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DumpsterFire

@trashcan2422

No but guys, GUYS, we need to talk about how important this scene is.  Because the commonly accepted lore about unicorns is that they are so good and pure that they’ll only appear to young virginal girls.  Because Molly Grue is a middle-aged woman who has been living with bandits for most of her life and is as far from innocent and virginal as you’re likely to get.  Because she’s so angry that this creature, embodying everything that society tells her she’s lost, everything she’s thrown away through her own choices, is here now when all that The Unicorn represents is long since behind her.  Because she knows, in a way that only someone who’s been steeped in an oppressive system her entire life can ever know, that she’s missed her chance and doesn’t deserve to be seeing a unicorn now.

And you know what?  The Unicorn doesn’t give two fucks about her virginity, about her supposed loss of innocence and purity.  She’s not repelled by Molly being older, being experienced, being a full human person.  None of that has ever mattered to unicorns, only to the people telling stories about them.  Not only does she step in to physically comfort her here, but before long this bandit’s wife becomes her friend, closer to her in most ways than Schmendrick.

This story is fucking revolutionary, you guys, and I just have a lot of feelings about it.

I heard Peter S. Beagle speak about this scene at a convention once. He said he just kept writing and writing into the scene and suddenly here was this powerful, moving dialogue which came out very strong and natural, flowing directly from inspiration.

He said it was one of those moments when “the writer just gets really lucky.” 

This is one of those scenes you nebulously get when you’re ten and comes up and punches you in the face when you’re thirty.

Molly Grue is a Hero. I don’t just mean she’s heroic; I mean that The Last Unicorn in book form explicitly defines what a hero should be, and she meets that definition. Specifically, she’s  Lír’s mentor in what it means to be a hero. The book doesn’t explicitly say this about Molly, and I don’t know that this is something Beagle was conscious of as he wrote; and yet. There’s this scene in the book:

[Lír said,]  "I am a hero. It is a trade, no more, like weaving or brewing, and likethem it has its own tricks and knacks and small arts […] the true secret of being a hero lies in knowing the order of things. […] Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a long time, but not forever. The happy ending cannot come in the middle of the story.”
The Lady Amalthea did not answer him. Schmendrick asked, “Why not? Who says so?”
“Heroes,“ Prince Lír replied sadly. “Heroes know about order, about happy endings – heroes know that some things are better than others. Carpenters know grains and shingles, and straight lines.”

Molly spent a long time thinking her role in life was the Hero’s Lady. She shacked up with Captain Cully because she thought he was a hero and that was her role, but over time as she came to understand how un-heroic he was, she became bitter and derisive, pointing out what the true order of things was. Like, let’s go back to her first scene where Cully is explaining to Schmendrick how he and his men all hate King Haggard, and one day Haggard will have to pay “such a reckoning”:

A score of shaggy shadows hissed assent, but Molly Grue’s laughter fell like hail, rattling and stinging. “Mayhap he will,” she mocked, “but it won’t be to such chattering cravens he’ll pay it. His castle rots and totters more each day, and his men are too old to stand up in armor, but he’ll rule forever, for all Captain Cully dares.” Schmendrick raised an eyebrow, and Cully flushed radish-red. “You must understand,” he mumbled. “King Haggard has this Bull –” “Ah, the Red Bull, the Red Bull!” Molly hooted. “I tell you what, Cully, after all these years in the wood with you I’ve come to think the Bull’s nought but the pet name you give your cowardice.If I hear that fable once more, I’ll go and down old Haggard myself, and know you for a –” “Enough!” Cully roared. “Not before strangers!” He tugged at his sword and Molly opened her arms to it, still laughing. 

And within a day Molly Grue has met the Unicorn, set out on a quest with her (and doesn’t bat an eyelash when she learns they’re going directly to Haggard’s castle), and becomes a pivotal player in destroying King Haggard and the Red Bull.

Molly understands “the order of things” when Schmendrick doesn’t. When the Red Bull is about to beat the Unicorn, Schmendrick’s all, “Welp, shit happens, so long,” and it’s Molly who yells and screams at him that this must not happen, how he might have been an inadequate charlatan all his life before this, but this is the moment when he HAS to draw deep on his true power and save her. So he does. And when he does, Molly understands how absolutely terrible becoming human is for the Unicorn, which Schmendrick doesn’t–even though he heard the Unicorn say that Nikos would have done better to let a unicorn die than make it into a man, and she didn’t.

Molly’s work in Haggard’s castle is fairy-tale like in nature, somewhere between Cinderella (”My father sets you to the weariest work there is to do, and still you sing”) and the labours of Hercules or the Biblical Israelites. According to the novel, “Molly Grue cooked and laundered, scrubbed stone, mended armor and sharpened swords; she chopped wood, milled flour, groomed horses and cleaned their stalls, melted down stolen gold and silver for the king’s coffers, and made bricks without straw.”

In reward for her work, several unprecedented things happen. Lír comments that “There has never been singing in this castle, or cats, or the smell of good cooking,” but now that Molly Grue has come, all these things have come to pass. And in the end, this work is pivotal–if Molly weren’t there, the cat wouldn’t have come; and without the cat, they never would have known how to find the Red Bull.

The point of fact is, Molly is able to do what she does for the Unicorn because she’s older, she’s more experienced, she’s weathered hardship and seen dreams broken, and knows what to hold on to and what to give up on. She knows that love is a very fine thing, but unicorns are something else.

And in the end, her reward is that her meeting with the Unicorn wasn’t the end of her story, when she had reached the end of her suitability for fairytales; The Last Unicorn is Molly and Schmendrick, who have lived for some time already, coming to their beginnings, and setting them on the path for their next story, for the real work of their adult lives.

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Here, put this candy in your annoying mouth and shut the fuck up.

They’re like adult pacifiers

Same thing was done in Brighton where people were given kitkats as they leave nightclubs because you need both hands to eat them, plus obvs eating.

Other cities would also have mounted police on horses patrolling the streets. Nothing to do with needing to add police presence, they realised drunk people see a horse and go “Ooh Horsies” and stroke the horse. It would distract people from fighting in queues for taxis.

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I have witnessed the horse thing in action! for a short amount of time I went clubbing regularly, and being the only person who hated the taste of alcohol I usually just ended up observing the behaviour of the native drunk wildlife, like some sort of Jane Goodall of inebriated students. It was educational.

By far one of the best nights was out in Cardiff, and when we left the club there was, indeed, a horsie and the absolutely immediate, instinctual response of the first dozen people to leave the club (and therefore the first to see this) was to form a group around the door to tell everyone who was leaving the whole pack  going shhshshhsh there’s. there’s A HORSIE don’t. don’t make a noise don’t scare the horsie :’( and everyone leaving the club INSTANTLY quieted the fuck down like even the ones who were fight-me-im-drunk drunk got calmly surpressed by their friends and redirected their energy. Many people did go and pet the horsie who was clearly very well trained and the whole thing was thoroughly impressive and really very moving :’D

Important if your in an abusive situation you can turn off this alarm

Please reblog to spread awareness

Transcript:

Do you know at 3pm on 23rd of April 2023, a UK-wide test of an emergency alert system will take place on every mobile phone in the country? This loud alarm will sound on your phone and make it vibrate, even if it is switched to silent or notifications are off.

If you're living with domestic abuse and you have a mobile phone hidden in your house "just in case", please remember to switch it off on Sunday 23 April 2023. Your hidden phone must be switched off completely during this time to avoid discovery.

• Even if this post doesn't apply to you, please support/share/repost.

• You will be connected to someone who is living with domestic abuse right now, even if you think you're not.

• Sharing the information could keep them safe.

Speedy!Roy: *Whisperin as they hide away from a very pissed off Killer Crok* We never should've went on patrol alone.
Robin!Jason: *Also whisperin* No guts. No glory.
Speedy!Roy: You ever scared of ANYTHIN?
Robin!Jason: Yea, dyin alone. That's why I brought you here.
Jason: hey Tim, can I ask a quick question?
Tim: Shoot.
Jason, panicking, pulling out a gun: Shoot at what?
Tim, sleep-deprived, interpreting that as Jason's question: uhh, i guess, maybe that vase?
Jason, who has seen weirder things than an evil vase: got it.

-

Bruce, days later: ...what happened to my mother's vase?
Steph: Tim and Jason's brain cells cancel eachother out.
*watching live hostage situation on tv*
Jason: You call the insurance agent yet Alfie?
Alfred: The 10 million is already on its way Master Jason
Tim: We’re giving the kidnappers 10 million to let B go?
Damian: If Grayson would just let me—
Dick: We’re all insured for things like this Damian and—
Jason: Oh yeah? How much are you worth Goldie?
Dick:
Dick: 15 million
Jason: wtf??
Dick: Bruce values us more than him so we’re each worth 15 million in the event that we’re kidnapped!
*awkward British cough*
Alfred: actually, Master Richard… you are worth 20 million while Masters Timothy and Damian are worth 30 and 35 million
Dick:
Jason:
Tim:
Damian:
Jason: And since I died I guess I’m worth squat-diddily-nothing—
Alfred: 50 million
Jason:
Dick:
Damian:
Tim:
Alfred: Master Bruce wanted a 250 million dollar policy but that seemed rather excessive and—
Dick: Are you telling me I’ve been kidnapped three times this year and Bruce has only paid 15 million each time
Alfred:
Alfred: I’m saying Master Bruce loves you all very much and once the kidnappers have let him go you can discuss that matter further with him
Dick:
Tim:
Damian: Todd, what are you doing?
Jason: Arranging a kidnapping
Dick:
Tim:
Damian:
Jason: I wanna see if B will pay the full 50 million for me
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Phrases I bet were said on the Batcave without context.

Duke: So you had enough time to put a dinosaur here but not to cover the endless pit of death?

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Babs (To Dick in the Batman suit): Do not kiss me wearing that it freaks me out.

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Jason: Okay. Got it you have a plan. Great. But before we all follow it I have to ask– is that a fucking cow?

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Damian: I admit. I haven't misplanned how to get Batcow out of the cave.

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Alfred: Master Bruce there's a lot of courage in trying to tell me how to take care of the kid you won't clean up after.

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Tim (to the Jason's memorial): Stop looking at me like that.

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Jason (to the Jason's memorial): Stop looking at me like that.

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Superman (first time there): You know I'm not surprised.

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Bruce (In the middle of a video call with the Justice league and hearing the loudest argument from upstairs): Give me a second.

Bruce: DO NOT MAKE ME GO UP THERE

Silence.

Bruce: As I was saying–

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13 year old Tim: Okay, hear me out– That might sound a little crazy. But what about. . . pants. Same thing, same suit, but with pants

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Bruce (being paranoid): I'm not being paranoid.

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Jason, looking at the Batcomputer: Ever tried to run GTA on this thing?

Tim: You are a danger to society,

Tim: And a coward. Try Skyrim.

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20 something Nightwing visiting: Why are you awake?

15 year old Jason: Why are you dressed as the lost member of the village people?

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Batman: I thought you were on a family vacation.

13 year old Tim: So did my parents– Look at what I found on the Two-Face case.

Duke: How did you join the family?

Tim (deadpan): They found me wandering around in the caves and wouldn't give me directions to leave

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Jason: How long do you think till someone hits the bottom if they fall into one of the pits in the Cave?

*4 hours later*

Dick: Four hours. Tim was right

Bruce: Where's Tim?

Jason: Proving a hypothesis. You might want to call Superboy, by the way.

Dick: And an ambulance.

---

"Which one of you idiots left french fries all over my case files??"

"Tim. What question did you ask me when you walked in right now?"

"Where did my jokerized fries go?"

"..."

"...well? You have to know the answer to at least one of them, Steph"

"..."

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"If someone falls into a gaping hole in the Cave and hits the ground, and no one is there to hear it, do they make a sound?"

"Let's not repeat last Wednesday, Tim"

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Dick (joking): Can we search up Superman/Batman fanfic on the Batcomputer?

Bruce (completely serious): That won't work

Dick: How would you know Bruce?

Dick: Bruce. Answer me.

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Bruce (tired): Why did you lick the blood stained knife?

Dick : Because I thought it was ketchup

Bruce: A ketchup stained knife??

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Bruce (tired): Why did you lick the blood stained knife?

Jason: Because Steph dared me to. Duh

Bruce: I hate my life

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Bruce (almost crying): Tim. Please. Why did you lick that blood stained knife??

Tim: ...it was blood stained??!

Dick: what doesn't kill me can be dealt with later
Jason: what doesn't kill me better f*cking run
Tim: what doesn't kill me isn't trying hard enough
Damian: I do not understand the exercise
Bruce: this whole family need therapy
Alfred: shall I make the appointments?
Bruce: ...