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There Is Enough Air.

@thesylverlining / thesylverlining.tumblr.com

Mastodon | They/???? | RoAnnaSylver.com
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I wrote CHAMELEON MOON, STAKE SAUCE, DAWNFALL, and more weird queer stuff.
)O( Wyrd Lokean Witch. Despair isn't very punk. )O(
Personal Pagan Tag: #Heathen Thoughts Art Tag: #Sylver Draws Things Music Tag: #Sylver Sings Things

Yes, I am vibrating into another dimension and beyond excited to announce, the first book of the queer-AF rebelliously hopeful dystopian superhero epic Chameleon Moon series is here - for your ears, at last!

If you haven't heard of this Weird, Queer Indie SFF series, have some important points in meme form!

Funded on Kickstarter in under 48 hours, this audiobook edition features the incredible voice of Kyle Rocco East!

(And a special guest narrator! ........ Me. It's me. Yeah, I make sounds/songs as well as words!)

This baby can hold so much ear-goodness, including sixteen (16!!) hours of enhanced narration and original music including two full songs!

And we've got free bonuses, boy howdy! Every pre-order comes with:

  • CM-verse short stories "Runtime" and "Always Be You"
  • Narrated short story "Un-Dead" MP3 (Recommended to listen after reading CM!)
  • "What You Remember" and "Dream Sweet" song MP3s
  • All 6 character portrait phone wallpapers, seen above and below!

And that's all cool, but need some examples of said audio mastery? As you should!

So, you can listen to the ENTIRE PROLOGUE as a free preview, right here!

... And lastly, hi there. If you read this far, THANK YOU. If you reblog or like, THANK YOU. And oh boy, if you pre-order, THANK YOU FROM THE ACTUAL BOTTOM OF MY HEART. <3

This project has been a labor of utter love, but it HAS been a labor for both me and my incredible narration partner Kyle Rocco East, and I'm happy, relieved, and exhausted to have it finally UP AND DONE.

Halloween can't come fast enough.

(...More than usual, I mean.)

THANK YOU!

~ RoAnna Sylver

I don’t get how in fantasy fiction, the women who actually enjoy sewing/embroidering are always painted as the weak, boring, and anti-feminist characters 

Sewing and embroidery take skill, patience, and artistic talent and it was also the ultimate way to ignore the annoying men in your life in past centuries 

If you didn’t feel like talking to a man, you just “took up your sewing” and he’d have to leave you alone, especially if he needed that shirt mended

Women also got together all the time to sew, weave, embroider but also talk, gossip, assist each other’s work, and enjoy each other’s company in peace 

The skill the female character has doesn’t have to be sword-fighting for her to be strong, because there’s strength and power in any skill she has 

Destroy the idea that a woman’s strength is derived from how much she subverts gender norms

Destroy the idea that a woman’s strength is derived from how much she subverts gender norms

You’ve heard of lemons and the Citrus Scale? Well, what about KINKTOMATO?

KINKTOMATO is an important concept in fandom. It’s a humourous re-spelling of YKINMKATO - Your Kink Is Not My Kink (And That’s OK). This is the idea that if you don’t like a particular kink or ship etc, that’s fine but you don’t need to attack or shame the people who do. Just leave them alone to enjoy their fics and art in peace and ask that they do the same in return. 

KINKTOMATO is the “you do you” of fandom. It’s the “whatever floats your boat” of leaving other people alone. It’s an easy and judgement-free way of hoping that your fellow fans enjoy their content as much as you enjoy yours and understanding that different folks like different strokes. 

Having preferences is human. Having squicks is totally normal. Everyone has NOTPs or lines they don’t want to cross. But fandom is a large group of diverse people with varying tastes and interests and backgrounds. Infinite Diversity in Infinite Combinations. Ship and let ship. Don’t like? Don’t read. Your kink is not my kink, and that’s okay. 

"Sherry's got a lot he doesn't know how to say to you, and figured I'd be better at it." Jonathan gave a lip-fluttering sigh like an indignant horse. "Finally. After a couple years of walling me up in the cellar, Amontillado-style." I detected a note of bitterness - but just that, a note. Jon, it seemed, was not one for holding onto grudges nor plotting revenge. "Well, I know you've got a lot of questions for me, who wouldn't?" he said, shaking off whatever scrap of resentment remained. "So go ahead, Doc, fire away."
A continued fanfiction for Frogwares’ brilliant Sherlock Holmes: The Awakened. (John finds a journal, and Sherlock finds the words. And finally, John meets Jon!)

Feel uncomfortable going to Cheesecake Factory when it’s so under the watch of the eye of Sauron

I made this post in 2016 and it got 3 notes, suddenly people are interacting with it. What is happening how did you even find it

How doe this post have less than 1,000 notes when “The Eye Of Sauron at the Cheesecake factory” has been living rent-free in my head for almost a decade?

So I want to highlight why this is a lot more impressive than it looks on the aurface.

gonna preface this with I am more Furry Adjacent than anything. I mostly went to the local con because a bunch of my friends did and the Chaotic Adorable energy of most suiters is my vibe. Still, I have several friends and acquaintances who suit.

For those unaware: Fursuits are best described as wearing an extra 15-20lbs of carpet sewn to wire mesh with zero ventilation beyond maybe a small fan in the "head".

They're genuinely the best dancer there, because they were locked on the beat and their movements were expressive and sharp under 15lbs of carpet sewn to wire mesh.

All my respect to suiters man. They're a different type.

Rewatching Truman Show for the first time in a long time, and the detail that’s stuck with me this time is the set design.

The characters drive modern cars and hock modern products, but it’s all presented with a veneer of 1950s wholesome applecheeked Americana. Truman’s life is presented as an escape for the audience from the drudgery of the modern day, and the aesthetic they’ve chosen for this is the post-war economic boom. This is the simple time, the movie says. This is the good time. Doesn’t the modern day suck? Let’s go back and see our friends from the days when life was good.

And it’s a lie. Truman’s life is a lie, and the image of white picket fenced suburbia they’ve presented is a lie. It’s an elaborate construction to recreate a false memory that’s comfortable for advertisers. The movie is a satire, but it’s also a very blatant statement against the nostalgia for a golden age which never existed. It’s a lie. It doesn’t exist.

I don’t know. I’m spitballing. I’m biased because I despise mid-20th century Americana and I naturally treat it with hostility, but it’s very gratifying to see a movie kind of agree with me.

Let me tell you a story.

Earlier in the summer, I went to Florida with my friend. We decided to visit a town nearish to where we were staying called Seaside, as we had heard it was a cute place. What I did not know at the time was that Seaside is the place where they filmed The Truman Show. It was a "master-planned community," constructed in the 80s to be the perfect beach town.

Seaside, FL

Seahaven

And yes, it really does look Like That. Not just in their tourist-agency photos, in real life it looks like that. Arguably the irl Seaside is even prettier than movie Seahaven, because the the office buildings where Truman works don't exist; the town is 100% cutesy homes and little shops.

hot take but none of you are allowed to use deer/antler imagery when working with cannibalistic themes anymore. you need to be honest with yallselves on WHY you're associating deer/antler imagery with cannibalism. just because you aren't naming the name doesn't mean that the original anti-indigenous racism isn't still inherent to what you're doing.

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For those who need more explanation, a well known (but often misunderstood) figure in Algonquin and Aanishinabe culture is the wend*go.

No, I'm not fully typing out the name cause we don't say that name and don't want to attract its attention. Yes, all of this is taken very seriously by us Natives.

The problem is that this very serious figure isn't taken seriously at all by non-Natives and, instead of respecting our culture and the fact we don't even say its name, its perceived as this cool monster to add to movies, video games and cool edgy OCs.

And, as with all thing Native being used and abused, misunderstood, and transformed by non-Natives, we are tired of that. It's not okay, it's not respectful.

You want a people eating monster in a story? Use anything else.

As someone who's absolutely guilty of this shite on this account...yeah you have the right to spitroast me for that. Fair is fair.

I do hope we can use creepy deer aesthetics on and about other mythological/fiction monster villains tho. As someone who had a deer almost kill their dog, I just find deer creepy and unsettling regardless.

first off: You are the single person who has responded to this post admitting some variant of having done this that actually listened to what was being said, acknowledged that you did such things while you didn't know any better, expressed an intent to never do it again, and asked for clarification on whether or not "creepy deer aesthetic" is completely off-limits with that in mind. So with that said, I want you to know that you're one of the very few folks in this post I respect sincerely.

To that end: While obviously I can't speak for Native America as a monolith, it would be my opinion that no, creepy deer aesthetics as a concept are fine. Deer can be fucked up and weird. There is a fundamental lure to the idea of a large prey animal behaving as a predator or in ways anathema to our understanding of prey. That juxtaposition and irony has a lot of narrative potential and for good reason--it fucks severely! I don't want to see it go away! It fucks hard, for Christ's sake!

But it is my opinion that the use of deer aesthetics within the specific context of cannibal themes isn't able to be used anymore. The well has been poisoned too deeply. I never said once the specific being I was referring to in nearly any of my responses, but everyone knew exactly what I meant. Even trying to purposefully distance the racism from the imagery would be useless, since the racism is baked in to the assumptions by now. Reclamation may be able to happen in the future, but first we need to accept that setting it down completely is the right play for a while. You can distance racism from creepy deer stuff by purposefully and actively distancing it from Native America and cannibalism--if it becomes a recurring imagery on its own throughout multiple types of horror, rather than being innately tied by implication to the winter hunger, that's when we could maybe begin talking about whether or not to start re-examining our relationship with it.

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The Algonquin are Anishinaabe. I'm guessing you meant to say Algonquian, which for some reason no one on tumblr can spell right.

The Algonquin are a specific Indigenous people, and part of the greater Anishinaabeg.

Algonquian (with an extra A) is a language family which includes the languages spoken by the Anishinaabeg, as well as Cree, Blackfoot, Mi'kmawi'simk, and others. The cannibalistic spirit you are speaking of is part of the stories of quite a few different tribes and nations, including my people, the nehiyaw.

TLDR Algonquin =/= AlgonquiAn

The cannibal creature is not JUST Anishinaabe

It's important that if we're teaching about Native stories that we get them right, and spell the names of the nations involved correctly