SMALLFOOT 2012-2013
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Cuphead art backgrounds
Great compilation of my background paintings!
Source: dualshockers.com
Visdev paintings by John Park for the 2019 live-action/animation hybrid remake of Dumbo by Walt Disney Studios. (source)
Source: artstation.com
Oh, there’s an empty place in my bones that calls out for something unknown
THE NIGHTMARE BEFORE CHRISTMAS dir. Henry Selick
Source: genekellys
Character design work by Tapan Gandhi for Disney TVA’s reboot of DuckTales. (source)
Source: instagram.com
In 2012, The Spa Studios offered me the opportunity to join their team. Smallfoot was the first movie I ever worked on as a character designer. Years before I started to dedicate myself to comics, illustration and children’s publications. I did those jobs in Comicup Design Studio. I met great people there, professionals in their trade, good friends. I inked many pages of incredible artists and drew comic books among other things. But with no doubt, working with my father was the best experience. That settled in me a base that allowed me to enter on The Spa Studios. Sergio recruited a team for the preproduction of his movie “Smallfoot”. Then, I was part of the -Old Dream Team Spa- The imagination and creativity that was breathed in that study was superior. Constant feedback from where great ideas emerged, good chemistry. We all spent sleepless nights to give the best of ourselves, we loved the project. I made very special friends there, of which I’m still learning. Six years later, I share a small sample of my work. Yetis, as like many contributions from my colleagues, never saw the light.
More concepts and a behind-the-scenes look at Laika’s stop-motion puppets for Missing Link (2019). (source)
Source: theconceptartblog.com
Visual development art from Laika’s 2019 feature film Missing Link. (source)
Source: theconceptartblog.com
Early character development art by Heidi Smith for Laika’s Missing Link (2019).
Heidi Smith won an Annie Award in 2013 for her work on ParaNorman. You can find more of her art on Blogspot.
Character design work by Max Narciso for Laika’s Missing Link (2019). (source)
Source: theconceptartblog.com
Portrait lighting studies rendered by Phil Shoebottom for Pixar’s Toy Story 4. (source)
Source: artstation.com
Behind the Scenes of Toy Story 4: “Bo Peep Gets Lost: How Pixar Found the Heart of Toy Story 4″
Advances in technology allowed animators to incorporate richer details. For example, a cracking glaze was used in Bo’s hair, Krampfert said, “to remind the audience she is porcelain.”
Directing animator Patty Kihm explained, “From the start, we could have fudged it and pretended she had been plastic the whole time. Maybe the audience wouldn’t have remembered. But we thought it’s easier to embrace this weakness, or this delicacy of hers, and see how that would change her character.”
via D23.com
Source: d23.com