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String-or-Nothing

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A place where I post stuff, when I can't get to the ones I prefer to use

ENSAMPLARIO ATLANTIO - UPDATED

Back in 2011 I issued Ensamplario Atlantio – my first doodle notebook full of fill designs for inhabited blackwork. Many of those designs are also suitable for use as an all-over design or strip pattern. Back then many people had to cope with bandwidth restrictions which made downloading a larger file problematic. So I cut the book up into four pieces to mitigate the problem. Now in 2023, that…

LONG-LOST TWINS, PART VII

Today’s my birthday, and needlework friend Barbara posted a snippet to my Facebook feed of a voided panel showing couples dancing. That bit of fun led to more digging on my part. I knew of similar panels in a couple of places, so I decided to do another of these posts that only a needlework geek could love. First, here’s the one that was most prominent in my notes. It’s in the collection of the…

FIRST BUGS, NOW BIRDS

I’m edging into a new neighborhood on the Unstitched Coif Project. This one is inhabited by birds. The first one is stitched and I’m thinking on the fills for the second. You can see him at the center bottom of the piece, now presented in the correct orientation. I think he looks a bit like a tiny raven, A slightly confused one at that. I could not resist the visual pun of using the feather fill…

BLACKWORK/STRAPWORK RESOURCES HERE ON STRING

Blackwork embroidery seems to be having an Official Moment right now, with tons of new interest. I’ve got a lot of resources here that might be useful to folk beginning or continuing their journeys, but it’s not well indexed. So I post this round-up of on site resources in the hope of lending a hand. And to be able to point to the whole set if asked. Image at the end for the eye candy…

MARCHING ORDER

I apologize for frequent posts on the Unstitched Coif, but if there’s something to say it’s usually very hard to keep me from saying it. I want to thank everyone on the outpouring of support and appreciation, hints, and suggestions. I’m delighted that you are enjoying these notes, and that magnifies my own enjoyment of the process. Many of your recommendations and hints have been quite valuable.…

AND WE HAVE THE FIRST BUG!

Not to worry, it’s not a computer or programming glitch. It’s completion of the first bug on my rendition of the Unstitched Coif project. The bugs, birds and other inhabitants of this flowery sprawl are especially fun to work. I may add a tiny motif in his “collar,” it seems a bit bare; and I may go back and darken up the bug body to get better contrast against the wings. But I do like the…

UNSTITCHED COIF PROJECT DEVELOPMENTS - NEEDLES AND OFFICIAL SITE

Your periodic Unstitched Coif project update post! First some progress on my own rendition. Having established my vocabulary, I’m gaining momentum, aided in part by The Right Tool. The Right Tool? My size #12 rounded point beading needles finally arrived! What’s the difference? In the photo below, a standard John James brand size #28 gold finish tapestry needle is above, and a #12 blunt point…

I THINK I'M ON THE RIGHT TRACK

The Unstitched Coif project continues. After some experimentation, mostly documented in prior posts, I think I’ve hit on what will probably be the combo of threads and techniques I am going to use. I am still waiting for my fine beading needles and one last fine filament silk, which I may or may not work in. I like the look of mixed threads in a project, even mixed blacks, so even if that thread…

MORE CHALLENGES, MORE EXPERIMENTS

A bit of a challenge here, and almost like I invoked it through charms. After making the big eyeball cushion and then these little crocheted cotton eyeball appliques abstracted from the big cushion, yesterday I was diagnosed with Shingles, and the point of invasion is around my left eye. It’s like I leaned out the window and yodeled the Elf Knight’s name. So summoned, he came. I have been to…

INITIAL EXPERIMENTS

I’ve started in trying out various approaches and threads for the Unstitched Coif project. Here’s last night’s progress on my sidecar companion piece. It’s the same ground and threads I will use on the main project, but done to keep mistakes off “center stage.” This isn’t final work, just doodles. I am not proud of it, there are lots of things that are sub-optimal. Let’s go through the…

ALL DRESSED AND READY TO GO

… Just waiting for my thread to arrive. As I planned, after tracing the Unstitched Coif pattern onto my linen, I cut the cloth and hemmed the top and bottom of the piece (left below). Then I trimmed the left and right edges with a folded and ironed piece of wide cotton twill tape offset a bit from the linen itself, so that any side lacing would have something to bite into that would not distort…

INCHING TOWARD THE GATE

I amass materials for the Unfinished Coif project. First, the recommended linen has arrived. It’s very densely woven, and fabulously fine. So fine in fact that my thinnest silk is way too heavy to work the fills. It’s even fine enough to make counting the threads with my Penny Method difficult. Squinting as hard as I can, at max magnification, I really can’t parse out the count from my photos.…

"AN UNSTITCHED COIF..."

Those of you who are tuned into various historical embroidery info feeds may have seen a call go out a few weeks ago. Toni Buckby, a serious embroidery researcher and PhD candidate was looking for volunteer embroiderers to join a blackwork project that will lead to an exhibit at the Victoria and Albert Museum, plus provide fuel for her dissertation. I’ve long been a fan of Ms. Buckby, having…

BY POPULAR REQUEST - FAUX WEAVE TOE-UP SOCKS

It’s been a long time since I added a sock knitting pattern. But I had so many requests for this one after I posted about it on FaceBook, that I had to write it up and add it to the collection. Like all the rest it’s toe-up, with a short row heel. It’s written for DPNs, but it’s very easy to adapt to work on a circular needle, or use with the two-circular method. So to that end, my pattern for…

STITCHING ON THE MUSEO DEL TESSUTO'S 16TH CENTURY CAMICA

Of late there’s been considerable chatter in historical clothing and embroidery circles about the late 16th century Italian camica (underdress/smock) displayed by the Museo del Tessuto as part of their current exhibit on the life and times of Eleanor of Toledo. The piece is magnificently stitched and in extraordinarily good condition. The piece’s citation (autotranslated) is listed on their…