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Still Got That New Blog Smell

@tryin-my-best-here

GHOSTBUSTERS (1984), Ivan Reitman

I am thoroughly convinced that a big reason why Ghostbusters works can be chalked up to Harold Ramis’s ability to say complete nonsense with such conviction and sincerity that you just never question what he’s saying. A nuclear accelerator can be used to trap ghosts? Sure. Crossing streams of protons could potentially unmake reality as we know it? Well, yeah, of course.   A doomsday cult in the 1920′s built an upscale apartment building to use as a psychokinetic energy siphon with the purpose of summoning an ancient god to destroy the world? That honestly tracks.

At first Netflix said, come write for us. We’ll save your cancelled shows and write about whatever niche story you want. Our algorithm says people will watch it!

Then a few years later they said, regardless of our promises or contract obligations we are cancelling shows after two seasons without telling anyone. Turns out no matter how loved a show is, we get less subscriptions after the second season.

How many subscriptions did we bring you? Netflix won’t say.

So writers started writing two season shows. Just give us two seasons, Netflix. Like you promised.

Then Netflix said, oops sorry! Turns out your show didn’t premiere at #1 and the views in the first day weren’t what we wanted so we’re cancelling your second season.

What were the numbers? How many people watched our show? Netflix doesn’t say.

Then, they did something extra special. They started taking shows and splitting their first season into two halves. Inside Job was not two seasons. It was one season split in half.

Oops! Sorry! The second half of your first season didn’t do as well as the first half, so now your show is cancelled!

Why? How many people? How much money? These companies are making cash hand over fist and they refuse to tell people the truth: people loved your show. Loved it. But some corpo exec wanted an infinite money making machine. Do you know how long shows are in production for before you watch them? Years. Like, 5+, even 10+ years. And Netflix gives it less than a week before they decide whether you’re getting cancelled.

Support #WGA Support #SAGAFTRA

nah tell me why nick threw a plasma grenade mid fight, blew up the enemies and the minuteman we were helping, blew up 2 cars causing another death & then killed the now aggroed minutemen before hitting me with the valentine hated that and having a go at me for killing people... my synth in christ you threw the grenade I love u but do not blame me for that one babe my gun wasn't even out

This looks like a fucking parody post, or an edgy edit, but it’s 100% official real Flintstones.

Clarification: I don’t hate this book, I love it, it’s amazing. It’s just that taking a step back and looking it out of context is still really funny. Especially the line “We participated in a genocide, Barney.”

ok but imagine them in their cartoon forms saying this dialogue i’m

can we have some context to this, perhaps?

Bedrock is having a mayoral election. One of the candidates is a violent war mongering asshole that riles people up against the lizard people. This reminds Fred and Barney of their time in the army.

Back then the father of said violent candidate was riling people up against the “tree people”. Fred, Barney, and other soldiers fought what they believed to be a defensive measure against the tree people. Turns out, it was actually an invasion, in order to kill off the tree people and take over their forest to build Bedrock.

That’s what Fred means when he says he and Barney participated in a genocide. They literally did.

(Extra fun fact, Barney adopted a tree person baby after the war, and his son Bamm-Bamm is the last tree person.)

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There are a lot of interesting things about this post but the AK-47 shaped spear is what really got me

This is just as wild with the context

Some of my favorite moments in the series

From the foreword to 2021 print of the comic.

We had one of Steff's comedian friends staying with us on the weekend, lovely lad called Sam from Singapore. He had never been to Wales before, and he requested that we take him to a Welsh restaurant so he could try Welsh food

That's surprisingly difficult, actually. Like a lot of Welsh culture, our culinary traditions have not exactly been applauded over the years, so you don't really see them. But a lucky Google search revealed a brand new one has just opened in SA1 called the Welsh House, so great! Away we went.

Fuck me, they went all in.

It wasn't just the menu (though fuck me, what a menu - one of their 'for the table to share' options was little mini leek and cheddar Welsh cakes with salted butter and they were paralysingly good). It wasn't just that every alcohol was Welsh, even including the wine (surprisingly good btw, called 'Naturiol'.)

The table centerpieces were daffodils. All signs for the toilets were Welsh only. The walls had photos of Wales, modern and historical; the windows had the fleur de lis; the specials board (pork belly in Welsh cider and damson sauce with honey and wild garlic glazed carrots) had dragons on. I realise this is probably normal for country-themed restaurants, but I've never been to one for Wales before.

But the best bit, see, was the music

I clocked, when we walked in, that they were playing If You Tolerate This Then Your Children Will Be Next by the Manic Street Preachers (you always clock the Manics). Ah, I thought. A Welsh song! In a Welsh restaurant! Ho ho ho.

As they seated us, it became What's New Pussycat. Ah! I thought. Another Welsh song! Fu fu fu.

Then they played Monster by the Automatic and I was like my god are they only playing Welsh music?? That's so cool! What an eclectic mix that's going to be. We should suggest to them they should look into Welsh language music too, really mix it up.

And then they played Anrheoli by Yws Gwynedd and lads, Steff and I lost our shit. We lost our fucking shit. Sam's sitting there, utterly bewildered. The staff are nervously edging away from us. We don't care. It's the first time I have ever heard a Welsh language song played outside of a Welsh language setting. We're so excited.

"They're playing Welsh music!!!" says Steff. "Holy shit!!!"

"Imagine if they played Sebona Fi!" I say, humorously.

"Nah," says Steff. "You can't in a restaurant. There'd be a riot, it's faerie music."

"...what?" says Sam

We explain the cultural phenomenon that is Sebona Fi. The song changes: Primadonna Girl, by Marina and the Diamonds.

"She's Welsh??" says Sam.

"She's from Abergavenny!" we beam.

"I don't know what that means," nods Sam, who is from Singapore.

Next: The Bartender and the Thief, by the Stereophonics. We're in high spirits. The extraordinarily Welsh wine arrives, as does the rarebit on sourdough starter. Sam, a gay man, delightedly orders the faggots and peas.

They play Ben Rhys by Gwilym Bowen Rhys, and we lose our shit again. Sam is now used to this, because comedians are adaptable. "They even have daffodils!" I say, misty eyed. "Is that relevant?" Sam asks, fascinated.

They play Hiraeth, by PLU. Hard to explain that one. Very hard to explain the effect it has when it's played in a restaurant, but Sam looks around the suddenly muted room and whispers "Are we in church?"

"It's about Hiraeth," whispers Steff. "So kind of."

Next: the Masses Against the Classes, by the Manics. Utter tonal whiplash. This playlist is not remotely restaurant appropriate. It's perfect.

"You'd think they'd pick like... a genre," Sam says dreamily. "We just went from church to the barricades."

The faggots arrive. "I forgot it would be a western sized portion," Sam says morosely, of what to me is a normal sized plate of food. He tries one, and brightens.

They play Sebona Fi.

The place erupts.

so like. obviously it's an immensely tragic route to take but sometimes it's just so satisfying for a story to go "there's no happy ending this time. resistance is futile in this scenario. the 'good guys' can't win. this is a pointless last stand. so for their final act, our beloved characters are going to rock the antagonist's shit so fucking hard it makes you stare at a wall struggling to process what just happened and how you feel about it for hours afterwards."

i simply think that sometimes it's the best possible narrative decision to allow characters to become supernovas, imploding on themselves but taking as much with them as possible. "you can't save anyone" "maybe not, but i can hurt you". fuck yes. if you can't beat them, tear them apart.