We actually have pictures that great of Mars, a planet averagely about 225 million kilometers (140 million miles) away from us. image credit: NASA
How lucky we are to live in this time

We actually have pictures that great of Mars, a planet averagely about 225 million kilometers (140 million miles) away from us. image credit: NASA
How lucky we are to live in this time
James R Eads is a multi-disciplinary artist with a passion for both art and design. In his work, James challenges the concrete reality that we live in, he plays with color and motion to form a world of believable fiction and like a map to this new world, his pieces act as illustrations for something previously unknown. James grew up in Los Angeles and lives in Brooklyn. He works as a freelance illustrator and produces a flurry of musically inspired art. He is currently available for commission work. Follow him on Tumblr.
His website: http://jamesreads.com/
Become our best friend by liking us on Facebook. We’ll bake cookies.
posted by Margaret
Leo and Diane Dillon - The Traveler in Black, 1971.
Mystical Photos of Illuminated Forests in the UK by Ellie Davies
Ellie Davies enchants us with surreal portraits of forests that glow with mystical fairy lights and ominous waves of mist. The London-based abstract photographer creates her captivating shots in natural areas throughout the UK. With the woods as her canvas, fireflies illuminate desolate clearings, and cascading flurries of glitter dust dramatically lit patches of trees.
Davies says she likes to explore images that juxtapose human and natural elements, calling attention to the sharp divide between personal identity and interconnectivity. She does this by positioning out-of-place manmade elements — such as paint, glitter or smoke — within the context of wild landscapes.
“Forests are potent symbols in folklore, fairy tale and myth, places of enchantment and magic as well as of danger and mystery. In more recent history they have come to be associated with psychological states relating to the unconscious,” the artist says. “Against this backdrop, my work explores the ways in which identity is formed by the landscapes we live and grow up in.”
Flowery hill in New Zealand under the Milky Way by Ateens Chen