Henry Melton's mandolin banjo, 1930s.
I knew the walls in this apartment complex were thin, but today I learned my downstairs neighbor and her sister turn the TV off to hear me practice when I get going on banjo or piano. O.O
The 1925 Fiddler’s Convention in Mountain City, Tennessee with fiddlers Al Hopkins, Joe Hopkins, Elvis Alderman, John Rector, Uncle Am Stewart & Fiddlin’ John Carson.
Hi, in the HTTYD episode "Tone Deaf", you had mentioned that Smotlouts song was a ripoff of a similar song (repetitive melody with increasing pitch). What is the artist/song title of the song that Snotlout was imitating? I remember hearing this on a radio station and have been unable to identify it. Thank you.
Hey there! I'm stoked about this because you're sneaking into my passion for folk music! Be prepared to get 500% more information than you needed! ;)
For starters, I'm glad good search engines exist to refind what you were referencing. In this 2016 post about Tone Death, I commented Hiccup's song started melodically similarly to "When Johnny Comes Marching Home," while later elements of the song sounded familiar, but I was unable to place it. I'm still unable to place it, though it sounds like another old-fashioned band tune.
Since you mentioned a repetitive melody with increasing pitch and that matches When Johnny Comes Marching Home, I'm assuming that's what you were thinking about!
I don't mind that RTTE 'used' When Johnny Comes Marching Home. It wouldn't be a ripoff in my book. It makes music in RTTE boringly unoriginal, but composers closely mirror songs (especially folk songs) constantly, and a composer would know that, if he modeled something off a famous melody like When Johnny Comes Marching Home, it'd be noticed.
I'm not going to assume knowledge or nationality here, though I know many folks online will be well-acquainted with the song. So I'll start by saying there's no artist particular to it. There's technically not even one concrete title since it's a folk song from the United States Civil War, and as with all folk songs, that means variation, variation, variation. As a child, I learned it as The Ants Go Marching One by One! There's another children's variation, The Animals Went in Two by Two.
I have to nerd out and blab on the song since your ask gives me the excuse!
Irish-born immigrant Patrick Gilmore, one of the most well-known bandleaders of his time, is said to have composed When Johnny Comes Marching Home, with lyrics, in 1863 while serving the Union in the US Civil War. It was published on September 26 under the pseudonym Louis Lambert. The song became popular with both Unionists and Confederates, as it sang about the desire to see soldiers return home. However, Gilmore acknowledged he'd adapted an older melody. Where this older melody came from, though, isn't clear-cut.
The best claims I've seen point out the tune was published in July 1863 as Johnny Fill Up the Bowl, arranged by J. Durnal. Well, where did Durnal arrange it from? I've read Johnny Fill Up the Bowl was a popular drinking song with soldiers. But that's not the origin point, either.
There's a branch of this folk tune that's Irish, Johnny, I Hardly Knew Ye, published contemporarily to When Johnny Comes Marching Home. (Hmhmhmhm Gilmore was Irish.) This publication was in 1867 by Joseph B. Geoghegan. I read that was originally under a different melody, though I couldn't find a scan of the sheet music to verify that with my own two eyes.
Tracing the song back further isn't as certain. Folklorists have pointed out melodic similarities to John Anderson, My Jo. That came from Robert Burns circa 1789, but even he was placing lyrics to an earlier melody. His poem was a polite change from bawdy lyrics that existed previously - a song running back to at least 1630. There are tons of variant titles to John Anderson, My Jo, and there are reportedly about forty variations to the tune (everywhere from Sweden... to Wales... to the USA's Johnny).
Going further back then that, there's less consensus. One scholar has suggested a connection to The Three Ravens, which was first referenced in print in 1611, but would be even older than that. Another song that's been proposed is I Am the Duke of Norfolk or Paul's Steeple, first put to print in 1651, but possibly arising from an event that occurred in 1561. Presumably a ballad arose within a week of a fire that burned down a steeple at Old Saint Paul's in London.
Of course, if you listen to something like Paul's Steeple, it's quite different from Johnny I Hardly Knew Ye - but that's the nature of centuries-long folk song evolution, where new sounds, shifting melodies, different lyrics, and more spawn across generations. It's like languages... Old English ain't intelligible to today's English, but there's a direct chain of evolution linking back.
As an American, I can say When Johnny Comes Marching Home is one of the most ubiquitous folk melodies around me. Its references typically retain military connotations -- to give one example, in Guns N' Roses's Civil War.
If you heard it recently on the radio, that's heckin' cool! I know that this song keeps appearing and reappearing in pop culture in different iterations. I'm so removed from pop culture I have no idea what you might've heard that's recent. Maybe now that you know it's citing When Johnny Comes Marching Home helps! Best of luck finding what you heard.
Why do you think Ants Come Marching uses the same melody?
As much as it’s a powerful experience to record music, one of the biggest downsides is that there becomes “ownership” and “definitive” versions. Music becomes static property, unchanging, for “talented” people to perform, rather than an unrestricted playfield of the masses. You can’t really steal or rip off the melody of a folk song - it’s not owned. And since learning folk music lyrics and melodies is one constant game of aural and oral transmission, things get jumbled fast. Variation on how a song goes is unlimited. Plus, there’s always been the fun of changing the lyrics up or making your own - like for centuries, the broadside ballad tradition published news in the form of lyrics, on the top of which would tell you what well-known tune to sing the news lyrics to.
Murder ballads often took older melodies. Songs of other contemporary happenstances did it, too. A poem that was popular might be put to music by the common folk - using a melody you already knew. People wrote their own lyrics to well-known tunes constantly.
I haven’t researched The Ants Go Marching variation specifically; all my comments are going to be by what I “sense.” I feel like there are clear artifacts that indicate where this comes from. Consider the first line of When Johnny Comes Marching Home versus The Ants Go Marching:
When Johnny comes marching home again, hurrah! hurrah!
The ants go marching one by one, hurrah! hurrah!
There’s no accident that both are about marching, the word “marching” is sung at the same point, and each end in a “Hurrah! Hurrah!” refrain. I’m sure the ants version was derived from the Johnny version. When Johnny Comes Marching Home is a meaty subject: the anticipation of young men returning home after war. And Johnny Fill Up the Bowl lyric variations are a whole level above that! People made up their own lyrics to comment on the Civil War bluntly with that. To provide one example of lyrics I’ve found:
In eighteen hundred and sixty one, hurrah boys, hurrah In eighteen hundred and sixty one, hurrah, says I In eighteen hundred and sixty one, this cruel war's just begun And we'll all drink stone blind. Johnny fill up the bowl! In eighteen hundred and sixty two, hurrah boys, hurrah In eighteen hundred and sixty two, hurrah, says I In eighteen hundred and sixty two, we’ll whip the whole rebel crew And we'll all drink stone blind. Johnny fill up the bowl!
Taking a popular tune that’s around everywhere and reworking it to entertain kids makes sense.
It’s to note The Animals Went in Two by Two variant is one step further removed from the war topic. The animals aren’t marching and we’ve turned it into recitation of a Bible story.
Hi, in the HTTYD episode "Tone Deaf", you had mentioned that Smotlouts song was a ripoff of a similar song (repetitive melody with increasing pitch). What is the artist/song title of the song that Snotlout was imitating? I remember hearing this on a radio station and have been unable to identify it. Thank you.
Hey there! I'm stoked about this because you're sneaking into my passion for folk music! Be prepared to get 500% more information than you needed! ;)
For starters, I'm glad good search engines exist to refind what you were referencing. In this 2016 post about Tone Death, I commented Hiccup's song started melodically similarly to "When Johnny Comes Marching Home," while later elements of the song sounded familiar, but I was unable to place it. I'm still unable to place it, though it sounds like another old-fashioned band tune.
Since you mentioned a repetitive melody with increasing pitch and that matches When Johnny Comes Marching Home, I'm assuming that's what you were thinking about!
I don't mind that RTTE 'used' When Johnny Comes Marching Home. It wouldn't be a ripoff in my book. It makes music in RTTE boringly unoriginal, but composers closely mirror songs (especially folk songs) constantly, and a composer would know that, if he modeled something off a famous melody like When Johnny Comes Marching Home, it'd be noticed.
I'm not going to assume knowledge or nationality here, though I know many folks online will be well-acquainted with the song. So I'll start by saying there's no artist particular to it. There's technically not even one concrete title since it's a folk song from the United States Civil War, and as with all folk songs, that means variation, variation, variation. As a child, I learned it as The Ants Go Marching One by One! There's another children's variation, The Animals Went in Two by Two.
I have to nerd out and blab on the song since your ask gives me the excuse!
Irish-born immigrant Patrick Gilmore, one of the most well-known bandleaders of his time, is said to have composed When Johnny Comes Marching Home, with lyrics, in 1863 while serving the Union in the US Civil War. It was published on September 26 under the pseudonym Louis Lambert. The song became popular with both Unionists and Confederates, as it sang about the desire to see soldiers return home. However, Gilmore acknowledged he'd adapted an older melody. Where this older melody came from, though, isn't clear-cut.
The best claims I've seen point out the tune was published in July 1863 as Johnny Fill Up the Bowl, arranged by J. Durnal. Well, where did Durnal arrange it from? I've read Johnny Fill Up the Bowl was a popular drinking song with soldiers. But that's not the origin point, either.
There's a branch of this folk tune that's Irish, Johnny, I Hardly Knew Ye, published contemporarily to When Johnny Comes Marching Home. (Hmhmhmhm Gilmore was Irish.) This publication was in 1867 by Joseph B. Geoghegan. I read that was originally under a different melody, though I couldn't find a scan of the sheet music to verify that with my own two eyes.
Tracing the song back further isn't as certain. Folklorists have pointed out melodic similarities to John Anderson, My Jo. That came from Robert Burns circa 1789, but even he was placing lyrics to an earlier melody. His poem was a polite change from bawdy lyrics that existed previously - a song running back to at least 1630. There are tons of variant titles to John Anderson, My Jo, and there are reportedly about forty variations to the tune (everywhere from Sweden... to Wales... to the USA's Johnny).
Going further back then that, there's less consensus. One scholar has suggested a connection to The Three Ravens, which was first referenced in print in 1611, but would be even older than that. Another song that's been proposed is I Am the Duke of Norfolk or Paul's Steeple, first put to print in 1651, but possibly arising from an event that occurred in 1561. Presumably a ballad arose within a week of a fire that burned down a steeple at Old Saint Paul's in London.
Of course, if you listen to something like Paul's Steeple, it's quite different from Johnny I Hardly Knew Ye - but that's the nature of centuries-long folk song evolution, where new sounds, shifting melodies, different lyrics, and more spawn across generations. It's like languages... Old English ain't intelligible to today's English, but there's a direct chain of evolution linking back.
As an American, I can say When Johnny Comes Marching Home is one of the most ubiquitous folk melodies around me. Its references typically retain military connotations -- to give one example, in Guns N' Roses's Civil War.
If you heard it recently on the radio, that's heckin' cool! I know that this song keeps appearing and reappearing in pop culture in different iterations. I'm so removed from pop culture I have no idea what you might've heard that's recent. Maybe now that you know it's citing When Johnny Comes Marching Home helps! Best of luck finding what you heard.
This is what Rasputin would've wanted.
I feel like I'm being seduced like one of those fancy rainforest birds
is it working
Yes
Yang Liu practising her 獨竹漂 (du2zhu2piao1; single bamboo drifting) skills. As it is a dying skill, she aims to promote it to the whole world so that it will not be forgotten.
(See my other post here for a bit more info on what bamboo drifting is)
[eng by me]
The other day, I went down the rabbit hole of "cute donkeys" and came up with my head full of things I didn't know about mules (the hybrid offspring of a horse and a donkey), and why they were once so coveted as work animals.
Brace for info dump, while enjoying this lovely photo of a trio of draft mules.
The explanation is hybrid vigour, when hybrid offspring have enhanced traits compared to its parents:
Mules are stronger, hardier, healthier, have better enduranve, harder hooves, sturdier skin and can handle extreme weather better than horses or donkeys. They are also more patient, more intelligent, and easier to handle than either of their parent species. Horses may be faster, but that's about the single thing they're better at than a mule of the same size.
So mules, being all around nicer to work with and getting you more work for the same amount of feed, and with less hassle, were preferred for just about every job purpose.
Habby du Magnou, a Poitevin Mulassier mare, and her daughter Lady du Magnou, a rare Poitevin mule
But since horses have 64 chromosomes and donkeys have 62, mules end up with 63 chromosomes, which means they are almost invariably sterile. That's because biology gets very confused when trying to split an uneven number of chromosomes neatly in half to create germ cells. There are a few documented exceptions of fertile mule mares (never stallions), but they are very, very rare. So you have to keep crossbreeding the two parent species to produce them, usually by breeding a donkey sire (jack) to a horse dam (mare). This is because it's easier for a 32 chromosome egg to incorporate a 31 chromosome sperm into a viable zygote (fertilised egg) than vice versa.
Because of this, there was (and still is) in France a breed of absolutely massive draft horses, the Poitevin Mulassier, and a breed of big-ass donkeys (pun intended, but honestly, it's arguably the largest donkey in the world, and it's shaggy like Highland cattle), the Baudet du Pitou, two breeds whose main purpose was to breed the enormous and super-strong Poitevin mule.
The Poitevin mule
This absolute unit was the must-have work-animal for all kinds of farm and industrial work for centuries, and a significant French export, until mechanisation made these magnificent creatures obsolete.
With no demand for the Poitevin mule , its parent breeds dwindled, almost to the brink of extinction. Determined conservation efforts during the last few decades are slowly bringing their numbers back up, but they're very far from their heyday, when some 20,000 Poitevin mules were born annually.
The Poitevin Mulassier
Both the parent breeds are still endangered, which means most of the current effort is directed into bringing up the numbers of Poitevin horses and Pitou donkeys. This means breeding horses to horses and donkeys to donkeys, with very few breeding opportunities allowed to produce the Poitevin mule. Only about 20 of those are born each year.
The Baudet du Pitou
Cosmovitral: Mexico’s Amazing Stained Glass Botanical Garden
Photos by Lucy Nieto.
Art deco building originally used as a large market transformed into a stained glass botanical garden in Toluca, Mexico.
you don't like bajo? 🪕? plunk plunk?
damn ok owned
Trumpeter shows us an incredible real world expression of audio waveforms. 🤔
Cymatics ✨
He's making those flames dance like this is a Disney movie or something.
the camera man slayed so jard
Is anyone else perpetually upset that we could have had a full-blown folk music revival but it just fizzled out after the sea shanties
THIIIIIIIIIIIIIIIIIIIIIISSSSSSSSSSSS
“Wild Wild Thing” (Official Music Video) - Deke and the Whippersnappers … thank you rockincountryblues






