the light has made us statues in time

@theorynoodle / theorynoodle.tumblr.com

musou | 30-something nb (they/them) musician/programmer | white | communist | quaker | @crossandfaded is main
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Something that gets lost in the contemporary pressure to have an iron-clad identity is the subversive power of saying "it's none of your business."

"The internet’s best resources are almost universally volunteer run and donation based, like Wikipedia and The Internet Archive. Every time a great resource is accidentally created by a for-profit company, it is eventually destroyed, like Flickr and Google Reader. Reddit could be what Usenet was supposed to be, a hub of internet-wide discussion on every topic imaginable, if it wasn’t also a private company forced to come up with a credible plan to make hosting discussions sound in any way like a profitable venture.

We are living through the end of the useful internet. The future is informed discussion behind locked doors, in Discords and private fora, with the public-facing web increasingly filled with detritus generated by LLMs, bearing only a stylistic resemblance to useful information. Finding unbiased and independent product reviews, expert tech support, and all manner of helpful advice will now resemble the process by which one now searches for illegal sports streams or pirated journal articles. The decades of real human conversation hosted at places like Reddit will prove useful training material for the mindless bots and deceptive marketers that replace it."

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2003: It sounds incredible, but in the future whole webpages full of images and videos will load in the blink of an eye.

2023: It sounds incredible, but text-only news articles used to load in the blink of an eye.

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Hey if a guy's leitmotif starts building up again but this time it's got like a church choir chanting in Latin it's because he's decided to cool it and be friends right

I say this with genuine love: I love this rash of small time internet creators starting the most unlistenable tabletop roleplaying podcasts you've ever heard. It feels like a companion to how every group of 20somethings in the 1990s used to have a shitty garage band. We need more of that shit.

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One can only spend so long watching the big name actual-plays studiously pretend that they're not workshopping the hell out of their character concepts and major plot points and that the professional voice actor GM's clever monologues aren't 100% rehearsed before it starts to feel strangely refreshing to listen to a group try to wring a coherent narrative out of a group of player characters who barely occupy the same genre and a pre-written scenario that the GM is clearly reading for the first time as they're running it.

And so it makes sense that these are now the places where fascism grows; that’s what these places were designed for. The suburbs were invented as a reactionary tool against the women’s liberation and civil rights movements. The US government, in concert with banks, landowners, and home builders, created a way to try and stop all that, by separating people into single homes, removing public spaces, and ensuring that every neighborhood was segregated via redlining. The suburbs would keep white women at home, and would keep white men at work to afford that home. These were explicit goals of the designers: “No man who owns his house and lot can be a Communist,” said the creator of Levittown, the model suburb. “He has too much to do.” The reason Target has become the locus of today’s particular right-wing backlash is the same reason countless viral TikToks attempt to convince women that they’re at risk of being kidnapped every time they’re in a parking lot. It’s the reason why true crime is one of the most popular podcast genres in America, and why many refuse to travel without a gun by their side and shoot people if they set foot on their driveway.

[...]

It is of course true that these mass hysterias are part of an organized right-wing movement that is attacking human rights across the country—through legislation banning abortion, gender-affirming care, and books, and making it illegal for educators to teach American history accurately. But the shape this movement has taken is not coincidental; it is in fact the product of the unique shape of public life in America, or lack thereof. Suburbanites do not have town squares in which to protest. They do not have streets to march down. Target has become the closest thing many have to a public forum. We often hear that urban areas are more liberal and suburban ones more conservative, and we’re often told that this is because of race. That may be partly true, though cities are whiter than ever and suburbs more diverse than ever. Instead, it may be that suburbanism itself, as an ideology, breeds reactionary thinking and turns Americans into people constantly scared of a Big Bad Other. The suburban doctrine dictates that public space be limited, and conflict-free where it exists; that private space serve only as a place of commodity exchange; that surveillance, hyper-individualism, and constant vigilance are good and normal and keep people safe. It is an ideology that extends beyond the suburbs; it infects everything. Even cities, as Sarah Schulman writes in The Gentrification of the Mind, have become places where people expect convenience and calmness over culture and community. What is a life of living in a surveilled and amenity-filled high-rise and ordering all your food and objects from the Internet to your door if not a suburban life? To make matters worse, the people who have adopted this mindset do not see it as an ideology, but as the normal and right state of the world; they, as Schulman writes, “look in the mirror and think it’s a window.” So when anything, even a gay T-shirt, disrupts their view, they become scared.