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@stone-stars / stone-stars.tumblr.com

i'm han (or han) | they/them | podcasts, dnd, and other fun things -- currently mostly naddpod and d20
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pinned post time! i post a lot of naddpod and 8bbc clips these days. tags for them are naddclips and 8bbclips. i always put the episode in the album field on the audio track if you want to find it.

if there's a bit from either show that you want to see clipped, a moment you'd like a timestamp of, or a scene/lore you'd like transcribed, feel free to message me!

timestamps for the first use of naddpod songs: campaign 1 / campaign 2

also, a note: i don't main tag most of my personal screaming/reactions to things. instead i use the tags "naddplog" for naddpod and "[season acronym]lb" for d20 (currently: fhjylb)

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reblogged

thinking about her for no reason at all

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stone-stars

[ID: Two drawings of Alexandrite, one fullbody and one bust. She's an AI with features like a dryad. She has deer-like ears and antlers, and her hair is short and straight. Her form glitches slightly. Her eyes and a crystal in the center of her chest glow bright green. In the bust, she's smiling as she says "Duck Team! Putting into system... permanent!" Her mouth also glows green. In the full-body, she's looking down with an expression of neutral disapproval. She wears an off-the-shoulder dress, and wires wrap around her arms and extend from her back.]

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reblogged

all i do all day is listen to music think about them and cry

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enchantlost

[ID: Digital art of the Duck Team from Campaign 3 of Naddpod sitting and laughing together on a green background. Sol and Calder sit upright, leaning on each other as Callie lays across their laps. They all share joyful expressions. End ID.]

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Transcript:

Balnor: I'll-- I'll help you. Whatever it takes so that this doesn't happen. Murph: You see Alanis in the flashback, uh, pulls out the little glowing wish stone. Alanis: You'll help a lot more than just this village where you're going. Murph: Uh, Balor's got tears running down his cheeks and he goes-- Balnor: I couldn't help them. I can barely swing a sword. Murph: Alanis reaches down and touches his cheek, and she goes-- Alanis: There's a war coming, and everyone needs to fight. Even old men who don't know how. I'll need to erase your memory. The people you're helping can't know what we're doing. Murph: Balnor nods. Balnor: You can try, but I don't think I'll ever forget-- Murph: She holds her hand over his forehead, white energy pulsates from it and transfers to him, and he gets this thousand yard stare. Balnor: -- Bobby. Alanis: It's time to go now, Balnor. Traveler Alanis: But my time is coming to an end. And I am here to finish my life's work. Murph: You see she reaches her hand out. Traveler Alanis: It's time to go, Balnor. Murph: You see Balnor looks confused. Balnor: What do you mean? Murph: She takes a deep breath and gestures to the world around you. Traveler Alanis: At this place, at this time, when the hope and the inspiration of the world is a literal source of power, I believe I can cast one last powerful wish. [Caldwell sobs softly.] To bring you back to your timeline, to your village and your family, before the attack. You are strong enough to save them now. Murph: You see Balnor gets a thousand yard stare, and he goes-- Balnor: Bobby. Murph: And you see he looks extremely happy, um, but then he looks at you guys, and he looks sad. Moonshine, tearfully: It's okay Balnor. Like all the most powerful things in this world, I knew I was only borrowing you.
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stone-stars

if you reply to this with a guy from naddpod (or d20) i will do a little doodle of them

[ID: Four drawings of Beatrix, an elf wearing a red dragon mask. She is standing staring forward, wearing a cloak and smiling, and throwing her head back in laughter. The last drawing is of BeAlexandrite, with Alexandrite overlayed in blue over Beatrix's face and mask. The shape of Beatrix's dragon mask and Alexandrite's nose line up. One of the eyes of Beatrix's mask is blue.]

@cactusnymph many days later, but i finally got to beatrix in my relisten so!

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Calder Aryox sits down, crosses his legs, and starts to whistle an old familiar tune.

[ID: a comic of Aryox. The background is black, and the lines are a faintly-blue gray. The drawings are on a diagonal through the center of the page, and mist cuts across the corners. In the top left is a shattered image of Raedak killing Aryox, distant as Havoc begins to swirl around them. It's cutting into the black background, piercing through the head of Aryox, who stands with his eyes closed. He opens his eyes, then looks back up at the image of his own death. text reads: "well. that's that, then. time to wait". Faint wisps of a melody trail down the page, to Aryox sitting with a smile and humming to himself.]

thousands of years is a long time to wait.

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[ID: Four drawings in bright blue of Alexandrite, an AI with a dryad-like appearance. Her features are deer-like, with rounded ears and small antlers. Her eyes are pupil-less, and her form glitches slightly. In the first two, she looks unimpressed, and then smiles. The bottom two are of her at the end of c3e59. On the right, labeled "moment of impact", the right half of her face is glitching out, small boxes covering her features and breaking her apart. The left side of her has no glitches, but rather her eye is wide and has a pupil, black lines like tear tracks down her cheeks. She looks shocked. On the left, labelled "assimilation", she is angry, her entire form glitching. She is yelling, revealing sharp teeth. While her right eye is still pupil-less, her left is black with a white pupil. The tear tracks have been replaced with geometric lines like a computer glitch, cutting down her face. Wisps of black smoke come off of the left side of her, and a single hair is out of place.]

i really, really like @sideblogdotjpeg's alexandrite (ft. her getting stabbed)

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i'm thinking abt fig and specifically "the second you see her you're gonna feel like yourself again. i get it, your girlfriend's out of town, it sucks"

it's like. fig's fear in the nightmare forest, that everyone loves the illusion of her and not the real her, that no one wants to hear a bass player solo. the one person in the world she has irrefutable proof that that's not true for, who she saw sees the real her with her own eyes, is ayda. ayda, who is gone and traveling across time.

and in the meantime, fig doubles down on helping her friends. she focuses on helping kristen and cassandra, helping riz with the mystery, solving things for the bad kids. she becomes a paladin because she's so devoted to her friends. that conversation she has with sandra lynn where she says she feels nauseous when asked about herself but so excited about other people. "i don't even wanna exist." sandra lynn suggests she asks the bad kids what they think of her and fig says no, she doesn't want to. it's scary to her.

and it's just... fig doesn't want to think about herself and she doesn't want to try to figure out what her friends think of her either. she's so content to focus on them, and almost everything she's done this season is for her friends. in rp and also mechanically-- becoming a paladin, focusing on mystery and fucking with ruben in the downtime, even just... going to school. she's doing that for the bad kids.

and she looks at ankarna, who has been corrupted by the things other people wanted her to be. the bad kids' influence on fig is positive, but it could just have easily been not, if she had different friends. if she was dedicated to people who weren't trying to do good.

"what do you think happens when i wear off and ayda notices the real you?" "i hope she finds something that i didn't know was there."

there's one person fig knows for a fact has always seen through the illusions of her, and sees something worthy of love. and she's out of town. so she gets it. it's hard.

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murph addicted to making npcs marked by their tragedy loss and broken relationships with the pc

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stone-stars

[ID: Two shaded drawings featuring Callie. In the first, she holds a large egg in her arms and strides forward with a determined expression. In the second, she's a kid again, holding her mother's sleeve. Oliana is staring ahead as if towards the older Callie. She's lost in thought as young Callie looks up at her. The area between the two drawings, where Oliana is looking and where older Callie is walking from, is darkened. The far edges, behind young Callie and in the direction that older Callie is headed, are lighter.]

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reblogged
Melora felt it, immediately, when Aryox was mortally wounded by the Ice Knife. She went to try to rescue him. And she failed. A look at the last words between friends, when one of them gave up everything to make the other a god. And how that shaped the world of Bahumia.