Tridentarii close ups 💎♊️💜
Concept art for the Thwomp Stomper boots from the 1993 Super Mario Bros. movie.
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for protection against mosquitos but honestly a serve
i have seen only a few comments on youtube that evoked a similar feeling and i love them all
those first couple weeks after escaping a time loop have gotta be disorienting as all fuck. all those little cues that used to tell you what's about to happen are now triggers that cause you to brace for something that isn't coming. you have to relearn the permanence of death -- hell, you have reacquaint yourself with the entire concept of finality altogether. everything keeps changing but it never changes back and you keep having to remind yourself that this is normal. "it won't reset anymore," you echo to yourself, over and over and over, like a broken record, like you're still trapped in a loop, like someone who escaped the time loop but was doomed to bring it into the future with them
when a british actor does an american accent everyone’s like “i didn’t even know they were british until they were on colbert.” but when americans do a british accent everyone’s like “they’re supposed to be from east cocksford but their glottal e’s are north dicksford. shameful.”
Saw an interesting interview with Hugh Laurie talking about this (on playing House and 'getting away with' doing an American accent):
".... because they're much less interested...they don't have that 'Professor Higgins' ear for.... class and background and geography and the way the British are much more attuned to wait a second where are you from and what trick are you trying to pull on me by... with that particular choice of words. I think partly again because it's such a big country nobody really.... it doesn't bother people so much where you're from or why you sound the way you sound. America's a country that's too big to know itself. Someone living in Florida's go no idea how people behave or what they eat or how they dress in Oregon, it's just so far away - whereas we know, of course, we know absolutely everything about... every British drama we watch, we're like, well that's High Wycombe, that could never happen because it's a one way system there! whereas America's so mythically grand, it's too big to know it'self, and that actually has an affect with things like accent. "
THIS IS THE FUNNIEST FUCKING RESPONSE IVE EVER GOTTEN ON ANY OF MY POSTS EVER
What able bodied authors think I, an amputee and a wheelchair user, would want in a scifi setting:
- Tech that can regenerate my old meat legs.
- Robot legs that work just like meat legs and are functionally just meat legs but robot
- Literally anything that would mean I don't have to use a wheelchair.
- If I do need to use a wheelchair, make it fly or able to "walk me" upstairs
What I actually want:
- Prosthetic covers that can change colour because I'm too indecisive to pick one colour/pattern for the next 5+ years.
- A leg that I can turn off (seriously, my above knee prosthetic has no off switch... just... why?)
- A leg that won't have to get refitted every time I gain or loose weight.
- A wheelchair that I can teleport to me and legs I can teleport away when I'm too tierd to keep walking. And vice versa.
- In that same vein, legs I can teleport on instead of having to fiddle around with the sockets for half an hour.
- Prosthetic feet that don't require me to wear shoes. F*ck shoes.
- Actually accessible architecture, which means when I do want to use my wheelchair, it's not an issue.
- Prosthetic legs with dragon-claw feet instead of boring human feet or just digigrade prosthetics that are just as functional as normal human-shaped ones.
- A manual wheelchair with the option to lift my seat up like those scissor-lift things so I'm not eye-level with everyone's butt on public transport/so I can reach the top shelf by myself.
- A prosthetic foot that lights up when it hits the ground like those children's shoes.
I didn’t realise this until adulthood but handmade birthday piñatas are the apex of parental devotion. I spent the week cooking for my ravenous teenage cousins and felt a bit crestfallen at times that I was spending so long making something that was going to disappear within minutes—but with piñatas it’s so much worse, they exist to be savagely maimed. Year after year my father asked his kids what shape they wanted this year’s piñatas to be and he spent weeks painstakingly making them in the basement after work, only to watch a bunch of oversugared bat-wielding kids gleefully destroy them in less than 10 minutes.
I mentioned this to him and he said he remembered researching tarantula anatomy for the giant spider piñata I asked for when I was 4, trying to make the fangs the right shape and to cut the crepe paper into very thin ribbons so the thing would look appropriately fuzzy, and I was like “and I don’t even remember it because I was four!! spending so long building a beautiful object only so your kids will have fun destroying it, knowing they won’t even remember it, is such a selfless endeavour” and he said “my other motivation was that you said you wanted the spider to look real & scary so the kids at your birthday party would be terrified of it and you’d get to scoop up all the candy and I wanted to support your slyness & ambition”
negative self talk "im going to die here" vs positive self talk "im going to start killing"
There is such a power in FMA only telling Ed and Al's story.
By the end we can see glimpses of all the other people we met throughout the boys' journey, but for most of them the future in uncertain.
In a way it is a very... un-shounen ending. Because while, yes, Edward does get his happy ending (his brother, Winry, and a future in which he can be a happy and attentive father) for everyone else the future is uncertain. Oh, it is certainly hopeful - but it is not written in stone.
We know that Roy got a promotion, but Brigadier General is still three to four ranks away from becoming Führer and it is likely going to take years if it's going to work at all. And while Grumman is definitely not a Homunculus, he is still human - and FMA shows us again and again what horrors humanity is capable of. He's a moderate and on Mustang's side, but in the end we don't know how his and Hawkeye's story ends.
We don't know if they achieve their goal. If they ever end up paying for what they did in Ishval.
We know that Ling ends up becoming Emperor, and we know he has sworn to protect the Chen Clan. We don't know if his goal of creating peace between the warring clans of Xing will bear fruits. We don't know if his reign will be long and prosperous, and we don't know if he will ever find love - he is, after all, a man for whom duty comes first. Lan Fan and Mei are much the same.
We know Scar reclaimed his heritage - maybe even his title as a monk - and that he and Miles are in charge of rebuilding Ishval. We know Mustang has plans to end the occupation of the annexed country. We know there is hope for a people who had every reason to loose it. But we won't ever know what reparations were paid, what troubles were had, what hurdles almost destroyed them.
We know Winry will have friends in the future, and children. We can hope that her automail business becomes a success and that she fulfills all her dreams - we have reason to hope, her happiness is Ed's happiness after all, and we know he would do everything for her.
We see Al travel, and we see him and Ed share ideas and knowledge and dreams. We can imagine a world in which they live long lives and experience more adventures - but at the same time, their story is over.
FMA answers a lot of questions at the end, telling us that for now, everything is okay, our heroes saved the day, their friends (mostly) alive and well.
But it will never give us the ultimate happy end - it will never give us a "and now everyone is happy and everything is good". Oh, it comes close, because it offers us something else, something central to the themes of the story:
It offers us hope.
The hope that Roy and Riza will succeed, that Ling and Mei and Lan Fan will change the Imperial System, that Scar and Miles will create safety for their people, that Winry will be happy, and Amestris a country worth living for.
We will never know for sure, because it is not their story.
(and thank god for that - the possibility of failure is what makes the hope worth it)
(I'm sure Ed and his automail leg would agree)
Tibetan dudes with ghetto blasters, drinking tea, Tibet 1987
If I can recommend you do 1 low-effort thing for the love of God it is this:
Keep 5 cards in your pocket. One will say "yes", the second will say "no."
If you lose your voice, or lose speech, or want to make a dramatic embellishment at the right time, it is an elegant and efficient solution that is right there at hand.
But what if people question you from there? "Why do you have that card? Why would you do this? How long have you had that in your pocket?" For this, or whatever else they say, the third card: "I don't have a card for that."
"What the fuck," they ask. They laugh. They are bemused. You bring the energy back down with the fourth card: "I have laryngitis. I've lost speech. My throat hurts". Whatever you expect to occur.
The joke is over. Rule of threes. Now they are curious. They wonder about logistics. "How did you know I would say that? Is everyone so predictable?"
As a three-part bit, nobody ever sees the fifth card coming.
"I have powerful wizard magics."
Gets them every time




