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Mornings Are For Coffee And Contemplation

@suspensionbridges / suspensionbridges.tumblr.com

Ace. She/Her. Things I like: fancy pants literature, the New York Yankees, Lizzo playing the flute, the blood of angry men, Peter Parker/Mary Jane Watson, the word 'defenestrate', all women everywhere, teevee, Marvel, Channing Tatum's arms, pop music, and etc.
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suspensionbridges
emeraldinerosefaedragon

hey ao3 can you like give the extra $38k you made from this month’s funds drive to charity

You know it legally is a charity, right?

If x charity aims for £10, but gets £15, would you expect then to give back the extra five or give it then to another charity? No. Any extra costs go into the “rainy day” fund; sometimes servers crash or break, sometimes false reports are made that require the legal team, sometimes you need to hire coders or what not to implement new features or fix bugs or deal with broken code … 

The money they aimed for is the bare minimum, which goes towards things like basic server costs and domain names and legal advice and so forth, but they don’t just “pocket” the rest (as people claim). It’s not a business. It has no advertisements. It needs some “rainy day” cash to function. 

You can’t ask a charity to give money to another charity. 

It needs what it gets to function and improve. 

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fangasmagorical

kiena-tesedale replied to this post

They don’t “pocket” excess money. They have a publicly accessible budget - waaaay more info than most charities, in fact. In it, you can clearly see where each dollar goes. (Also, you are vastly underestimating either how much traffic AO3 gets or how much servers/hosting costs.)                    

In my experience, people who don’t work in web design and hosting just have no concept of how heavy a load something like AO3 would have. Not only is the traffic absolutely buck wild, but the quantity of data that archive needs to store is fuckoff crazy. I’m talking “more than the library of congress” crazy. The only reason it doesn’t require Netflix levels of data serving is that it’s text based rather than video.

AO3 is in the top 300 websites in the world, and the top 100 in the US. It is the number 2 literature website.

Number 2 in the entire world. JSTOR is 20.

It sees about 6 million people a day. About 250k an hour. Each of those people is loading multiple pages, many are running searches that execute on literally hundreds of potential variables per search. The demands involved are astronomical.

JSTOR, btw, makes 85 million dollars a year.

It’s 18 ranks below AO3′s traffic, and takes in 650 times the amount of money.

But let’s say you think that’s an unfair comparison. Would you say that the Project Gutenberg Literature Archival Group- another text based archive that handles literature operating outside traditional copyright requirements- is more similar?

Because it sees all of 4% of the traffic that AO3 handles.

Care to guess its budget?

Double that of AO3.

AO3 is doing shit on the kind of shoestring budget that I fully, 100% cannot comprehend. And that’s just the archival service.

The 130k also pays for the OTW’s legal team, which they use to defend the right of fandom to fucking exist.

It’s absolutely batshit fucked up that people are fighting to have the OTW defunded and AO3 shut down. They are the only organized group that actually stands directly between fandom- all the art and the fics and the vids and the music and the chats and the memes and everything we love about interactive, transformative work- and an incalculable amount of lawsuits.

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saltandlimes

The fundraising drive just held isn’t just for Ao3 either. It’s for OTW, which, as @fangasmagorical said, pays a legal team.

That means that you, or I, or anyone who posts on Ao3, all of us, we don’t have to worry about getting sued by someone like, say, Anne Rice, and not being able to hire our own lawyer. Instead, we can turn to OTW and talk about it with them, and they’ll be there.

Let’s repeat that. OTW is partially a charity legal fund.

But that’s not all!

OTW also runs an academic journal, Transformative Works and Cultures. It’s a peer reviewed open-access journal, and has a, frankly, star-studded editorial board. Most academic journals have full time editors who are paid commensurately to their professorial colleagues because they’re highly trained professionals with PhDs. That means a salary of $60-$100K a year. TWC’s editors are also highly trained professionals. Journals also need to pay for hosting space, marketing, and licensing.

TCW’s 2018 budget is $2,993.99 dollars.

Let’s repeat what this means. TCW doesn’t pay its editors. It operates on the smallest budget imaginable, and still functions as a Gold Open Access journal.

We’re not talking about just one of the most trafficked websites in the world. We’re also talking about a team of lawyers and academics who work for free, helping to make the world a better place. Do we really want to make their jobs (unpaid jobs) harder?

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darkladynyara

And at risk of pointing out the obvious, people who donated to AO3 donated to AO3, largely because they wanted their money to go towards what AO3 does. If they wanted their money to go to another charity, they would have given that money to another charity.

suspensionbridges
alexsrandomramblings
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bpdtomwambsgans
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fluffmugger
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pennie-dreadful

“What I assume my teachers were trying to teach me”

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doctorbluesmanreturns

Huck Finn is about a white Southern boy who was raised to believe that freeing slaves is a sin that would send you directly to hell who forges a familial bond with a runaway slave and chooses to free him and thereby in his mind lose his salvation because he refuses to believe that his best friend and surrogate father is less of a man just because he’s black. Yes it features what we now consider racial slurs but this is a book written only 20 years after people were literally fighting to be allowed to keep other human beings as property, we cannot expect people from the 1880s to exactly conform with the social mores of 2020, and more to the point if we ourselves had been raised during that time period there’s very little doubt that we would also hold most if not all of the prevalent views of the time because actual history isn’t like period novels written now where the heroes are perfect 21st century social justice crusaders and the villains are all as racist and sexist as humanly possible. Change happens slowly and ignoring the radical statement that we’re all human beings that Twain wrote at a time when segregation and racial tensions were still hugely prevalent just because he wrote using the language of his time period is short-sighted and foolhardy to the highest degree.

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mikkeneko

I’m really kind of alarmed at the rise in the past few years of the “and we do condemn! wholeheartedly!” discourse around historical figures. it seems like people have somehow boomeranged between “morals were different in the past, therefore nobody in the past can ever be held accountable for ANY wrongs” to “morals are universal and timeless, and anything done wrong by today’s standards in the past is ABSOLUTELY unforgiveable” so completely, because social media 2.0 is profoundly allergic to nuance

please try this on for size:

there have always been, in past times as today, a range of people in every society, some of whom were even then fighting for a more just and compassionate accord with their fellow man and some of whom let their greeds and hatreds rule them to the worst allowable excesses. the goal of classics and history education is to teach you enough context to discern between the two, not only in the past but in the present

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three--rings

My mind just boggles at the “There’s Racism In That Book” argument.  Yes, there is racism in that book, because that book is ABOUT RACISM.  The message is that it is BAD. 

My high school English teacher, who was a viciously brilliant woman, used to say that when people banned Huck Finn they said it was about the language, but it was really the message they were trying to ban, the subversive deconstruction of (religious) authority and white supremacy.

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lyricwritesprose

Huckleberry Finn can actually be seen as a powerful case study in trying to do social justice when you have absolutely no tools for it, right down to vocabulary.  And in that respect, it’s a heroic tale, because Huck—with absolutely no good examples besides Jim, who he has been taught to see as subhuman, with no guidance, with everyone telling him that doing the right thing will literally damn him, with a vocabulary that’s full of hate speech—he turns around and says, “I’m not going to do it.  I’m not going to participate in this system.  If that means I go to Hell, so be it.  Going to Hell now.”

(I used to read a blogger who insisted that “All right, I’ll go to Hell,” from Huckleberry Finn is the most pure and perfect prayer in the canon of American literature.  Meaning, as I understand it, that the decision to do the right thing in the face of eternal damnation is the most holy decision one can make, and if God Himself is not proud of the poor mixed-up kid, then God Himself is not worth much more than a “Get thee behind me,” and the rest of us should be lining up to go to Hell too.  Worth noting that this person identified as an evangelical Christian, not because he was in line with what current American evangelicals believe, but because “they can change their name, I’m not changing mine.”  Interesting guy.  Sorry for the long parenthetical.)

Anyway, the point of Huck Finn, as far as I can tell, is that you can still choose to do good in utter darkness, with no guidance and no help and none of the right words.

And when you put it like that, it’s no wonder that a lot of people on Tumblr—people who prioritize words over every other form of social justice—find it threatening and hard to comprehend.

#these ya authors wish their works were as progressive and transformative as mark twain#disliking classics doesn’t make you better than other readers