the universal experience
Be proud of being cringe. Evil even

the universal experience
Be proud of being cringe. Evil even
This is what they did in their free time. I know because I was belos' life support/j
(This was inspired by @/ kiisaes on Twitter, they're a really cool mha artist)
Elesa learns about American Unovan Football and Peanuts all in one day + bonus Emmet and Ingo reading their weekly Sunday comics.
My Other Kid Nimbasa Trio || Kid Submas Content
i simply think emmet is too much of a force of chaos to be used as a bargaining tool for immortal villain volo unless the goal is maiming arceus
See hi-res version here: patreon.com/posts/65277754
Welcome to another day where Emmet does his best with his single brain cell to cheer his brother up who has suffered years of stress. This was inspired by the concept art that’s been popping up recently XD
I was looking up what other things could cause hair loss/balding and aside from genetics, stress, sudden/drastic change in lifestyle and diet can also be a cause. Also, just personal headcanon, being in constant contact and being poisoned by the sneasler and sneasel might also have an effect >w>; Ingo is now sneasel/sneasler poison immune with the cost of hair loss.
More kid Nimbasa trio stuff… I just think Emmet and Elesa would make great friendly rivals to each other… They’re both like “Finally, a worthy opponent!” while Ingo’s trying to make sure it doesn’t go into an all out brawl. They’ll all mellow out eventually (and Elesa will end up taller than them), but for now… rowdy bunch.
Also, if you haven’t accidentally gotten your sibling sick in some way, are you really siblings?
More Kid Nimbasa Trio stuff: Paper Boys + New Kid
ALSO:
“The idea of two sexes is simplistic. Biologists now think there is a wider spectrum than that.”
As a biologist I am reblogging this so hard.
Biological sex is not and has never been a binary. The complexity of the natural world cannot be contained in neat little societal boxes. Stop using science to justify your bigotry.
Imagine, after Akari discovers a way to return home and tells Ingo, he agrees to accompany her as it’s not safe to travel such a dangerous track alone. He informs the Pearl Clan of his  decision, Irida is saddened to say goodbye but understanding of his choice to return to the time he came from. Then Ingo tells his Lady Sneaseler…
He expects her to be upset by his choice, after all she had done form him. Saving his life in the icelands, giving him a purpose among the Pearl Clan, becoming his closest friend in a way that reminded him so much of those warm purple flames that haunt his memory.
Instead of anger or betrayal, she just nods, before turning away and climbing up the mountain. Ingo is left standing alone in the cold wind as he watches her ascent. He then straightens up, tugs his cap down over his eyes, and returns to Jubilife Village.
Hours later, as they’re all saying their final goodbyes before Akari summons Arceus, Ingo can’t help but glance toward the mountains after every hug or handshake. Irida tries to comfort him, assuring she’ll make absolutely sure that whoever fills his position will take the best care of Lady Sneasler and her kits.
It’s then that the clawed Noble of the Highlands makes her appearance, accompanied by some of her mature sneasel offspring and her basket clearly carrying something heavy within it. Ingo is surprised but grateful to see her one last time.
Except it’s not the last time at all, as Lady Sneaseler hands her eldest kit a razor claw and then joins Ingo beside Akari as every one watchers her kit evolve into the next Pearl Noble of the highlands.
After the initial shock Ingo quickly realized what this all meant and is so very moved that she would choose to stay beside her warden. He asks if she’s sure, as while he can’t remember the details of his home, he knows it’s dramatically different from Hisui and she may become the only one of her kind. She just smirks and opens her basket to reveal her latest clutch of eggs, safely secured in enough fur, feathers, and foliage for a safe travel to their new home.
And so, this is how just a few weeks later, after finally being reunited at long last with his brother, Emmet got to experiance the joy of being severely poisoned by a half dozen tiny purring sneaslets.
You know, one of the fun things about looking into the subway twins in the aftermath of PLA (and as someone who tends to skip the battle subway in B&W) has been realizing just what fun characters they are. The two share one brain cell whenever they’re in a room together. Literally, speaking the same lines and doing the same actions in sync. Even when apart, they tend to gravitate to the same ideas and wants (granted, in their own ways), the same kinds of Pokemon, and fixate on the same objects. Which- yeah. They’re identical twins. That tracks.
It’s when they’re apart that the differences start to accumulate.
On one hand, you’ve got Ingo: the one with a perpetual frown on his face, wears darker clothing, and whose primary partner Pokemon is presented as the floating goth ghost chandelier: Chandelure. (Fun fact they’ve both got one- in fact the majority of their Pokemon overlap, but most media (and fanwork) depicts Chandelure as being one of Ingo’s).
At a glance, you’d expect him to be serious and formal at best- until you walk into his train at the end of the single battles and he starts cheerfully introducing himself and excitedly starts the battle, or when you beat him and he applauds your victory and cheers you on. Or in Pokemon Masters, where he’s actively distraught by the fact people have trouble reading his facial expressions and so will loudly explain how excited he is and how much he loves battling whenever he enters a room.
Even in PLA, where he’s rediscovering who he is along with everyone else, he still clearly enjoys the same hobbies- not only fights himself, but seeing other people have great battles. He’ll just straight up have a heart to heart about his personal feelings and predicament with a stranger he just met an hour ago, can’t resist a smile from a good battle, and despite the fact he’s clearly lost the light behind his eyes, is still such a friendly, helpful soul who genuinely wants to see the best in everyone. (it would be so funny to see the reactions of the PLA crew seeing normal-Ingo and what an aggressively friendly ball of sunshine he actually is. It’s just something missing from most ‘Ingo is reunited with his brother and memories’ fics).
Then on the other hand, you’ve got Emmet. The Subway Boss who drifts through life with a smile on his face, wears lighter clothing, and whose primary Pokemon is a big poofy colorful dumb looking bird whose better at running then flying. And whose most famous line (I like winning more then anything’) is one of the longest sentences he says to the player in the original game.
In contrast to his brother, Emmet speaks in clipped, factual statements. While loving his Pokemon and battling, he views his team through a very strategic lens, wanting the best, perfect combination of moves and strategies. Even when you beat him, he announces how much fun he had fighting you in the same matter-of-fact way he has of speaking (he lost. You are verrrrry strong) and ends on a very simple note that you should ‘ride the trains more often!’. In Pokemon Masters, he’s much more detail orientated then his brother, questioning the Player for all sorts of details about the location and what they look for in a good battle. He’s still very clearly excited to fight the Player, and to bring the Battle Subway to a new location, but has a very ‘there is nothing in life more important then winning’ attitude that’s just barely friendly enough to stop him from having a threatening aura. It’s also worth noting that, despite the two of them both sharing the same title, Emmet talks about how much he looks up to his brother and respects him as both a trainer and in individual.
When you fight both of them in B&W, Ingo will have a whole conversation with the player about the nature of team battles and trusting in your partner as much as you trust yourself. Emmet has a serious of short quips that are no more then three words each. We get the feeling that, where his brother has trouble expressing himself with his facial expressions and falls back onto his words so that people’ll understand him, Emmet has trouble expressing himself with his words and has learned to use his facial expression to project how excited he is outwardly- large smile, over the top gestures despite his simple sentences, a sparkle in his eye so that people are actually willing to approach him and don’t get scared off by this ultra-stern rules abiding boss at the end of a train.
When you beat them together, Emmet comments on you having a good combination and being strong, and it being a fun battle. Ingo applauds the player but also reminds them that beating the two of them was only one milestone in their life, and actively encourages them to go on to do even greater things further down the line. Emmet seems like a very here-and-now kinda guy, focusing on the life that’s in front of him, while Ingo is focused on the line ahead and what he can do now to prevent regret in the past. (Which is ironic, isn’t it?).
Also if you search up clips of the two from the B&W anime, one of the only straight clips you can find is a 30 second clip of them investigating someone (*coughteamrocketcough*) messing with the subway. In it, Ingo wants to get to solve the mystery to protect the city and the people who use the subway. Emmet focuses on holding the guilty party responsible. They also naturto run on the subway tracks, which is very important.
"you can't ship that, it'll never be canon!"
look, when I was your age, we shipped characters who never even met in canon. uphill. both ways. in the snow.
This is how icons work right-
[All are 1280x1280]
I was gonna include the other cookie "Priestess of the Stars" with Licorice and Dark Choco but Tumblr only allows ten photos per blog oof [then again she looked like a blur so~]
[i don't know this is new for me]
you could request an icon if you want just send a screenshot or something I don’t know-
Passport Photo Series London-based visual artist Max Siedentopf recruited a cast of friends and strangers to sit for passport photos. Above the shoulders the participants are straight-faced and rigid, yet below they are balancing full wine glasses along their arms, taped to a wall, or even on fire.
the photographer hero we didn’t know we needed
This is the funniest thing ever