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pop culture and politics

@syrioforrealsies

there's no rhyme or reason to what gets posted here

So I’m doing a Marvelous Mrs. Maisel rewatch (to remind myself of when the show was good). I got to the Season 2 episodes with Benjamin and… I don’t like him. I always thought he was kind of boring, but had a few good moments with Midge, but now…

From the beginning, he’s just so unnecessarily rude to Midge, and only after she riffs along to the radio and proves herself sufficiently “weird” that he shows any interest in her.

Their relationship seems rushed too. We don’t see their first kiss or him meeting the family.

He springs marriage on her out of nowhere, after ambushing her at the park. The man is a doctor and supposedly very smart, I don’t know why he would think this was a good idea. He hadn’t met Joel but he’s proposing? Even Abe points out how rushed their relationship is.

Then there’s Midge, who falls back into old habits. She bends over backwards to meet Benjamin’s desires, even if it means putting herself at risk. She feels like she has to put makeup on in the mornings. She didn’t even mention Benjamin to Susie.

It’s later revealed that he bought a townhouse for himself and Midge, but didn’t consult her about it, because she apparently didn’t even know about it.

Even from their first date there are signs that Benjamin is never going to be enough for Midge. First of all, she knows immediately when and where Lenny’s show is, and it is her first instinct to go to him. Once Lenny is onstage, Midge is captivated. She only looks at Benjamin to gauge his reaction to Lenny. Her approval of Benjamin hinges on his approval of Lenny. (Personally, my favorite part is when Benjamin spends less than a minute watching Lenny and Midge interact and he is immediately like, “Did they…?”)

But the most interesting interactions come in S2E7: Look, She Made a Hat. Benjamin takes Miriam to an art show, something he knows she has no interest in. Now, yes I think you should try to take an interest in your partner’s hobbies, but the thing is, Benjamin keeps leaving to go brag or get drinks, and makes no effort to include her.

Now, contrast that with Lenny in S3E5: It’s Comedy or Cabbage. Lenny says he has a “work thing” which he brings Midge to, which turns out to be an appearance on Miami After Dark. He could’ve easily dumped Midge backstage for the entire show. But does he? Of course not. He brings her out to do a bit, have fun, and get her some exposure. He does this over the objections of the crew, because he loves her.

Returning to 2.7, Midge finds a painting she likes and buys it. She returns to Benjamin excitedly to show it off, but he demeans it. “That’s where they put the very minor artists. Or the mops.” Then he tells her that she overpaid and Midge feels the need to justify her purchase.

After the show, they head to the Cedar Tavern and Midge expressly tells Benjamin that he isn’t paying attention to her. Then, Declan Howell is introduced and Midge is captivated. Here is a man, an artist, who talks dirtier than he looks and can hold a crowd’s attention and make them laugh. And Benjamin is hesitant for Miriam to be around him.

Benjamin abandons Midge again in a situation that he thinks could be dangerous (yes he’s on call but still). And Declan gives Midge his complete attention. He is no longer dismissive, but attentive.

He asks her why she bought the painting she showed him yesterday. He remembered. She seems taken aback by the question, and even more shocked when he doesn’t accept her flippant response. She realizes he isn’t asking to make her feel bad.

When she finally gives her answer, “…She knows a joke that I don’t…” (Midge likes art that is warm and full of laughter which is a piece of characterization that I love), he is staring at her intently, and realizes she is worth showing his life’s work to, being vulnerable in front of. He listens to her answer.

Like Lenny does. Yup. It’s time to talk about The Blue Room.

Lenny stares at Midge like Declan does (but more because it’s Lenny). Lenny was listening to her, he always listens to her, and proves it by quoting her act.

“You are more important than God.”

“You were listening?” Midge asks this like it’s something she’s unaccustomed to (because it is).

“To you? Always.”

Men like Declan, men like Lenny, hold Midge’s interest for a reason: they listen to her. They make an effort to understand her. They show interest in things she likes without real judgement. They are real with her when no one else is. And that’s why it didn’t work with Benjamin. Because he just wanted someone to bum a light.

Midge needs someone who will give her the last puff.

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Which is why it’s important to not be mean.

Their cult teaches them that the world is full of scary monster people who hate them for being so good and loved by god. If you swear at them and call them names or get in their face you’re just doing the cults work for it.

I’m not saying you have to listen to their presentation or try to debate them (and really getting into a debate without thoroughly understanding what they’re being taught will just make things worse)… I am just saying to be polite and say no thank you like if they were trying to hand you a flyer for something you don’t care about.

It’s easier for them to see the world outside their bubble as less scary if they see everyday people just going about their business and being as nice to them as you are to everyone else. This goes doubly for anyone who happens to dress modestly, not swear, and not drink or smoke because whatever you believe, they’ll see you as a “good” person who happens to strangely have no interest in their “message”, and that might be enough to get some curious about the possibility of themselves living in the real world.

It’s sometimes hard to be nice to people who seem to represent something you dislike. Just remember these “elders” are sheltered young men, some of which are getting their first real contact with people of other/no faiths.

They are not your enemy. They are victims.

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Ok I love this???

"baptise me in hot dog water"

Hot dog water - there's a Tumblr post out there I've seen saying hot dog water is the opposite of holy water, due to the fact that a single drop of it will contaminate what it touches. I assume this was partly inspired by this allusion but who knows for sure.

Also the the idea of holy water as inhuman and cleaning vs hot dog water as the remains of feeding someone - often a child - and entirely human. It may be dirty and I do not want it on me but God hot dog water has some memories. You will not wash away my sins. They're mine. Also, anyone can make hot dog water but holy water is refined, restricted (yes anyone can make it in an emergency but lay people are restricted from it)

"you and I both know"

Unlike baptism for babies, this one is done between two people who are both aware of what is happening. The one receiving the baptism gives the orders about what they want to happen. The giver and receiver are portrayed as equals. They are equally aware of their humanity.

"the holy stuff won't take"

Ooof heartbreaking, amazing line. Raises so many questions. What does it mean when the water "takes"? What has the receiver done that makes them unfit for holy water? Or, what has the holy water done that makes it to weak to help, to be a part of your life?

The poem as a whole - I love the lack of capitalization. It adds a sort of intimacy to the poem, and the statement from the speaker. The high words "baptise" and "holy" being offset by "take" and "hot dog". Also "hot dog water" vs "holy stuff." The cadence! I would lick it.

I love the serious analysis, and I think I find it persuasive.

This also sheds a lot of light on some plot points in Scooby Doo! Mystery Incorporated.

Not to turn this into another house full of chintz, but I'mma fuck this poem on the floor.

Meter

There are two readings of the poem's meter that I immediately identify, the first is how I'd want to read it, and the second is how a normal person would probably read it, but both make the same point.

In my interpretation (left), the first line is four wholely irregular feet: an iamb into a dibrach into two trochees; The second line is two trouches into a hanging stressed syllable; And the third line is three iambs.

In the more normal interpretation(right), the first line and second line are six trochees all together plus that hanging syllable in 'knowing' which transitions the poem to iambic trimeter.

And look at the interesting result of that laid bare:

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In English poetry there's a tradition, all other things being equal, that iambs are considered the sophisticated foot with trochees often being contrasted as the vulgar or common foot.

The vulgar in specificity "hot dog water" is put in trochee, while the respectably vague "the holy stuff" is afforded iambs. Without the poet having thought of the stress things the pattern actively, this incapulation of the English poetic tradition is astounding. Especially when you consider the

Chiasmus

Chiasmus is a figure of rhetorical construction, in which two pairs of ideas are laid across each other, A B B A. It's one of the more popular figures of rhetoric and if you're looking for it you'll see it everywhere.

In the most literal sense, it's about repetition; but, you can apply it more liberally to ideas, thoughts, or in this case, parts of speech:

The nouns and verb pairs in the first and third lines crossover each other. They are in chiasmus. Structurally, the inversion makes the poem feel more solid, while still furthering emphasizing the contrast between the idea of hot dog water and the holy stuff.

Opening with a command and closing with a result.

Season 7 Buffy and Faith really just speed ran a whole divorce and custody battle.

They had the married couple sitcom fight:

- why do you get to be the fun parent?

- why do I have to be the killjoy responsible parent?

- one or both are overtired and stressed and it’s not helping the argument.

- Your always at work! You never spend time with the kids and you don’t even know them as people!

- You never appreciate the things I do. I work hard for this family and I’m doing my best.

- bringing past events into the argument

- at some point someone says something with the sole purpose of causing as much emotional damage as possible

- can we not fight in front of the kids?

- who gets custody of the kids? They decide? Of course they’re going to pick you your the fun parent.

- who’s getting the house? I guess you since you have the kids.

Buffy sitting in a abandoned house like “oh no, I’m like my dad.”

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i do think that buffy the vampire slayer is a hilarious show because the actors playing vampires pretty much all very clearly age. and you've just gotta ignore it i guess