The Writer's Handbook

@thewritershandbook / thewritershandbook.tumblr.com

Helpful tips and tools for writing, inspiration, and motivation. This is a side blog. Asks are currently closed.
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Don't you sometimes get an absolutely extrodinary, mind blowing, such an awesome idea for a story, but you just don't have enough skill level to pull it off?

Write it anyway.

Write it anyway, write it anyway, write it anyway.

There are so, so, so many reasons:

  • You gain that skill level only through practice. So practice.
  • No matter what you’re writing, no matter how badly you think you’ve written it, there is ALWAYS some audience that will love it and cherish it.
  • You can use what you write the first time around as a first draft and just rewrite it again later when you feel like tackling the story again!
  • Rewriting the same story over and over is a valid writing process. It’s literally just creating new drafts. Each iteration will be better than the last, because each is building on your growing skill and experience.
  • If you love the story, it will always be worth telling simply for your own enjoyment. If no one else ever sees it, that’s okay! Your art should be for you first, anyway.

Write it anyway.

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“One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.”

― Annie Dillard, The Writing Life

Saying "I love you" without saying "I love you" — some ways your otp can silently express affection

  • Forehead kisses, and smiling through the kiss
  • Resting their forehead on the other’s after a kiss
  • Tucking strands of loose hair behind their ears, with a thumb caressing their cheek
  • Interlacing their fingers with the other’s when they least expect it
  • Sleepy back hugs when the other person is busy whipping up breakfast in the kitchen, catching them by surprise
  • Just doing their own things in the same space; being so comfortable around the other even in their pyjamas
  • Holding both their hands while holding their gaze gently, just before leaning in for a kiss
  • Switching positions with the other when walking down a busy sidewalk because your feel the need to keep the other safe
  • Being playfully clingy in the mornings when one has an off day and the other has to rush to work
  • Getting them something from the store when they only mentioned it in passing
  • When one is overseas for a work trip and everything they see reminds them of the other person (bonus: whenever it happens, they take a picture and drop the other person a text.)
  • Squeezing their hand reassuringly and holding their hand throughout an intense social situation (eg. a large school reunion which the more introverted person is dreading)
  • Kissing away their tears
  • ^ and letting the other cry on their shoulder even when their t-shirt gets soaked from their tears
  • Meeting them where they are, mentally and emotionally; never forcing them to do anything they aren’t comfortable with
  • Wholeheartedly supporting their dreams, and putting that into action by making concrete plans for it to happen
  • Dropping the other person an encouraging text before an important interview/event
  • Surprising the other with flowers just because; no occasion and no reason needed
  • Picking the other person up from work when it’s getting late, and walking them right to their doorstep after
  • Good morning and goodnight texts
  • Making the other person a Spotify playlist with songs that remind them of their relationship and growth
  • Remembering the littlest of things — activities they like and dislike, favourite brands of stationery, go-to ice cream flavour, choice of popcorn
  • Writing little notes on post-its and leaving them in random pages of their textbook, so that they will get a little endorphin boost when studying

The Emotion Thesaurus: Amazement

Hello everyone! This post will discuss the emotion amazement.

This section is taken from the Emotion Thesaurus by Angela Ackerman and Becca Puglisi.

Amazement

Definition: overwhelming astonishment or wonder

Physical Signals:

  • widening of the eyes
  • a slack mouth
  • becoming suddenly still
  • sucking in a quick breath
  • a hand covering one's mouth
  • stiffening posture
  • giving a small yelp
  • rapid blinking followed by open staring
  • flinching or starting, the body jumping slightly
  • taking a step back
  • a slow, disbelieving shake of the head
  • voicing wonder: I can't believe it! or Look at that!
  • pulling out a cell phone to record the event
  • glancing to see if others are experiencing the same thing
  • pressing a hand to one's chest, fingers splayed out
  • leaning in
  • moving closer
  • reaching out or touching
  • eyebrows raising
  • lips parting
  • a wide smile
  • spontaneous laughter
  • pressing palms to cheeks
  • fanning oneself
  • repeating the same things over and over
  • squealing dramatically

Internal Sensations:

  • a heart that seems to freeze, then pound
  • rushing blood
  • rising body tempreture
  • tingling skin
  • stalled breaths
  • adrenaline spikes

Mental Responses:

  • momentarily forgetting all else
  • wanting to share the experience with others
  • giddiness
  • disorientation
  • euphoria
  • an inability to find words

Cues of Acture of Long-Term Amazement:

  • a racing heartbeat
  • shortness of breath
  • knees going weak
  • feeling overwhelmed as if the room is closing in
  • collapsing

May Escalate To: Curiosity, Disbelief, Excitement

Cues of Suppressed Amazement:

  • holding oneself tightly (self-hugging)
  • walking in jerky, self-contained strides
  • clamping the hands to the chest
  • looking down or away to hide one's expression
  • eyes widening a bit before control is asserted
  • mouth snapping shut
  • a stony expression
  • taking a seat to hide emotion
  • making excuses if reaction is noticed
  • stuttering, stammering
“First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice.”

— Octavia E. Butler

Introduction
Creating a unique and authentic voice for your characters is an essential part of writing compelling fiction. Whether you're writing a short story or a novel, your characters' voices need to be distinct and believable in order to engage your readers. But how do you find that unique voice? In this post, we'll discuss some tips and tricks for developing your characters' voices and making them stand out from the crowd.
Creating a Backstory
One of the best ways to develop your character's voice is to create a backstory. This backstory should include details about the character's upbringing, relationships, and life experiences. By understanding your character's background, you'll be able to better understand how they would speak and interact with others.
For example, if your character grew up in a wealthy family and attended an elite private school, they may have a more refined way of speaking than someone who grew up in a working-class neighborhood. Similarly, if your character has experienced trauma or hardship, they may speak in a more guarded or defensive manner.
Using Dialogue
Another way to develop your character's voice is through their dialogue. Pay attention to how your characters speak to one another and how they interact with others. Do they use slang or profanity? Are they verbose or succinct? Do they interrupt others or listen carefully?
Creating unique speech patterns and quirks can also help to differentiate your characters. For example, one character may use a lot of metaphors in their speech, while another may speak in short, clipped sentences. These details can add depth and complexity to your characters and make their voices more distinct.
Experimenting with POV
Finally, experimenting with point of view (POV) can also help you find your character's voice. Writing from different perspectives can give you a better understanding of each character's unique voice and personality. For example, if you're writing a novel with multiple POV characters, try writing a scene from one character's perspective and then rewriting it from another character's perspective.
By doing this, you'll be able to compare and contrast the different voices and get a better sense of each character's personality. You may even discover new aspects of your characters that you hadn't considered before.
Conclusion
Creating a unique and authentic voice for your characters is crucial for engaging your readers and bringing your story to life. By creating backstories, using dialogue, and experimenting with POV, you can develop your characters' voices and make them stand out from the crowd. Keep experimenting and trying new things, and you'll soon find the perfect voice for each of your characters.

Motivations for villains

Here are some motivation ideas specifically designed for your villains! Can you recognize any of these in your own antagonists?
  1. Keeping a secret from their past
  2. Keeping “peace” in society
  3. Avenging a loved one
  4. Finding a person who wronged them
  5. Discovering truth about their identity
  6. Making the world in their image
  7. Making a political point
  8. Progressing in their career
  9. Having a specific image for society
  10. Wanting to get something they were deprived of
  11. Lead a community
  12. Win a war
  13. Start a revolution in their image
  14. Keep themselves in power
  15. Conceal their past or their roots
  16. Raise a new generation in their image
  17. Running away from their past or a particular person
  18. Burying themselves in work as distraction
  19. Finding someone they lost
  20. Bringing someone they lost back from the dead
  21. Concealing their mistakes or sins to save their skin
  22. Get someone’s attention
  23. Ruin a life because they had their ruined the same way
  24. Prove their worth
  25. Protect the only person they care about
  26. Find the answer to a mystery that’s been following them
  27. Beating a disease
  28. Curing someone they love
  29. Having a child, but they’re infertile
  30. Haunting someone as revenge

Have you heard of my group coaching program for writers? It launches Feb 11th!

Here's what the class schedule looks like!

Would you like to learn more about crafting realistic characters who lead the plot FOR you? 🤯

You might want to give my 6-month group coaching program a go! It's designed specifically to help overcome this issue and teach you how to plot and write ANY story with ease. It uses a mix of writing their classes, with group coaching sessions to work specifically on YOUR project.

Find out more and secure your spot through:

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The Truth About First Drafts

First drafts are not great quality. Some lines might be fantastic, but overall, it probably won’t be amazing. And that’s totally fine, it’s normal, it’s exactly what you want.

Our silly writer brains expect perfection on the first go for some reason?? Which makes no sense. 

They’re meant to be terrible, just thoughts spewing onto paper, really. Just get the dialogue out, get the story into a tangible, clear sequence of events that’s actually a readable story, not just an outline. You can fix it later <3

  • Think of it as the “zero draft” instead of the first draft. “Garbage draft” works too.
  • Write it out on paper with pen, or add messy notes to your documents everywhere to really reinforce the idea that there’s no pressure or expectation for perfection.
  • Don’t look at any of the draft as you write it until you’re done the draft. Looking back at bad writing while working on the same project can be really discouraging, so just don’t look. 
  • Once you finish the draft, wait a couple weeks. Long enough to distance yourself from it, so you can come back to fix it with a clear head. 
  • Don’t compare your first draft to published books. Ever. Those books might be on their tenth, twentieth, thirtieth draft. It’s unfair. Don’t bully yourself or your project.
  • Set yourself a goal, x words per day, x minutes spent writing, whatever you want. Just make sure it’s achievable. Don’t set yourself up for failure unless you’re asking for discouragement.
  • You got this <33 Just get that draft down. 
  • When you finish the draft, rewrite the whole thing, using the original draft as a reference if you like. There will almost certainly be countless details you want to change, so rewriting the story will be easier than fixing the original. 

Random Prompts 5

  1. "Do I even wanna know?" "... no."
  2. "I hate math!" "You say that now, but when it comes to sharing food you love math."
  3. "Why is there ketchup on the floor?" "Oh, that's not ketchup." "Right. Nevermind, forget I asked."
  4. "I'm gonna say it." "Don't you fucking dare-" "Flibbity-gibbit." "Dammit."
  5. "Are we just gonna... keep holding hands?" "Dunno. It's nice though."
  6. "On a scale of one to ten, how stupid are you?" "Oh buddy, I don't even make the listing."
  7. "I think that you're a little scared of me." "Gee, what gave that away? The screaming?"
  8. "Babe, c'mon." "I'm not your 'babe' when I'm pissed off!"
  9. "Can you please be civil?" "No." "Just this once?" "Also no. I have a reputation."
  10. "We can't do this anymore. It's too dangerous." "When has that ever stopped us?"

Terms every writer should know

Here’s a quick cheat-sheet to some common terms you may run into during your writing career!

Alpha reader: A person that reads the manuscript with the knowledge it is unfinished and provides content feedback & support (like a coach, mentor or friend).

Beta reader: A person that reads the manuscript for the purpose of finding plot holes, sensitivity issues, and provide feedback, pre-publication.

Back matter or End matter: Additional content at the end of a book, such as acknowledgements, author bio, afterword, etc.

Front matter: Content preceeding the beginning of a book, such as publication information, dedication, title page, table of contents etc.

House: A publishing house.

Developmental editing: Editing that helps develop the content of a book, point out logic, inconsistencies, and focus the idea.

Line editing: Editing that helps the consistency and concision of the author’s style, finds redundancies, and fixes grammar.

Copy editing: Editing that focuses on grammar, punctuation, spelling and vocabulary.

Passive voice: In passive voice, the subject is the person or thing being acted upon.

Active voice: In active voice, the person or thing performing the action serves as the subject of the sentence.

Flash fiction: Extremely short stories, usually of up to 1,000 words.

In medias res: Starting the narrative from the middle of the story.

Deus ex machina: Term for a common trope where all issues are resolved by a god-like force, typically when one writes themselves into a corner and cannot resolve the conflict in any other way.

Head hopping: A common error in narrative perspective, where the writer gives access to internal thoughts of two or more characters within a scene.

Dialogue tags: Sentences that frame dialogue to let the reader know who’s speaking.

Story beat: A structural element of narrative that signals a shift in tone, plot, or character. Can be used for chapters, scenes, and outlines.

Pacing: The rate at which a story progresses.

Pinch point: An event in the plot that adds pressure to the characters.

Plot point: A major turning point in a story structure.

Logline: The story summary in one single sentence, much like a premise or an elevator pitch.

Synopsis: A detailed description of a story’s plot, for the purpose of sharing with literary agents.

R&R: Revise & resend: A changed or revised manuscript requested by agents or editors.

Manuscript: The main body of an unpublished book.

Shelf time: The time during which you set aside your project to come back to it with a fresh perspective.

Zero draft or vomit draft: A draft written by the author solely for themselves, used to get the story out on the page without external pressure.

Exposition: Where background explanation about the story, world, or characters is provided.

Subtext: The meaning behind the text, the dialogue, the plot, or the characters.

MC: Main character.

Motif: An image, phrase, or symbol repeated throughout the book for thematic significance.

Theme: The moral statement, argument, or question at the heart of a story.

Trope: A cliched story element, particular to certain genres.

Save the post so you can find them easily 😊

This except that a trope is literally just a recognizable story element. It's a tool. A cliché is when the trope is overused and/or done badly. All stories have tropes i.e. friends to lovers, found family, a wizard did it, spooky small town, etc.

Anonymous asked:

I wanna write but don't know where to start or how to get people to notice my stuff. I have my own characters I wanna share 😔 they're really cool. How do you do it?

Hello love

So, there isn't exactly a secret to it, I just started posting my stories on here, using proper tags, and eventually people started to read it; it's not exactly a quick process, but the more you post, the more people are gonna find your stuff, and eventually you'll have created your own little community of people who enjoy what you post

But a few tips that I can give you are; use proper tags that fit into what your work is about, post at hours that you know there are more people online, and I'll have to say that having a "nice looking" post helps; as in, not cluttered with unnecessary information and easy to read, maybe with a cool aesthetic edit if you can. These are all things that call people's attention. And if you can, add a good summary to your story, I personally, find myself skipping stories that don't have at least a little summary for me to know what the story is about

Hope I could help, I'm always here if you need to talk about writing <3

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I just discovered foodtimeline.org, which is exactly what it sounds like: centuries worth of information about FOOD.  If you are writing something historical and you want a starting point for figuring out what people should be eating, this might be a good place?

CHRISTMAS CAME EARLY

this is awesome but the original link just turned into a redirect loop for me, here it is again (x)

OH HELLO

No more potatoes in medieval novels!

I'm a knitter. I sometimes knit socks.

I have recently got back into doing some writing. This writing has been multi-chaptered.

So, here is a trick I am going to share that I learned from knitting socks. There is a thing called "second sock syndrome" which is when you finish one sock but can't seem to get around to starting the second. So, when I finish a sock I IMMEDIATELY cast on the second sock and just knit a few rows.

So, when you finish that chapter, IMMEDIATELY just write one sentence of the next chapter. Trust me.

Stop listening to this dialogue advice

Here’s my take on writing better dialogue for your novels. Think of it as art imitating life! A lot of thought goes into well-crafted dialogue, and the key to this is keeping consistent with your character voices.

You’ve heard this before right? - “Listen to real people’s conversations to write better dialogue.” Right?

WRONG.

Here’s why.

#1 People repeat themselves all the time

They end up sharing the same information several times in different ways, and repeating the same info in your book is quickly going to annoy your readers.

#2 Real conversations tend to be extremely incoherent

People meander from their original topic about 17 times within a single conversation. They start to make a point and interrupt themselves and go completely off subject. In writing, this can seem as if the author doesn’t actually know what they want their characters to say.

#3 People rarely finish sentences

You will rarely hear a full comprehensive sentence in a real conversation. People will interrupt themselves with examples, with different topics and ideas, or they will simply trail off. Real-sounding dialogue is an illusion of thought-out and well-crafted lines you wouldn’t often see in real life.

On paper - real conversations don’t sound real. They are messy and they rarely deliver the information they need to. Unless this kind of speech pattern is tied directly to a certain character voice, avoid implementing it to all your characters. Here’s what you should focus on instead.

Character voices Build each individual character’s voice and manner of speaking based on their background and their personality, and write it consistently.

Take inspiration from oscar-worthy film dialogues Why? Because screenplay writers’ jobs are to be straight to the point with their dialogue. No line is there for the sake of being there. Each piece of dialogue has its purpose in the story. Strive for the same in your writing.

Cut out all the fluff You can do this in the editing stage, but make sure your characters aren’t engaging in small talk, or repeating themselves, or sharing any information that’s irrelevant to the momentary situation, unless it’s there for a reason.

Did you know that I have a Youtube channel? Follow the [link here] or below to subscribe and watch my latest video!

You are allowed to like your own writing. You wrote it, it's tailored to yourself, you should enjoy it. You took plain words and put them in a beautiful order to create an awesome story. Beat that imposter syndrome and be proud.

Here's a little secret about NaNoWriMo: it isn't 50k or bust.

Take it from someone who's done it for 14 years. We love our 50k, yeah! Nice big, round number, has a good ring to it. It's traditional.

But listen, if 50k is too much for you? If you're finding yourself already wanting to drop out on Day 5 because you realized writing 1,667 words a day is kind of a lot actually? Stop trying to write that much!!

But don't stop writing.

(unless you need/want to do that too, in which case halt! go no further! take your rest!)

Otherwise, just simplify the goal. Or, don't even give yourself a goal if that sounds better. Just write how much you want to write, whenever you want to write it, and enjoy being surrounded by other writers doing the same.

No Wrimo with half an ounce of decency is gonna try to kick you out of the community because you decided not to go for the big 5-0. We're just happy to see you here. Check out the NaNo forums, the writeblr tags, your local in-person events, the discord servers, or just connect with a couple of creative friends and do NaNoWriMo the only way it's meant to be done: with joy for the craft, support for your fellow writers, and most importantly celebration for your work.

Forget 50k. You're just here to write, and the rest of us are here to cheer you on.

DAY THIRTY-ONE : Summon

This year’s October Spooky Writing Challenge is simple, one word prompts. You can use these for writing, or for anything you’re inspired to create. Characters, scenes, art, lyrics— whatever idea sparks for you.

Each day’s word prompt will post at 12 PM EDT.

Want to share your work on Tumblr? Use the tag   #OSWC2022