenos Aires is cinematographer Christopher Doyle’s visual and narrative diary of his participation in the making of Wong Kar Wai’s film Happy Together.
The cars, the colours, the isolation, the trains, the (same) cast, the (same) crew, the weather and the unfamiliar language.We start to have a deja vu feeling. It seems that unconsciously, we’re finally making that ‘Days of Being Wild Part II’ that so many have expected of us for so long.Leslie even started humming the theme from 'Days’ as he prepared for a shot today. Checking his costume and make-up in a wall mirror, he turned very Carina Lau-ish and mimicked her glorious 'How do I look?’ line from 'Days I.
pics credit: x
Makiko Kudo (Japanese, b. 1978)
Floating Island,2012
La Planète Sauvage - René Laloux (1973)
clean up, aisl̷̬̫̫͔̠͈͖̫̠͍̣̓̾̓́̏̄͘͜e̶̯͙͙͑̍̊̒͂͘ ̸ḝ̵̧͓͓͍͇͉̻͇̙̭̯̬͇̀̓͒̌̅̌̅̊̕͘͝l̷̨̙̻̓̋͆̑̊͐̊̒̐̕d̸̨̯̗̪̳̠̰̤̼͇̩͙̦̭̾r̶͓̼̳̄̏͗̐́͜ï̸̛͖̥̪̙̪̬̲̗̯̼͑̏́̈́̆͒̀̄̕̕͠͠t̶̡̪̤̼̹͎͍̭͑̍̈́̇c̷̢̥͉̳̄̿̇̏̐̓͆̅̕͝ḩ̷͚̦̲̟͖̮̰̪̺̘̀̇ͅ ̷̑’h̷̭̼͌̐]o̸̧̨͔̹͉̰͍̯̞̱͍̫̗̊̈́͝͝r̵̤̈́̐͛̾͂͋ŕ̴̢͔̩̩̘̖͇͎̯̭̯͊̎̔̌̓ͅǫ̸̣͇͇̒͑r̶̢̼̲̬̠͓̠͚̖̀̾́̂̽̍͛̆͌́̾̈̈̿
Ernst Ludwig Kirchner (Ger. 1880-1938)
Nude Girl Lying on a Sofa (1905)
woodcut on paper (8.3 x 10 cm)
Zhang Xiaogang, Portrait of a Boy, 2004. Oil and pencil on paper, 21.5 x 26.5 in.
Foliation (Acryllic and Selenite), Suze Woolf
Tiger Tateishi (1941-1998) — The Contest of Motion Pictures (triptych, oil on canvas, 1992)




