LISTEN HERE! Having a ‘good day’ in a sea of bad ones does not make you a faker. Your brain might be telling you you’ve been weak up until now, because you don’t feel SOOOOO bad today, but that just ain’t true! It’s ok to enjoy the good days if they happen, you don’t owe anyone an explanation. Some days are better than others, that’s just a fact.

The Amazon Forest produces more than 80 percentage the world’s oxygen and is home to more than half of the world’s species of plants, animals and insects.

It has been burning for 3 weeks and we have just found out about it!

The lungs of the Earth are on fire.

HELP STOP THE FIRES IN THE AMAZON!!

REPOST OR POST! 🔥🔥🔥🔥🔥

Get the word out there! It’s been THREE WEEKS!!!! And it’s still burning strong! Many wildlife and animals are being destroyed this very second!!!

The earth and our environment will be affected by the gases caused by the fires and the lost of the forest! We all need to wake up ASAP before we suffer some major consequences due non-action of spreading awareness!

SPREAD THE WORD.

The media isn’t doing it! RIGHT NOW is crucial to saving the rainforest from destruction! News/media outlets are quick to cover political controversy and negative stories, but won’t talk about this urgent issue so we must all use our social media platforms and send them this post and when they get enough emails, DMs and messages about this story they will be FORCED to cover it and then the world will finally see what’s happening RIGHT NOW! Please share this post with any news media you follow and with all your followers and tell them to share it too…let’s all do what we can to get the word out! WE MUST SAVE THE LARGEST RAINFOREST ON THE PLANET BY WORKING together

Source: karlrincon

I’ve never understood the appeal of getting slapped across the face while bottoming. If I prepped, maybe didn’t eat for hours, shaved, got all nice and ready for some ungrateful top, probably sucked him off etc., and then in return he entered my sacred temple and decided he’d fuckin slap me? I’d squeeze his dick off with my sphincter muscles.

It’s cause my dad didn’t love me

Image

twilight au where everything is the same but james is james charles

*in the baseball field*
laurent: i am laurent. and this is victoria, and james.
james: Hi Sisters!
james: *smells bella*
james: you’ve brought a Sister Snack
*in phoenix*
bella: hey, mom, i’m glad you got my message. what’re you doing home?
renée: bella!? bella!? bella, where are you!? bella!?
bella: calm down, everything’s fine. i’ll explain everything later—mom, are you there?
james: forks high school doesn’t protect its Sister Students’ privacy very well. it was easy The House for victoria to find your previous address. it’s a nice house you have here. Love That! i was prepared to wait for you, but then Mom came home after she received a very worried call from your dad, and it all worked out The House.
bella: don’t touch her! don’t—
james: you can still Sister Save her. but you’re going to have to get away from your Sister Squad. can you handle that?
bella: where should i meet you?
james: how about your old ballet studio? and i’ll know if you bring anyone along. poor mommy will pay the price for that Sister Slip-Up
*in the ballet studio*
bella: she’s not even here
james: no. Sister Sorry. you know, you really made it easy The House
james: you’re alone, because you’re faster than the others. but not Sister Stronger!
james: *bites bella*
james: Sister Scrumptious!
edward: *rips james’ throat out*
james: *gargling* Uh Oh Sisters!

I keep seeing an alarming amount of occult glyphs being worn on clothing. I’m not talking like pentagrams, crescent moons, triquetras or shit like that. I mean sigils and symbols yanked from old grimoires, usually for conjuring spirits and demons.  And my issue is really that I don’t know whether to be concerned or just decide that this is the magical version of natural selection and I need to be ok with that. 

Legit saw a hoodie in the window of either Spencers or Hot Topic with the sigil of Astaroth. Like, seriously?

Hey, if you’re gonna accidentally summon a hellish duke with an edgy shirt, why not start with Astaroth? 

Luckily for edgelords everywhere, it takes more than flouncing around with a demon’s sigil to summon one

That’s true, but I can’t help but think that it might catch the eye of a few lesser nasties, especially ones that might pose as bigger names. 

Oh it’s almost certainly a good way to attract impostors and parasites.

Idk, maybe it’s a great deal. A sweet sweatshirt and the Aldi’s version of Astaroth. 

It is a way for these spirits to get into the collective everyday consciousness. No, a sigil on a hoodie won’t evoke the spirit, and yes it attracts nasties (which the wearer would probably be drawing such nasties to themselves anyway), but the real issue is worse. It is an encroachment. More people see it, more inquire about it, and a few call up what they cannot put down and a few that do it right give offerings for work done. Their signature is being seen. It is like a business putting out billboards, you won’t get everybody’s business but you will catch a few. Some people will even become repeat business, offering further opportunities. Before these things were contained by tradition only for the eyes of those select few to work with, and now they everywhere. Even worse is *some* like to try and convince you those things are all in your head, aspects of the unconscious.

idk I just feel like this is a huge overreaction to hot topic t shirts

y’all can’t shit on tumblr witches for simplified witchcraft & then say it’s possible to gain the attention of demons with clothing lol

Except that you can because you’re talking about two completely different things. 

The entire point of this is that those symbols have history attached to them. They have associations with spirits, demons, and workings throughout time, solidified with each time a magician enters the stream and does the work. Take it out of that setting and the results become unpredictable, which is dangerous when you’re talking about things that are recorded in those traditions as being manipulative and treacherous. Not only that, but it encourages interaction with other lesser spirits that might not be as powerful, but can still do damage.  The reason that it’s not even remotely on the same discussion is because that ‘simplified witchcraft’ isn’t coming from a tradition, a history, or even an existing theory. It’s just ‘I (want to) believe it, so it works’.  But we’re not talking about that now, so hop off this thread and onto one that deals with that. 

The Necromancy of Underworld

Necromancy was my first love in magic, the first few steps of my path made of cemetery headstones, shadows, and a collection of graveyard dirt. A ghoulish youth spent daydreaming of decay and decadence.

Yet while the term necromancy has been long used to describe much of the magic that relates to the dead, very little practical information has existed giving the would be student a proper introduction to the cultural practices associated with the reverence of, and communication with, the deceased.

In “Underworld”, a fascinating look at necromantic cultural practices throughout the world, we are given a set of pantheons and the outline of their death practices. Babylonian, Germanic, Greco-Roman, Celtic, Vedic, and Aztec deities are all discussed and include examples of rituals and offerings common in each culture.

Curiously, while the work is credited to “The Sepulcher Society” it is written from a rather matter of fact first person perspective. The writing style is friendly, without the kind of wordy overly philosophical concepts one tends to find in contemporary occult writing.

“Underworld” approaches at a distance the concept of the “otherworld” and its role in these various cultures. This other side of the hedge/beyond the veil realm is something being more and more referred to as the “other” in contemporary occult literature. One begins to almost see a vocabulary emerging to deal with the broader term most generally referred to as “landscape magic.”

The author attempts to give form to ideas of a cross cultural similarity between practices and deities within the various religious frameworks presented. While I generally eschewed the kind of =/= perspective that the author promotes within the text, being myself fully aware that entities that although similar culturally are not necessarily equal and that similarities tend to say more about the structure of human thinking than our perceptive abilities in the beyond, I feel that it is important for the student to realize these patterns in order that they may proceed in any necromantic path.

“Underworld” provides a system of exploration into the darkside of occult necromantic practice. Outlining rituals and explaining their content in an accessible way, leaving it to the student to fill in the personal details of one’s cosmological framework. It is a shame, given editor David Beth’s knowledge of the subject, that the book doesn’t touch on African traditions of death, perhaps in a future Sepulcher Society volume?

Of the offerings commonly mentioned in “Underworld” is the offering of blood. In most cases the author seems to suggest it is the necromancer’s blood on offer, but it is not always clear. Blood sacrifice of any kind, in my opinion, must be centered on a carefully crafted relationship with any entity; shade or deity alike. To offer one’s blood to a spirit is the ultimate gift, and while practical necromancy can demand it for successful operations there should still be a level of consideration in terms of the trust and bond with the spirit to whom one is supplicating.

The book is beautifully bound in fine black cloth and gold stamping to the spine and front cover. Delicately coloured opalescent white endpapers and well rendered illustrations fit into a wonderfully typeset edition well worth having, particularly for the student of necromancy.

For those who would seek to explore the growing field of necromantic magic, who are looking to craft a practice that is personalized and devoid of the claptrap of cultural upbringing and who are attempting to reach the chthonic deities of history the “Underworld” is an incredibly fine place to start.

Get your copy:

Hello dears!~ 🌻🌿 This is a spread I created for myself some days ago, for I wanted to gain some insight -and guidance- in to my creativity, inspiration and drive. And I thought it would be fun to share it with you all!

This spread fits any and all creative ways of expression! Be it painting, writing, photography, and so on. Hope you all enjoy! ☀️

~CARDS~ 1. Where are you creatively right now? (Your current drive - how driven are you in your creative endeavours Your inspiration - where do you find inspiration/how do you get inspired)

2. -two cards- What is blocking and limiting you creatively? (Your creative expression, drive and/or inspiration)

3. What do you need to work on to get rid of these blockages and limitations?

4. What can you achieve/how can you grow if you work on, and remove, these blockages and limitations?

5. -two cards- Where can you find, and gain, new inspiration, drive and creativity?

Feel free to try this spread out, and share your reading with me if you want! I love to see them! 💛🌿

And remeber that -if you want- it is always ok to tweak the questions so they fit you better~