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you are so forked

@tyherondale

anna | she/her | 20 | kit herondale and jem carstairs lovebot

this:

“I love you, Ty. I love you.”

Ty’s face went blank with surprise.”

hits so much harder after remembering this:

“I know it’s hard to understand, Ty, but we love you.”

Ty looked at him blankly. He knew what “I love you” meant, and he knew it was good, but he didn’t understand why it was an explanation for anything.”

can we just take a moment to talk about how shitty kit’s childhood actually was because i feel like no one ever talks about it, and it’s obvious in so many scenes that johnny rook did nOt show this kid love...

first of all, he wasn’t even really allowed to leave the house.

“Shadow Market nights were Kit’s favorite.

They were the nights he was allowed to leave the house”

+

“After that his father kept him at home, mostly, letting him teach himself out of old books. He played video games in the basement and went out rarely, during the day, or when the Shadow Market was on.”

like ???? he wasn’t allowed to leave the house, and his dad made him stay at home and teach himself out of old books. johnny rook didn’t even teach him himself, he didn’t even give him a tutor, he just kept kit at home, and kit had to teach himself.

also, this:

“His father put an arm around him, a rare affectionate gesture.”

meaning that he was never really shown affection...

and when magnus met johnny rook and their conversation went like this:

“Kit. He’s a good boy. Growing like a sprout. Quick hands, very useful in my line of work.”

“You have your child picking pockets?”

“Some of that. Some passing on trifles like keys. Some sleight of hand. All sorts. He’s multitalented.”

“Isn’t he about ten years old?” Magnus asked.

Johnny shrugged. “He’s very advanced.”

if this is how his own father treated him—barely gave him any attention except for the fact that he was useful for his “line of work”—it would explain why kit was so sure that if he didn’t help ty in qoaad, ty would shut him out, and kit would lose him. because kit is used to getting the most attention when he’s useful.

and can we please talk about this:

“He had never had anyone but his father, and he was sure beyond any words that his father had never loved him like that.”

+

“My dad knew me, and he didn’t care. Don’t say he did. I know he didn’t. But he loved my mom, apparently, so it wasn’t that he couldn’t love anyone. It was that he couldn’t love me. And—and the—and—nobody else has, either.”

+

“Jem did know enough to see Johnny Rook must have done something truly wrong, if he’d had all Kit’s life to show him that he was loved and never convinced him.”

kit spent fifteen years being raised by only his dad, and his dad was the only constant in his life (+ the shadow market but i’m getting to that in a second) and his father never loved him. the one person kit had ever loved, aka his own father, never loved him back, and kit was fully aware of that fact.

and this part with the shadow market:

“You cannot wash the taint from your blood. I’m telling you for the last time, boy—leave the Market. And don’t come back.”

Kit backed up, looking around him—seeing, as if for the first time, the faces turned toward him, most blank and unfriendly, many avidly curious.”

remember when he said that shadow market nights were his favorite because those were the nights he was allowed to leave the house? or how at ease he was in the prologue of lm, and how comfortable he was around the shadow market? this was probably the closest thing to a home kit has ever had, and when he tried to go back to it after losing his dad, he was shunned.

and you know how when a child has been neglected and no one has ever really been there for them, they stop crying at all because they know no one will be there for them anyway? do you think that’s how it was with kit for a long time, and that’s why he didn’t even cry when his dad died and why he thinks he’s not able to “feel properly”?

“Kit had never had siblings, never had a mother, had only had Johnny. His father. His father who had died, and he didn’t think he’d ever looked the way Ty looked now, as if the possibility of something happening to Livvy was enough to break him inside.”

+

“Maybe there was something wrong with him, Kit thought as he followed Alec into the hallway. Maybe he didn’t have the right kind of feelings. He’d never wondered that much about his mother, who she was: Wouldn’t someone who knew how to feel properly wonder that?”

also later in this scene with alec when kit says:

“I’m no one, though,” he said, taking the box full of bandages. “Why would he care what I think? I don’t matter. I’m nothing.”

+ this scene with jem:

“I know that you and Tessa took me in because of Will. And I’m—I’m grateful, I want to—I can be like—”

kit thinking he’s not good enough if he’s “just himself “ because he doesn’t think he matters, and him thinking that he has to be more like will for jem and tessa to want him...

and the rooftop scene of course:

“Kit had never been a casual hugger, and no one had ever, that he could remember, come to him for comforting. He wasn’t a comforting sort of person. He’d always assumed that.”

he’d always assumed that ?????

in conclusion, someone needs to give kit herondale a hug and tell him that he is great just the way he is and that they love him

There is something that's bothering me for a while now... In one ask about queer people in 1900s CC said Paris was heaven for people like Anna and Matthew because they could be themselves there (when it comes to same sex relationships) and this rubbed me the wrong way.

Don't get me wrong, that's awesome. Anna and Matthew are out of the closet and I'm sure 100% people around them were shitty about it at one point, Paris is an amazing place for them. But... what about the rest of LGBTQ+ characters??

Doesn't Thomas deserves a place where he can be with Alastair without worrying about this friends? Doesn't Kamala deserves a city where she can freely kiss another woman without worrying about her parents or society's opinion? Goddammit, even Charles deserves a weekend in Paris to live bohemian life for a tiny bit without consequences for his career.

Just because Anna and Matthew are open about their sexuality doesn't mean they're more deserving of safe space than Alastair or Kamala or Thomas. God, just because they're not open that they're gay it doesn't mean Paris wouldn't be less important, heavenly or deserved for them. Just because you're queer in the closet doesn't mean queer places are less important to you or that you don't deserve them.

Yeah, I GET IT, Anna and Matthew are bohemian and Paris is their heaven place. But Kamala, Thomas and Alastair deserve Paris too.

friendly reminder that grace sexually assaulted matthew and is continuously abusing james, and nothing, no matter how much her life may suck, excuses that

i have all the tfota books and all of the aftg books but i have no idea which ones to read first, so i’ve just been putting it of and read other books instead... struggle of my life

Jessa/Wessa ship wars

teenagefunbouquet said:Isn’t it enough Tessa&Jem got a wedding comic, two kids (and you say more), a lifetime as the only mates for each other and your most explicitly written sex scene After the Bridge? Wessa are the most popular and we get nothing, every wessa moment is shared with Jem while Jessa get to be alone, Wessa fans got no “anticipation” like jessa fans are getting now everyday you give them a book in jem’s pov or a short story or a new kid. it feels like wessa is dead.

I’ll be interested in people’s thoughts on this. (I left the username as is since it’s a blank account, probably created to ask this question, so no one’s really getting hurt in this minor drama.) Most of my long and somewhat crabbish post is under the read more.

First, let me reply with the obvious, which is the Jessa rebuttal: “Isn’t it enough that Will gets to be Tessa’s first love and Jem only gets to be her second? Isn’t it enough that Will and Tessa had sex when they thought Jem was dead? Isn’t it enough that there’s a whole series about Will and Tessa’s kids but we only find out that Jem and Tessa had a kid in a short story? Isn’t enough that Jem and Tessa have spent half their relationship looking for a kid who’s related to Will, not either of them? Isn’t it enough that Will and Tessa got two biological kids they got to spend eighteen years raising and Jem and Tessa only get like two years with Kit? Jessa are the most popular, but half the stories in Ghosts of the Shadow Market happened while Will was still alive! And now Wessa fans are getting content every day and have two more books of Wessa being married and doing cute stuff to look forward to. Every day they’re getting a special edition of a book with a whole short story about their wedding. It feels like Jessa is dead.”

Not that I believe any of that either: I think both complaints are equally silly and selfish. But they are complaints rooted in the same logic, which is “My ship is the best and most popular, and every time I see something that in my mind supports the ship I hate I feel angry and diminished, and rather than perhaps examining those feelings I’d like to vent them on other fans and the creator.”

So. My feeling about this is: I am sad to see there is still some kind of a ship war here. As far as I am concerned…

“They say you cannot love two people equally at once,” she said. “And perhaps for others that is so. But you and Will—you are not like two ordinary people, two people who might have been jealous of each other, or who would have imagined my love for one of them diminished by my love of the other. You merged your souls when you were both children. I could not have loved Will so much if I had not loved you as well. And I could not love you as I do if I had not loved Will as I did.”