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I Am Heaven Sent; Don't You Dare Forget

@thebunnyadventures / thebunnyadventures.tumblr.com

32 now. Generally go by Victoria or Bunny and she/her pronouns but will answer to basically anything. Polyamorous with a wonderful Pack

A friend of mine who is a sex worker on Tumblr has just been restricted after posting about their content being pushed in the For You Page without their consent or knowledge. Despite having used appropriate community labels, even though the content itself didn't show genitalia or nipples... Just tummy, thigh and fishnets.

If you know who I'm talking about, please don't say in reblogs, replies, or tags, they don't need further retaliation by Tumblr staff.

They have always done their best to stay within the TOS. This is direct retaliation against a sex worker because the Tumblr algorithm doesn't work properly with community labels, and they were embarrassed that it was a sex worker bringing it to their attention.

This is it, the best news story (from BBC news):

Ok, so here is the croissant that started all this mess:

When asked about what kind of animal might it be, the woman said: "It's this, oh, what is it called... A lagun!"

The devil works fast, but The Krakow Animal Welfare Society works faster:

They already made a merchandise with an illustration of the lagun - they posted information about it on Facebook on Tuesday evening and by the Wednesday morning everything was already sold out.

My university professors are so delighted about this story that they are writing tons and tons of limericks, moskaliks and lepiejs (those two last genres are very popular, ridiculous and humorous types of short poems, in last decades popularized by Wisława Szymborska) and posting them on official Facebook pages of our university departments, and I am dying of laughter.

Important update on the story: owners of cafés and bakeries in Kraków realized that this wonderful idiocy that took over the country could bring them profit and help animals, and started selling croissants labeled as laguns: i.e. Massolit Café & Bakery is sending 10% of income from selling laguns to the Krakow Animal Welfare Society. Thankfully laguns are selling like hotcakes and bakeries don't plan to stop making them, so the story that started and could quickly die as just another seasonal nonsense transformed into a tool for helping small, helpless, vulnerable creatures, far less dangerous than vicious lagun.

This is how cyptids get started.

Oh to be an interesting creature in a tree that turns out to actually be a pastry stranded far from anything it could consider a home

I suppose I should have guessed that offhandedly mentioning my father was in several year feud with a parrot in the tags of that post would make my inbox go nova.

Anyway, my dad was involved in a feud with an African Grey parrot for several years. No one knows how said parrot came to be in our Scottish village, it simply showed up one day at the rescue and the local hairdresser, Sharron, adopted it. 

Now if you don’t know much about African Greys, they’re chatty buggers. They’re also wicked smart and incredible mimics. Which was how Marty the Parrot became an infamous feature of our wee town; frequently escaping his enclosure to perch above the barbershop door, hurling Scottish colloquialisms at unsuspecting tourists and whistling the ice cream truck song whenever kids walked past. One time, some construction workers drilled through the water pipe that ran through the village square, and above the roar of water spewing forth into the street and alarmed swearing, Marty could be heard cackling like a demon through the window. Right until the water reached the barbershop door and flooded the ground floor room he was sitting in, and then he started screaming, “help! help! murder murder polis*!”** until he was rescued and offered a plain digestive biscuit. 

After that and many, many more escape attempts and being asked politely by the local tourist board if Marty could stop telling hikers to “away and pish!” Sharron took him to see some sort of bird whisperer who told her Marty was lonely and needed company. So she moved his cage into the barbershop during the day so he could see and talk to her and the customers. 

Which is where my dad comes in.

You should know that my dad is the epitome of a wee auld Scottish granda. He’s had a full head of white hair since his early forties, and wouldn’t look out of place in a Norman Rockwell painting in Norman Rockwell ever took a wander doon the Barras and got swindled into buying a TV that quite-very-probably fell off the back of a truck. He’s got the gift for the gab, and everyone likes him. Sometimes against their better judgement. Everyone, that is, except Marty.

Marty hated my dad.

At some point, Marty picked up the habit of complimenting customers. He’d wait till Sharron was done with their hair, then wolf whistle and demand “who’s a pretty boy then?” in a broad Scots accent that ought to have defied avian vocalities. Sometimes he’d even do it before if he liked the customer. But regardless, he’d always chat with customers, even if it was just nonsense phrases like “Oh aye?” *whistles* “Iz at right?” *click click.* 

Now my dad knew this about Marty. He knew it from local chat and from watching the bird fawn over customers as he and my brother waited their turn. So it came as quite a surprise when my dad sat down in Sharron’s chair and was met with stony silence. The way he tells it, Marty stared at him dead on in silence, methodically cracking seeds between his talons. When my brother was done with his haircut in the neighboring chair, Marty turned and gave a shrill whistle, followed by his customary “who’s a pretty boy then?” before resuming his death glare at my dad, who by now was feeling a bit unnerved by the unwavering eye contact and the nut cracking. The uncharacteristic silence continued, even when my dad was getting ready to leave. There was no whistle, no “who’s a pretty boy then?” just silence and the sound of seeds being crushed. And then my dad tripped over the step on the way out of the shop, and Marty let out a demonic peal of parrot laughter*** like water circling an open drain. And that was the start of the feud.

After that, whenever my dad went to get a haircut, Marty would talk to him, but only ever in insults. The one time my dad tried asking “who’s a pretty boy?”, the bird replied “naw youse!” before cackling himself into a whistling fit. And every time my dad would come away, determined to get that bloody parrot to whistle at him and ask “who’s a pretty boy then?” 

Seeds were bought. Parrot appropriate biscuits were offered up as tribute. All to no avail. But eventually there became a sort of camaraderie in the insults. Like two enemies who know the steps to the dance they’re treading, and who welcome the familiarity of it. Sometimes my dad would just stick his head round the door on his way to work, just to hear the indignant squawk followed by a litany of insults that’d make a tea kettle whistle. And this went on for years, possibly close to a decade. 

Parrot and man locked in an ongoing battle of wills to see who would give up first.

Sadly, my dad never got his “who’s a pretty boy then?” whistle. Marty was already old when Sharron rescued him and is no longer with us. I’d like to say he’s looking down on my dad, hurling loving insults, but given that bird’s panache for stealing ice cream cones from unsuspecting children and general flare for terror, it’s probably more likely he’s looking up. Either way, he’s fondly remembered. Especially by my wee auld dad, who while never having got a “who’s a pretty boy then?” did get a “see youse later” one time, which probably counts for more.

*Scots for police. **A line from an old Glasgow Street song. ***Not Marty, but this is close to how I remember him sounding.

Happy 2-year-ish anniversary to this post. I need you all to know it’s been literal years, and during one of our recent phone conversations, I brought up Marty and what a terrible pun his name was, and my dad paused mid-sentence, asking what I meant and proclaimed, “Of course! It all makes sense! Marty McFly!”

TIL a family in Georgia claimed to have passed down a song in an unknown language from the time of their enslavement; scientists identified the song as a genuine West African funeral song in the Mende language that had survived multiple transmissions from mother to daughter over multiple centuries (x)

the researchers have given up trying to find the origin of the song. They tried one last village. When they played their recorded song...

Their audience sang along.

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@hiromicota some good language stuff for you

One thing about fandom culture is that it sort of trains you to interact with and analyze media in a very specific way. Not a BAD way, just a SPECIFIC way.

And the kind of media that attracts fandoms lends itself well (normally) to those kinds of analysis. Mainly, you're supposed to LIKE and AGREE with the main characters. Themes are built around agreeing with the protagonists and condemning the antagonists, and taking the protagonists at their word.

Which is fine if you're looking at, like, 99% of popular anime and YA fiction and Marvel movies.

But it can completely fall apart with certain kinds of media. If someone who has only ever analyzed media this way is all of a sudden handed Lolita or 1984 or Gatsby, which deal in shitty unreliable narrators; or even books like Beloved or Catcher in the Rye (VERY different books) that have narrators dealing with and reacting to challenging situations- well... that's how you get some hilariously bad literary analysis.

I dont know what my point here is, really, except...like...I find it very funny when people are like "ugh. I hate Gatsby and Catcher because all the characters are shitty" which like....isnt....the point. Lololol you arent supposed to kin Gatsby.

I would definitely argue that it’s specifically a bad way….a very bad way.

Depending on the piece of media, it could be the intended way to interpret it and thus very effective. When I watch Sailor Moon, I know at the end of the day that Usagi is a hero. She is right, and her choices are good. She and the Sailor Scouts may make mistakes, and those mistakes can have consequences, but by presuming the goodness of the protagonists, I can accurately describe what actions and values the story is presenting as good. (Fighting evil by moonlight. Winning love by daylight. Never running from a real fight. Etc etc)

If I sit around and hem and haw about whether or not Usagi is actually the villain because she is destined to reinstate a magical absolute monarchy on Earth in the future, then I'm not interpreting it correctly. I can write a cool fanfic about it, but it wont be a successful analysis of the original work.

But like I said, that doesnt work for all pieces of media, and being able to assess how a piece of media should be analyzed is a skill in itself.

I was an English major. One of our required classes was Theory & Criticism, and I ended up hating it specifically because of the teacher and the way she taught it, but the actual T&C part of it was interesting. And one of the things we learned about was all the different ways of reading/interpreting/criticizing media - not just books, ANY form of media.

Specifically, I remember when we read The Turn of the Screw, by Henry James. We had special editions of the book where the first half of it was the novel itself, and the last half was like five or six different critical analyses of the book from different schools of theory. The two I remember specifically were a Marxist interpretation and a feminist interpretation. I remember reading both of those and thinking “wow, these people are really reaching for some of this”, but the more I read into the analysis and the history of those schools of thought, the more I got it. So for my final paper for that class, I wrote an essay that basically had the thesis of “when the only tool you have is a hammer, every problem looks like a nail”. If you have trained yourself to view every piece of media through a single specific critical lens - well, you’re going to be only viewing it through that lens, and that means you’re going to read or watch it in such a way that you’re looking for the themes you’ve trained yourself to look for.

My teacher didn’t like that, by the way; she’d wanted each of us to pick one of these schools of thought we’d been learning about and make it “our” school of thought. She wanted us to grab the a hammer, or a screwdriver, or a spanner, and carry that with us for the rest of our lives. She somehow didn’t expect me to pack a toolbox.

My point is: Like OP said, sometimes the tool you need is a hammer. Sometimes you need a screwdriver. Sometimes you can make a hammer work where what you need is a screwdriver, but you’re going to end up stripping the screw; sometimes you can use a screwdriver in place of a hammer, but it’s going to take a lot more effort and brute force and you risk breaking the screwdriver. Sometimes you need a wrench and trying to use a hammer or screwdriver is going to make you declare that the bolt is problematic and should never be used by anyone. Sometimes what you really need is a hand saw, and trying to use any of the others...well, you can, but it’s going to make a mess and you might not be able to salvage the pieces left over.

These skills aren’t being taught in school anymore and you can see it in the way high school aged kids act about media and stuff.

They wouldn’t survive something like Lolita because I swear they’re being taught to turn their brains OFF and be spoon fed all their thoughts by someone else.

It’s really creepy.

I promise these skills are taught in school. I'm an English teacher. In a school. Who teaches them.

Now, Lolita is generally reserved for college classes. But a lot of the rationale behind continuing to teach the "classics" in high school (beyond the belief that a shared literary foundation promotes a better understanding of allusions and references) is that a lot of the classics are built on these kinds of complex readings and unreliable narrators and using historical and cultural context helps in their analysis. (I do think that we should be incorporating more diverse and modern lit into these classes, please understand)

Do all schools or individual teachers do this *well*? No, of course not. Do all students always really apply themselves to the development of deep critical thinking skills when their teacher pulls out A Tale of Two Cities? Also no.

But this isnt a "public school is failing / evil " problem. Being able to engage in multiple forms and styles of analysis is a really high level skill, and my post was just about how a very common one doesnt always work well with different kinds of stories.

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OP, why do you describe analyzing Sailor Moon in a different way than (you assume) the author intended as "hemming and hawing?" I would argue there's a lot of value in approaching texts at a different angle.

Because ignoring context, tone, and intent when analyzing media is going to lead to conclusions are aren't consistently supported by the text you are looking at.

"Usagi is a villain because she's a queen and I think absolute monarchy is bad" ignores the way that Usagi, the moon kingdom, and basically all aspects of the lore are actually framed within the story. None of the characters' actions or motivations make consistent sense if we start from the assumptions that "Usagi = monarchist=evil" and it would cause you to over look all the themes and interpretations that DO make consistent sense.

At some point you have to take a work at face value and see what it is trying to say.

Is the breakdown of monarchy actually relevant to the themes and messages presented in Sailor Moon? No, not really.

So focusing on the Moon Kingdom monarchy and the ethics there of is sort of... besides the point. The Moon Kingdom is a fairy tale, not a reflection of reality.

I’m not actually interested in the tax policy of the Moon Kingdom, you know?

Now, is it *cool* to look at works in various ways? Sure! Are some people interested in the tax policy of the Moon Kingdom and want to explore what that would look like? Sure! And honestly if you want to explore the ramifications of idyllic fairy tale monarchies on the real world, then that’s really cool too! 

But if you are looking at a work to understand what it is trying to say with the text itself, then you need to take some of its premises at face value. Usagi and the Sailor Scouts being the Good Guys is one of those premises. 

And really the “Usagi is secretly a princess from the moon” is just a part of the escapist fantasy for most little kids watching more than it has anything to do with actual themes of monarchy.

There is a lot of value in being able to look at a text from various angles. And it’s perfectly okay to use a text and concept as a jumping off point for other explorations.

But the problem comes when people say that Usagi was definitively a villain in Sailor Moon, or that say Steven Universe with themes of family and conflict resolution is excusing genocide by not destroying the Diamonds. It misses the point of the fantasy. It misses the important themes, the lessons and point of the show to look at it like that.

Basically: reinterpretations are cool, but you gotta know how to take a work on its own premises too.

Exactly. Like, magical princess that shows how monarchies (or the idea of princesses in general) is broken or toxic? Utena and Star vs The Forces of Evil are right there.

The idea of a cute talking cat granting girls magical powers to turn them into warriors against evil and getting them killed being evil? Not a good take on Luna, but Kyuubei in Madoka? Exactly this. That's like, the point of Kyuubei- to riff on the trope that Luna, and Kero, and Mokona represent.

Media can raise all sorts of interesting conversations and discussions and ideas. But there's a very real difference between trying to awkwardly force those readings on a work where the tone and framing and context don't support it and acting like the media is actually supporting those messages, and using those ideas to explore it in a different work or to analyze the trope across the genre more broadly.

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Moral and pure does not a protagonist make, and fandom is rife with that exclusive interpretation of storytelling. OP makes really good points; this thread is one of the best analyses I've read about lit crit on this site lately.

Stories aren't made in a vacuum-- every trope/theme/character archetype comes from somewhere and (general) you do yourself a disservice by viewing everything as whether it's morally uncorrupted or not.

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“Protagonist” only means “the main character who the story follows,” not “the good guy.” The “antagonist” is “the character who opposes the protagonist’s completion of their goal,” not “the bad guy.”

Moth Of The Day #64

Lunar Hornet Moth

Sesia bembeciformis

From the sesiidae family. They have a wingspan of 30-42 mm. The tend to inhabit fens, open woodland, heaths, moors and hedgerows. They can be found all throughout Europe.

"Until recently, a visit to the Colorado River’s delta, below Morelos Dam, would be met with a mostly dry barren desert sprinkled with salt cedar and other undesirable invasive plant species. Today, that arid landscape is broken up with large areas of healthy riparian habitat filled with cottonwood, willow, and mesquite trees. These are restoration sites which are stewarded through binational agreements between the United States and Mexico, and implemented by Raise the River—a coalition of NGOs including Audubon"

Thanks to @aersidhe for sending this in!

A while ago I read about autistic people and nesting somewhere & I think we don't talk about that enough. Apparently, a lot of autistic people like nesting. I love nesting. I carefully choose a space to build my nest and I bring all my little trinkets there. I surround myself with everything I love and everything I could possibly need in the next few hours- my water bottle, a snack, my weighted blanket, my soft blanket, hand creme, my headphones, my charger, my favorite stuffed animals- so I don't have to leave the nest to get anything. It makes me feel save and calm and like everything is gonna be ok. This is a nesting appreciation post. Any other autistics who love a good nest?

When schools offer free meals for everyone, local families reduce grocery spending. Large chains respond by dropping prices, amplifying benefits to the broader community.

Education and nutrition depend on each other.

As the political climate grows increasingly fascist, please consider protecting yourself and the people you talk to by transitioning away from gmail, google chat, google calendar, etc. Protonmail has a free encrypted (private) email option and a free encrypted calendar service, and is trialling a free cloud storage option.

Also consider having sensitive conversations on encrypted services like Signal or Element instead of well-known leakers like facebook messenger, discord, skype, text messages, imessage, etc.

That buffer of increased privacy is probably enough to make a difference for the average person since these mass surveillance campaigns typically prioritize targeting the people whose data is easiest to harvest.

I was working with an item today that just utterly flabbergasted a part of me (the other was deeply frustrated with the catalogue record AS SOMEONE APPARENTLY THOUGHT IT WAS PRINTED ON SILK, coming back to that in a minute) … but ANYWAYS … said item is a replica of a medieval manuscript prayer book THAT IS ENTIRELY WOVEN out of grey and black silk … WOVEN … text, images, intricate grey scale, WOVEN … NOT PRINTED …

And it’s flabbergasting because it’s from 1888, Jacquard machine, IT USED PUNCH CARDS to weave these intricate pages … something like 400 weft per near square inch … IT looks like a page of textured paper, but it’s not, it’s entirely SILK … F*CK …

Anyways …

OKS I’ve since calmed down and found out that the reason they used “printed” is because it is essentially printed by a computer … in a weird way; when I import the record, I’m just gonna take that note out …

BUT this is the item btw

WOVEN! WOVEN ON A LOOM using f*ckin’ punch cards!

You know you've miscalculated how big to make an afghan when it starts feeling like a weighted blanket, and you're only 2/3 of the way through.

My record is a 5'8" square corner-to-corner. We only use it during the very cold nights or if I have a panic attack (been a long while, thankfully) and need the weight.

When I got married my mom agreed to make us an afghan. It just wouldn’t be a home without a granny ripple afghan on the couch, right? She’s made them before. I think she made the one I grew up with, I know she made one for her brother’s wedding. In her case, however, this was a tension problem, not precisely a size one. It’s an amazing blanket (now that we live somewhere that we control the heat), but she should have been more concerned about needing to buy more yarn partyway through than she was. (It’s nice and weighted though. And if you throw something light over it to cover up the holes it’s super-warm.)

This is my second afghan that has gotten out of hand in this way.... The first time was when I thought I should make a granny square wedding afghan for friends and, since it was for a wedding, I decided that it should be queen size.

The second time I realized I was going to need more yarn, my mother informed me that if I kept going the thing was going to be unwashable because of the weight. . . .

around when I first started dating my boyfriend i bought myself this novelty blanket that looks like a photorealistic tortilla because I am SUCH A SUCKER for novelty shit. when he saw it in person for the first time his eyes lit up, which should have been a warning sign for the indignities to come.

so he’s a first responder and his day shifts start obnoxiously early as far as I, a pampered corporate asshole, am concerned. almost invariably when he’s at my place there will be an alarm at an hour that is downright unconscionable that will make him wake up and roll out of bed to get ready and will simultaneously make me burrow under the pillows grumbling about how surely nobody actually NEEDS their lives saved this early in the morning, after which I will promptly attempt to go back to sleep

he is a clever man and he knows this is when i am most vulnerable to attack.

every single time we do this dance, he quietly dresses, packs up, goes about getting ready to leave, and then when i have juuuust fallen back asleep, he returns with the tortilla blanket. He finds it no matter where I have hidden it.

He then creeps silently up to my side of the bed and uses his superior speed, strength, and reflexes to wrap me up in it incredibly tightly while i am still dazed and sputtering, so that i cannot move my legs or arms and am reduced to humiliating halfhearted magikarp flops that do not deter him from at least attempting to kiss my forehead.

then he goes to my bedroom door, opens it, then pauses, turns around, looks at me, the soft human filling of the facsimile of an enormous burrito he has just constructed, and says in his best romantic lead voice “I’ll see you soon, beans.”

you cannot understand how devastating it is to my ego that i am beans.

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suzanne collins is such a genius... the cultural phenomena of her series leading to the hanging tree house remixes, mockingjay being milked for two (bad) movies, the capitol-inspired makeup palettes, the halloween costumes, the explosion of the market for dystopia, the butchering of her characters and removal of disabilities, disfiguration, and racial tension + representation to sell more tickets, the extra gale scenes to fuel discourse, and the audience showing up to cinemas to watch what was pretty honestly marketed to them (the jacob vs edwardification of the symbolic love story and also to watch children fight to the death) it's just so ridiculously ironic i would say you can't write this shit, but she did write about it... in The Hunger Games published 2008