Free sushi at the bus stop on 10th st east in downtown st paul. For those who are interested
Look, this is probably going to end up as an unpopular post, because God knows the level of brainrot capitalism and fast consumption caused in people's brains, but I'd rather not get TV shows for a while if it means writers get their rights defended and recognized.
Entertainment can't come at the cost of fair pay, healthy work environment and ethical practices.
I want everybody who’s calling Ken a Trophy Husband to know that he’s actually a Trophy Boyfriend, because when Ruth Handler invented Ken in the 1960s, she was adamant that he would never marry her and instead be her “handsome steady”, so that Barbie remained a figure of independence for the little girls and was never put in the position of housewife.
Her house is hers. She bought it and furnished it with money she made in her own job. In STEM, in politics, in healthcare, in fashion, in academy, in customer service. Her credit card is in her name (women in the US couldn’t have their own regardless of marital status until 1974). And it’s all pink and fashionable because femininity and badassness aren’t mutually exclusive. No matter who you are, you can be anything.
That’s why Barbie’s slogan is “you can be anything”. Teaching these ideals to little girls is why Barbie was created. Empowering women and empowering femininity is the original meaning of the Barbie doll. It’s not that you have to be all this to be a woman, but if you are all or some of this, you too are awesome.
And somehow pop culture deliberately changed that narrative. Sexualised, bimbofied, and villainised her, when she actually isn’t responsible for the impossible beauty standards — people are, she’s just a stylised, not-to-scale toy like most others.
Men are frothing because he’s just Ken and I guess they were expecting her to be just Barbie, but that’s exactly what Ken is. Canonically. A badass woman’s himbo boyfriend.
This movie has the potential to change the way we collectively see Barbie radically into what Ruth Handler’s intended, I’m so very excited
the whole “it takes a village” thing needs to translate into adulthood too bc i need support!! i need people i can lean on! i need people i can share my thoughts with!! i need a village of mfs who love me!! idc idc idc
There’s a protest going on against AI art over on artstation, so I feel like now is the time for me to make a statement on this issue!
I wholeheartedly support the ongoing protest against AI art. Why? Because my artwork is included in the datasets used to train these image generators without my consent. I get zero compensation for the use of my art, even though these image generators cost money to use, and are a commercial product.
Musicians are not being treated the same way. Stability has a music generator that only uses royalty free music in their dataset. Their words: “Because diffusion models are prone to memorization and overfitting, releasing a model trained on copyrighted data could potentially result in legal issues.” Why is the work of visual artists being treated differently?
Many have compared image generators to human artists seeking out inspiration. Those two are not the same. My art is literally being fed into these generators through the datasets, and spat back out of a program that has no inherent sense of what is respectful to artists. As long as my art is literally integrated into the system used to create the images, it is commercial use of my art without my consent.
Until there is an ethically sourced database that compensates artists for the use of their images, I am against AI art. I also think platforms should do everything they can to prevent scraping of their content for these databases.
Artists, speak out against this predatory practice! Our art should not be exploited without our consent, and we deserve to be compensated when our art is exploited for commercial use.
After over 40 years in the industry, Sheryl Lee Ralph wins her first Emmy in her first nomination. She accepts by singing a line from "Endangered Species" by Dianne Reeves:
I am an endangered species, but I sing no victim's song. I am a woman. I am an artist. And I know where my voice belongs.
Fascinated by the creepy little details of severance. Like the Refiners keyboards not having an escape key
Only good thing about Christmas time is I get to hear carol of the bells all the time but the bad part is I have to act normal like that song doesn’t go hard as fuck
Every other Christmas song is like la la la I love you christmassss or oh jesussss I love youuu meanwhile carol of the bells is like fire shooting out of a flaming skull but it’s like in a snow globe it’s like a fucking boss track
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Talking to people about your characters really is a game changer. You'll start saying things about them you didn't even know you knew.
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[narrator voice] It was not the 90s
30 ROCK, 2.04 BRIDESMAIDS (2011) UNBREAKABLE KIMMY SCHMIDT, 3.02
Source: outtagum