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@submalevolentgrace

35-ish queer disabled girl, tired of everything. australian. i hate americans, so go away. pronouns: she i won't answer asks privately

Hi! I'm very interested in attempting to write a disabled character (not for this blog, I assure, for an book I'm writing) in which the story doesn't fetishize/objectify her prosthetic limb. I'm in many writing circles and have been for a long while, but I've never seen this issue brought to light which I realise is a very important one. I have much to change in my thought process, and thank you for bringing this issue to attention.

I'm curious, and I apologise if this has been asked before, but what sort of design could you see for a functional prosthetic that doesn't go for a plainly aesthetic appearance, or is soully to please others? I do note that you said prosthetics are generally... not that helpful. So is there a way that it could be? Or do you think it would always generally be better to not use a prosthetic, as its mostly for aesthetic purposes, as you said?

I apologise if this ask is too outright or anything, and I don't mean to intrude. Thank you for your time and have a beautiful day!

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okay, i want to answer this as in depth as possible, because whenever i talk about having a prosthesis, someone will always tag some variation of "#writing reference" and i do wonder what message they're taking away, and i want to get as much of my experience out as possible to maybe help shape how this is all portrayed in the future. and yeah… this is gonna be one of those rambly smg posts that the expand feature was invented for, so i'll start with the very abridged TL;DR:

if you're writing a character with an upper limb prosthesis; don't. arm amputees are unicorn level rare even compared to leg amputees, and i've never interacted with or even heard of an upper limb amputee that regularly uses a prosthesis, let alone relies on one. fiction has lied to you for the sake of cool aesthetics, don't repeat the cycle. more in depth writing advice including nuance and "but i waaaant to" will follow.

that said, grab your donning parachute and let's get started...

Some scholars observe that, in classrooms today, the initial gesture of criticism can seem to carry more prestige than the long pursuit of understanding. One literature professor and critic at Harvard—not old or white or male—noticed that it had become more publicly rewarding for students to critique something as “problematic” than to grapple with what the problems might be; they seemed to have found that merely naming concerns had more value, in today’s cultural marketplace, than curiosity about what underlay them. This clay-pigeon approach to inquiry struck her as a devaluation of all that criticism—and art—can do.

also from here

how funny would it be if my name were "operator" and i went by the nickname "op", then it would look like everybody in my notes is my friend and calling me by my name, i'd have so many friends

i have too much cursed knowledge

i think when most people say "cursed knowledge" they mean like, obscure facts that are wierd or creepy or unexpected or something.... unfortunately when i say "cursed knowledge" what i mean is people have shared things with me that i'm not supposed to know and ifi talk about them on tumblr i'm possibly breaking other peoples' professional confidentiality or NDAs or court injunctions or maybe possibly even international security

so people are talking about things and i just gotta pretend i don't have cursed knowledge about it

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“hi, i’m an author and this is my american character, chair lightbulb.  in american, ‘chair’ means to be in a position of leadership, while ‘lightbulb’ means intelligence.  yeah it’s kind of an unusual name in american. she’s always been distant from her  american heritage, but her parents wanted her name to honor the american language, while still being unique.  don’t worry, she’s very embarrassed about her heritage and it will hardly ever come up.”

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“she lives with her cousin, george washington backstreet boys oreo® dq blizzard® creme.  he also doesn’t know a lot about his american culture.  this is symbolic of how i also don’t know a lot about american culture.

oH RIGHT This was before LotR pioneered cgi for massed crowd behavior

There was so much cool cgi in those movies I just assumed all the clones were too but back then I guess they still couldn’t really be

this is so sexy

"before"?

lotr and the matrix were contemporaries

revolutions was the same year as return of the king (2003)

and reloaded a year before did use cgi for the smith clones fight??? but they also used real extras for that too, as did lotr in most battle scenes....

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i'd rather see 1000 graffiti penises than 1 product billboard. i'd live in dick city if it meant i could avoid advertisements in my daily life.