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soap

@sweatyfungus

they/it, mahito luvr

Something I need y’all youngins to understand growing up in the age of crypto and streaming is that digital ownership is not ownership. Digital ownership is renting.

If you have, say, House (2022) on Netflix. That new stop motion movie. You don’t own that movie. You pay to have access, to that movie, but you don’t physically own it. It isn’t yours to take with you or put in a blu ray player. You’re paying to maybe watch it.

The movie is something you can access so long as Netflix is active and you pay for access. If one of those things changes you no longer can see that movie. If the movie goes to a different streaming service it is gone. (You should buy any movie you want to see again or would be sad if it left streaming).

Same with digital video games. Silent Hills PT is a playable trailer that, because of the Kojima/Konami dispute, was pulled from PSN. You cannot download it anymore. A physical disc cannot be taken from you, it can always be put in your console and played. Having the physical game is owning it having the downloaded game is renting it.

You’re promised these things forever but you only have access to rented digital goods for as long as the site supports it. And eventually that will change. You can pop in a Mario 64 cartridge into your N64 anytime you want and play. You cannot download a digital copy of Halo 2 to an original xbox because that support has been shut down (and modern consoles don’t let you carry your entire library on your system storage). If you have a disc of Horizon Zero Dawn you can always play it. If you have a digital copy that will go away given enough time.

Same with digital card games. Magic the Gathering has had multiple online formats. When they close one to make another your entire collection is gone. They offer you the idea of collecting but it only means anything if the servers are active. Physical cards can always be used and can even be used in inventive ways like horde mode. That’s how commander/EDH got its start.

Spotify is great for music exploration but download music you like. Go to the library and check out cd’s to put on your computer or go to bandcamp and get albums DRM free. My family switched itunes email accounts in 2011 and its junked up 3 years of purchases requiring us to rebuy them.

As much as NFT bros want you to believe it digital ownership is NOT ownership. The concept of digital ownership relies on false scarcity (minting a limited number of NFT’s when more could have been made) and a few clever words to make you think the netflix library is YOUR movie library. Its really fucking convenient for big businesses who can squeeze every drop of money out of you without giving anything tangible in return.

Digital ownership is NOT ownership.

That’s a goos point. Files without DRM, or digital rights management, are files you do own. I believe gog.com has DRM free as does bandcamp.

As much as I go on the "PLEASE PAY CREATORS (ESPECIALLY INDIES) FOR THEIR WORK" bandwagon... yes, this.

also, legally, you have a right to make a backup of your data as long as you own it and don't distribute it. you're legally allowed to strip DRM from your ebooks and other media that you purchased. you're allowed to make sure you own the content you paid for- and you're allowed to tell other people how to do so, too.

i love to see lady chads and men who are spiritually Hot Girls. and gentlemen thieves and women kings and. anyone who spiritually embodies a symbolic archetype at a clash with their general presentation . i know many examples . it’s about the subtle harmonious contrasting that deepens the flavour

to be known is to be loved.

capfalcon, this post // bbc merlin, 4.01 // tim kreider, i know what you think of me // bbc merlin, 4.01 // bbc merlin, 1.11 // tim kreider, i know what you think of me // bbc merlin, 1.11 // bbc merlin, 3.02 // michael dempsey, being known is being loved // bbc merlin, 3.02 // bbc merlin, 5.01 // bbc merlin, 5.13 // tim kreider, i know what you think of me // bbc merlin, 4.02 (deleted scene) // bbc merlin, 5.13 // timothy keller, the meaning of marriage: facing the complexities of commitment with the wisdom of god // bbc merlin, 5.13 // joe wright, pride and prejudice (2005) (director’s commentary) // @witchmd13, this post // joe wright, pride and prejudice (2005) (director’s commentary) // taylor swift, cardigan // bbc merlin, 5.12 // capfalcon

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this isn't a big deal but stop letting these gays on social media guide you. nothing is gay culture. everything is gay culture. no need to buy fugly clothes and pins just because. if you don't wear rainbow top to bottom you're still a part of the community. clothes can be used to be a means of expression of your identity, but they're not a tool with which to focus on one part of you in a way which is easy to consume for others. it's a beautiful sentiment to find togetherness in this community, of course, but you can do that by being friends and being there for each other and by being a good person. help others. that's the meaning of community. not cold coffee.

all jokes aside, it makes me very sad how literally the entire internet, especially social media, has just become more and more unapologetic in trying to wring as much money out of you as possible. can’t go on youtube without being bombarded by youtube red ads promising that if you just give them money, they’ll block the pesky ads who are also begging for your money. can’t stream a movie without searching for it on each of the dozens and dozens of streaming platforms. all demanding individual subscriptions for their tiny share of the world’s movies that used to just all be on netflix. every news site counting down your free three articles, all the while begging you to turn your adblock off. click off instagram’s stupid shopping tab, and the first post on your timeline is with #ad. and of course, now, tumblr’s adding post plus. i hate it!! hate getting advertised at everywhere i go. hate that social media’s not even supposed to be social anymore, just another thing to monetize. i’m so sick of it!!! can’t escape it ever!!! give us 9.99 per month for exclusive fucking content!! fuck!!

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there’s something so.. utterly beautiful and magical and tender about paintings of peeled oranges like. they make me feel so warm and so full of love and just !!!! LOOK !

this IS tenderness

IN MY ARMS: embraces in art

Eva Antonini / Peter Wever / Holly Warburton / Alisher Kushakov / Salman Toor / Briony Marshall / Alisher Kushakov / Edvard Munch / Jurga Martin

ladies invented your favorite science fiction subgenres

Margaret Cavendish - Mary Shelley -  Emma Orczy - Catherine Lucille Moore

need more WOC on this board

You’re right!

Pauline Hopkins - Begum Rokeya - Octavia E. Butler

in other words, ladies invented science fiction, period.

100 level course prof: Attendance is mandatory, no phones allowed, 12 hours of homework/week, also we have 5 exams and one is in 9 days

500 level course prof: I illegally downloaded the texbook, I’ll send you the link. text me if you need anything. Do you guys wanna go kayaking?

FYI

100 level course prof: Usually an adjunct. Very smol and new to teaching. Lives with dept head up their butt and double checking everything they do

500 level course prof: Is presumed to be competent and is left alone to become the true agent of chaos all teachers yearn to be

500 level also has tenure and can do whatever they want with little to no consequences

also 100 level course: 250 students, at 8:30 AM bc the department is required to schedule at least one class in that timeslot 500 level course: 5 students, a once-a-week four-hour-long shitshow in a coat closet that the prof is fond of

“a once-a-week four-hour-long shitshow in a coat closet that the prof is fond of “

i´m shaking…

straight men trying to make Serious war dramas and accidentally making incredibly tender homoerotic cinema is the funniest thing

In his essay, “Masculinity as Spectacle,” Steve Neale seeks to extend Laura Mulvey’s work on the male gaze and to challenge her assertion that the male or male-identified spectator can never look upon the male body as an erotic object. To challenge Mulvey’s assertion, Neale identifies the mechanisms mainstream Hollywood cinema uses to represent the male body as erotic. One way of doing this, Neale argues, is by making the male body the target of violence. In the war film, a soldier can hold his buddy – as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh – as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege – as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover – as long as he is riddled with bullets. Violence makes the homoeroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.

Untitled (You Construct Intricate Rituals) 1981 Barbara Kruger (American, born in 1945)