Woah, I'm so proud of this one! This was a commission I did a while ago for Moondust70, and now it's one of my favorite art I've ever done!
Say “hello” to the okapi (Okapia johnstoni). Though its stripes resemble a zebra’s, this herbivore is actually most closely related to the giraffe! Never seen one? Worry not: This shy ungulate is hard to spot because the stripes on its coat help camouflage it in its densely-vegetated, sun-dappled habitat. Found in Central Africa—typically in the rainforests of the Democratic Republic of Congo—the okapi feeds on leaves and tender shoots, using its long, flexible tongue to strip vegetation. In fact, an okapi’s tongue can reach lengths of up to 11.8 inches (30 cm)… meaning it can lick its own eyeballs.
Photo: derekkeats, CC BY-SA 2.0, Wikimedia Commons #wildlife #animals #amazingnature #nature #science https://www.instagram.com/p/CpQtn1ht2g6/?igshid=NGJjMDIxMWI=
We made a locked tomb AU for our dnd lesbians and I'm thriving
One of the best writing advice I have gotten in all the months I have been writing is "if you can't go anywhere from a sentence, the problem isn't in you, it's in the last sentence." and I'm mad because it works so well and barely anyone talks about it. If you're stuck at a line, go back. Backspace those last two lines and write it from another angle or take it to some other route. You're stuck because you thought up to that exact sentence and nothing after that. Well, delete that sentence, make your brain think because the dead end is gone. It has worked wonders for me for so long it's unreal
would you put a discarded fruit sticker on my forehead in whimsical jest yes or no
reblog to put a discarded fruit sticker on the forehead of the person you reblogged from in whimsical jest
Cadell, just turned sixteen, excitedly holding his first ever horse he can call his own, small that she is right now. His beloved Bird.
Images of Saturn by Kasuaki Iwasaki from Visions of the Universe by Kazuaki Iwasaki & Isaac Asimov (1980)
im open for commissions ! check em out here
or email me at illufinchart@gmail.com to make a commissions request
watched this for the first time when i was 14 i think? it saved me
Knew what this was before I clicked and had to watch the whole thing again.
If you haven’t seen it, now’s your chance!
ten years later still get shook
The universal urge--young and old--to pretend you're the one conducting
Listen to your elders
So last week I posted abut the importance of downloading your fic. And then three days later AO3 went down for 24 hours. No one was more weirded out by this than I was. But while y’all were acting like the library at Alexandria was on fire I was reading my download fic and editing chapter eight of Buck, Rogers, and the 21st Century. And also thinking about what I could do to be helpful when the crisis was actually over.
So first off, I’m going to repeat that if you’re going to bookmark a fic, you really need to also download the fic and back it up in a safe place. I just do it automatically now and it’s a good habit to get into.
But let’s talk about some other scenarios. Last October I lost power for over a week after hurricane Ian. Apart from not having internet or A/C I did find plenty to do, I collect books so I had plenty to read, but maybe, unlike me, your favorite comfort reads aren’t sitting on a bookshelf. So let’s do something about that, shall we?
In olden times many long years ago around 1995 we printed off a lot of fic. It was mostly SOP to print a fic you planned to reread and stick it in a three ring binder. And that’s totally valid today too, but you can also make a very nice paperback with a minimum amount of skill and materials.
Let’s start with the download; Go to Ao3 and select your fic, we’ll be working with one of mine. This method works best with one shots, long fic tends to need a more complicated approach. Get yourself an HTML download
Open up the HTML download and select all then copy paste into any word processor. Set the page to landscape and two columns, then change the font to something you find easy to read, this is your book, no judgement. This is all you have to do for layout but I like to play a little bit. I move all the meta, summary, notes to the end and pick out a fun font for the title:
No time like the present to do a quick proofread. Congratulations, you’ve just created your first typeset. On to the fun part.
Now you’re going to need some materials: 8.5x11in paper ruler one sheet of 12x12 medium card stock (60-80lb) scissors pencil pen or fine tip marker sheet of wax paper white glue two binder clips 2 heavy books or 1 brick butter knife
You’ll also need a printer, if you’re in the US there is almost a 100% chance your local library has a printer you can use if you don’t have your own. None of these materials are expensive and you can literally use cheap copy paper and Elmers glue.
Print your text block, one page per side. Fold the first page in half so that the blank side is inside and the printed side out:
use the butter knife to crease the edge. Repeat on all the sheets. When you’ve finished, stack them up with the raw edge on the left and the folded edge on the right. I used standard copy paper, because you’re only printing on one side there’s no bleed to worry about. Take the text block and line everything up. Use the binder clips to hold the raw edge in place.
Wrap the text block in the wax paper so that the raw edge and binder clips are facing out. I’m going to use my home built book press but you don’t need one, a brick or a couple of books or anything else heavy will work fine.
Once the text block is anchored down, take off he binder clips and get out the glue.
You can use a brush but you don’t need one, smear some glue on that raw edge.
Go make a margarita, watch The Mandalorian, call your mother. Don’t come back for at least an hour
In an hour smear some more glue on there and shift your brick forward so that the whole book is covered. This keeps the paper from warping. While glue part 2 is drying we’ll do the cover. Get out your 12x12 cardstock
Mark the cardstock off at 8.5 inches and cut it. Measure in 5.5 inches from the left and put in a score line with the butter knife (the back edge not the sharp edge)
Carefully fold the score line, this is your front cover. You have some options for the cover title, you can use a cutting machine like a cricut if you have one, you can print out a title on the computer and use carbon paper to transfer the text to the cardstock. I was in a mood so I just freehanded that beoch. Pencil first then in pen.
Take your text block out from under your brick. Line it up against the score mark and mark the second score on the other side of the spine
Fold the score and glue the textblock into the cover at the spine. Once the glue dries up mark the back cover with the pencil and then trim the back cover to fit with your scissors.
Voila:
I’m going to put this baby on the shelf next to the Silmarillion.
The whole process, not counting drying time, took less than an hour.
If you want to make a book of a longer fic, I recommend Renegade Publishing, they have a ton of resources for fan-binders.
Some of you might remember a couple of years ago when Scarlett Johansson sued Disney because she was making significantly less money for Black Widow than was guaranteed in her contract because so many more people watched it on streaming than in theaters, how there was a massive misinformation campaign from Disney that a ton of people on this website (and Twitter and other social media) bought into: That she was a greedy bitch who didn't respect people who needed to stay at home during the pandemic (I believe the word "ableist" was thrown around with aplomb) as opposed to someone who just wanted to be paid what she was owed. What was literally in her contract!!! And where everyone who took more than a couple minutes to actually look into and think about the situation could figure out that her issue wasn't with streaming itself, but with how little streaming was allowed to get away with paying her and other actors. But of course, a lot of people just saw the chance to dunk on a rich woman, and didn't think about it beyond readying some snarky tags and hit reblog. And in doing so, threw their support behind a much wealthier, greedier studio head who is already using similar language to describe the current strike.
Anyway we're going to see a lot of that from studios now, especially now that actors have joined with the WGA and it's easier to sell them as rich and greedy than writers, because of this cultural stereotype we have of all Hollywood actors as celebrities. Don't fall for it. SAG-AFTRA represents people like Tom Cruise and ScarJo but it also represents the kind of people who played a Borg in two episodes of Star Trek: Voyager in 1997 or who had one line in The Marvelous Mrs. Maisel as an enthusiastic audience member. Most actors are not crazy wealthy, and in fact, if you're a big TV fan (especially older TV and genre TV) that likely includes some actor names that you know, who played supporting roles in your fav shows, or who were even a star in something decades ago but haven't done anything major since. The AFTRA side also represents people like radio broadcasters. But even beside that, all workers deserve to be fairly compensated for the work they do, and the threat of replacing them with AI, or real actors being required to sign contracts to allow their likenesses to be used by AI forever without paying them, is an existential threat to acting as a profession in general. The actors are in the right. The writers are in the right. The studios are in the wrong. The studios have exploited new technology to get away with horrifying labor practices for years and their feet need to be put to the fire. Circulate the articles about how poorly the Orange is the New Black cast was compensated for making one of the defining shows of the early streaming boom, and of the studios saying they want to force writers to starve and lose their homes. Don't get distracted by propaganda aping progressive-sounding language about wealthy celebrities. Focus on the real enemy, the truly greedy fat cats who care more about money than people and art: the studios.








