On toast
Singularity by Florian W. Mueller
Buildings, no distractions, reduced to the max.
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JR at the Louvre
JR has chosen the biggest gallery in the world to showcase his art: public spaces. For some ten years now, the artist’s monumental photographic collages have been popping up on the walls of cities in all four corners of the globe. “The most important thing,” he explains, “is where I put my photos and the meaning they take on depending on the place”.Whether it be the Middle East, the favelas of Rio, slums of Kenya, New York, Le Havre or Shanghai,
JR’s works leave no one indifferent, because they return our gaze and cut to the very heart of our innermost selves. His spectacular mode of intervention poses questions about artistic creation, the role of images in the age of globalization, and their widespread use, from intimate circles to mass distribution. Invited by the “biggest museum in the world”—which also generates the most selfies—JR has set his sights on one of the Louvre’s symbols, the Pyramid, which he intends to transform with a surprising anamorphic image.
Alternatives Landscapes Benoit Paillé
From the artist:
I was interested in the introduction of a man-made object in an outdoor setting, a luminous square, a human element that forms a relationship with nature and helps it to be reborn. From this I feel a kind of poetry blossoms, linked to the presence of this regular shape, like a recurrent canvas that symbolically references creation, the blank page, the empty space that needs to be inhabited.
Images and text via Benoit Paillé





